In 1995 or so, Jeffrey Cash Shoemaker introduced me to the sounds of Chicago area formerly homeless schizophrenic musical wunderkind, Wesley Willis. Wesley's songs were all fairly short songs which spoke directly from within, and were, perhaps, the most personal songs I'd ever heard. Let me qualify that with, these were the most personal songs I'd ever heard from a paranoid schizophrenic with access to a $200 keyboard. The rumor was that Jello Biafra of The Dead Kennedys had been the one to discover Willis, but I don't know if it's true. It makes as much sense as anything else.
My personal favorite Willis tune was "I Whupped Batman's Ass", but I came to understand later that, most likely, Wesley made up most of his songs on the spot, and in order for him to remember them later, somebody was writing the songs down.
A common theme of Willis's struggles with mental illness runs through Willis's songs. The tune "Nerve Shattering Hellride" perhaps best exemplifies Willis's struggle with schizophrenia, describing a ride on the Chicago public transportation system, and his struggles to not give in to the voices in his head during the course of said ride.
In order to keep the voices out, Willis often wore a walkman and listend to music, even when playing his own music. Including during live performances, I discovered, when I saw him play at Emo's on Austin's 6th street in the Spring of 1997. Willis was sick with the flu, we were told, and began his show late. By the time he had taken the stage, out of boredom, we had downed numerous bottles of a dollar beer, whose identity should spring to mind, but, perhaps rightly, does not.
Willis was chugging from a bottle of Chloraseptic in order to perform, sweating profusely and swearing a lot. Sensing a kindred spirit, I pushed aside any misgivings I might have had about the quite possibly exploitative situation in which I was participating. Willis went on to perform for what I estimated to be at least an hour and half, a time during which I was fairly certain he never noticed whether or not the audience was present. Further, all of his songs were in a binder, and he took considerable time out between songs to select his next tune. All of the songs, I might add, were pretty much the same song.
Eventually I tracked down my ride (we'd left directly from my RTF animation class), and I went home and went directly to bed, the tunes of Wesley Willis laying down a seed in my plowed and freshly tilled mind.
It took days for the show to get out of my head. Dozens of people joined together and, honeslty, not laughing at this guy, but listening to whatever the hell it was he was putting out there, because, you know... you honestly just hadn't heard anything like it.
Wesley had a video on MTV for a song called "Alanis Morrisette", which was pretty good by Wesley Willis standards. He wrote a lot of songs about people he liked, and more songs about people he did not like. But he liked music, and he was having a pretty hard time of it, and in the mid-90's, I think all you could really say was, "there but for the Grace of God Go I." Honestly, I haven't thought much about Wesley in years. He was an anomaly, and you hoped his earnings from record sales were enough to keep him off the streets and in good condition.
On August 21st, 2003 Wesley Willis was called home by The Maker. Rock over London, Rock on, Chicago. Wheaties, the Breakfast of Champions. Rock on, Wesley. May the nerve shattering hellride come to an end, and may you be welcomed to your seat among the great ones. You truly did manage to rock the hell out of us.
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