From the files of What the @#$%?

MECO visits The League

So, on December 2nd 2004, The League posted regarding the League's favorite Christmas album, cult holiday classic, Christmas in the Stars.

Anyhow, today Randy suggested I track down a certain perpetrator of ill-will toward Mother League, and a single name caught my eye.

meco

For some bizarre-o reason known only to HaloScan, it doesn't indicate that I have any comments on this post, but the post is actually rife with comments. Not the least of which is a comment from 70's and 80's pop superstar Meco, producer of Christmas in the Stars and Star Wars Disco.

Meco had this to say:

I am the producer of the Star Wars Christmas album. In answer to two of your questions - That is really John Bon Giovi singing. He was 17 at the time and is the cousin of my producing partner, Tony Bongiovi. I ausitioned several people to sing that song, and finally settled on John. That really is Anthony Daniels who flew into New York for one week to sing - or should I say speak - his parts. After my success with the dance versions of Star wars and The Empire Strikes Back, I worked very closely with George Lucas, who approved every song and lyric before I recorded it. After it was finished, George read the credits and had his secretary call me to ask if "Concept by Meco Monardo" - could be changed to - "Concept by George Lucas and Meco Monardo". The record compnay had already pressed 150,000 copies but agreed to make that change in the next pressing. Unfortunately, the record company, RSO Records, went out of business in November of 1980. Their number one group, The Bee Gees were going to sue them for back royalties.

Can you believe it? MECO HAS BEEN TO THE LEAGUE. It's a little like looking into the face of a bajillion stars. Only I still have my corneas and my skin dodn't burn off.

Meco must have been doing a little Googling when he found The League as he posted this in May, several months after the initial posting. And, as such, I almost didn't notice.

In a way, I now have to thank the person who said awful things in place of my mother, because without them, I never would have known Meco Monardo, or someone pretending to be Meco, had stopped on by at The League.

Part of why this is so odd is that the Meco Star Wars record was one of the first records I ever owned, right after Disco Duck and maybe the Grease soundtrack.

Man, this is weird. Wish I'd seen the post earlier.

For the weblink left by Meco, click here.

The League Looks to Brand Itself

Soooo...

I was up to no good last night and I noticed... it's exceedingly easy to go onto CafePress.com and set up a shop.

Now, I like to think it'll be a sweatshop of some sort with lots of little children toiling away in sub-Saharan heat, but thats MY dream.

The question I put to you is this: Is it worth my time and effort to go and set up a design or two for official League of Melbotis merchandise? Items would include t-shirts, caps and possibly coffee mugs.

Now, the nice thing about CafePress is that once the design is in, that's it. You'd order the shirt and, voila! You got a shirt in the mail in a few days. I know the ranks of The League are too small for me to even dream of trying to make money doing this, so I wouldn't add on any profit to the cost of the shirt. That should help keep costs down a bit.

If you think you'd be interested, post to the comments section.

For those of you wondering why my Charlie and the Chocolate Factory review was, ahem, brief...

I was actually trying to get a review completed for Comic Candy.

The review is full of grammatical errors, but I invite you to go check it out.

Review of All-Star Batman and Robin, the Boy Wonder

I've asked Jamie to review Charlie and the Chocolate Factory. I will be reviewing the massive acne breakout I've suffered since going on my chocolate splurge.

Letters to Melbotis:

Hey,

So when does Lucy get to join the league?

Dad


Hello, Dad,

Melbotis very, very excited to hear from Admiral. Admiral is nice man who often have towel for Mel.

Unless this letter from Mel's dad. Which would be AMAZING. If so, Hello, Daddy. Mel never met you, but Mel suspect you were also a big boy. Mel is very happy to hear from you and hope you are having good life, but why you never write before? Perhaps you joined evil Empire like Darth Vader? Noooooooooooooooooooooooooooooooooo.....

Mel not ready to burn you on funeral pyre while teddy bears have party.

Anyhow, Lucy is very annoying, but chubby couch man say Lucy must stay. Sometime pale lady not so sure, but chubby couch man insist. Anyway, Mel mostly only figurehead at League and does not make much policy. BUT, last Mel heard, Lucy have Junior Membership in League, but not expected to perform duties of full-fledged members.

Mostly, Lucy run around and eat grass, chew on Mel's head and take away toys Mel want to play with. She live in box at night and during hot part of day. Chubby man explain this is "C.S.Tuh." Mel not understand.

Anyway, Daddy, Mel hope you are happy dog, and hope you know Mel is good boy and have own website. Hooray!

-Mel

THE LEAGUE REVIEWS:

CHARLIE AND THE CHOCOLATE FACTORY


20 minutes into the movie, I thought that if someone didn't get me a @#$%ing chocolate bar, I was going to chew somebody's arm off.

The End

Trapped in the Closet, The League bears witness

So...

Remember the dude who teamed with Michael Jordan and the Looney Tunes gang to teach a whole generation he could fly (or was it them? I can't recall...)? Just who was that man singing that inspirationally treacly tune?

R.Kelly. That's who. The film: Space Jam. Yeah, I saw it. Shut up.

R.Kelly then used the launchpad of his success with Taz and Co. to do two things:

1) create a series of videos which were operatic in nature, belying the over-produced goofiness of R.Kelly's substandard R&B stylings.

2) get charged with 21 counts of child pornography.

For the past few years, it's been the latter of R.Kelly's two achievements that has really been grabbing headlines.

Well, good news for music lovers. R.Kelly is back! And this time he's come with an astounding creative vision, an operatic saga of Wagnerian proportions. Crossing the span of five songs and five music videos, R. Kelly's opus is curiously dubbed "Trapped in the Closet".

Yes, "Trapped in the Closet." R.Kelly's not afraid of ducking the big social issues. Like picking up chicks at bars and then having to hide from their husbands in, you guessed it, the closet.

This sort of stuff more or less makes up the entirety of the 5-song cycle.

Now I know all of you want to dash off to watch all the videos, but maybe you don't have 20-25 minutes to dedicate today to R. Kelly? Well, The League is here to assist.

Remember how in the summer you'd get a job and you'd be working with people you just don't know in the slightest, and then in Day 2, they decide to start unloading all of their Jerry Springer personal lives on you? And you begin to formulate a theory that this person seems to have designed their model for proper behavior between human beings by watching endless hours of Melrose Place and The O.C.?

And despite the fact they're managing to bore you AND make you uncomfortable with their stories, you can't manage to just shush them. After all:

1) Your mama raised you to be polite and listen
2) You figure that if they're telling you, it must be very important and maybe they've decided you're the only person they can talk to (until you realize every single person around knows the entire story by heart by now)
3) You figure if they're bothering to tell you this incredibly convoluted story with a half dozen characters and an obvious chain of incredibly poor choices on the part of the narrator, my GOD, there's got to be a point...

And then the person finishes the story and asks you what you what you think, and you're left standing there wondering, since their story has made you seriously consider the legitimacy of mandatory sterilization for the very first time, that maybe you're a closet fascist.

Well, that's R. Kelly. R.Kelly is the moron who sat in front of me that bleak summer at North Harris Community College who couldn't pass any exams whatsoever. R.Kelly is the twit who took up my coffee break three consecutive days at Chuck E. Cheese. R. Kelly is the flake I sat next to at defensive driving. R. Kelly is the angrily irresponsible boob Real World casting agents salivate over.

What does the song cycle accomplish?

The sheer scope of the project screams "epic", and you can almost feel it. This is IT. This is R.Kelly's big artistic moment, his chance to prove he's not just a guy who takes pictures of underage girls. He's a serious artist with a big picture of the world that he simply must share or he might explode.

And, apparently, he's a guy who doesn't think it's weird that he doesn't need to come home to his wife at night, and that he will cheat on his wife after a drink or two. We also learn that he's a serious artist who doesn't wear protection (nor even shower) after finding out about the wild world of sexual intrigue he's just foisted upon himself.

Re: the title

I don't want to give anything away. Someone in this tale is, in fact, gay... Is it R.Kelly? Well, the title would suggest exactly that. But, in a completely unsurprising display demonstrating a total lack of subtely on R.Kelly's part, R.Kelly as narrator is not revealed to be gay. He's actually trapped in the literal closet.

It is another character who disappears after Song 3 that is figuratively "in the closet". And while Figure #3 is important, he's not really central enough to make you think he should really be grabbing the title.

The whole enterprise sort of leaves you wondering. Is R.Kelly that naive to think that the title wouldn't raise a few eyebrows, or were the extra two parts of the song just R. covering his tracks? The world may never know...

Now, for no particular reason a gun enters late in Track #1, adding both an alarming insight into R.Kelly's first line of defense in a confrontation and a lot of awkward and pointless gun waving during the interminable Track #2.

Musically, all 5 tracks are the same indistinguishable mass of steady beats and audio loops. What's supposed to be carrying all five tracks, in theory, is R.Kelly's vocal. There is a sort of rhyme and meter, but the entire thing feels more like R.Kelly made up as kooky of a story as he could while floating in the tub and then added a few loops behind it.

Still, you doubt The League? Here are some of my favorite lyrics.

Damn, here comes a police man
He drove right up on me and flashed his light
Then I pulled over without thinkin twice
He hopped out the car and walked over to me
And said license and registration please
I looked up at him and said
Officer, is there somethin wrong
He said no, except you were were doin 85 in a 60 mile zone
Then I said officer
Let me explain please
Ya see the truth of the matter is
Is that I have an emergency
He said no excuses
And no exception
I said this is some bull...as he gave me the ticket

Tellin' it like it is. Reportin' from the streets. It's R.Kelly. For all the lyrics, click here.

The truth is, this actually reads about 10 times better than it actually sounds.

Leaguers, I simply CANNOT RECOMMEND "TRAPPED IN THE CLOSET" ENOUGH. It's a rare thing when one sees a project so obviously important to an artist, a project so near and dear to an artist's heart that they want to say, "THIS IS IT! THIS IS THE ONE THEY'LL REMEMBER ME FOR!" And it is rare that such a labor of love is such a complete trainwreck of misery and crapola completely exposing the artist for the hacky schmuck he really is.

To watch the entire epic, click here.

I have no idea what TP.3 means. Maybe it's slang for "The law requires that I inform you that I am living in your neighborhood."

TTSNB, San Diego ComicCon Part 1

It's San Diego ComicCon time again, and that means it's time for a whirlwind edition of TTSNB.

As always, The League is just leeching off the good work done by the folks at Action-Figure.com.

The San Diego ComicCon has become a real launchpad for new toy lines and showcasing new product from existing toy lines aimed at collectors. So not all toys in this edition of TTSNB are necessarily TTSNB. There are also toys The League finds to be of interest.

DC Direct usually just makes DC Comics related merchandise, but recently decided to add items to thier line which include other WB properties. Not the least of which is the popular Looney Tunes characters. The League tittered like a little girl at seeing the new Looney Tunes Golden Age collection.

You can have your action heroes and I can have mine. Johnny Cash gets his own action figure from SOTA TOys. I can't wait to see the battles between Johnny and Megatron.

Do the chickens have large talons? Now you can decide! Set up Cage Fighting matches between Napolean and Kip. Make up your own election speeches for Pedro! Envision your own, unique dance for Napolean! All your wildest dreams will come true with these collectible figures from Napolean Dynamite.

Personally, I wanted a Debbie figure with her handcart loaded with plastic crates.

Vote for Pedro.

Did you enjoy seminal 80's action film "Die Hard"? The League did. Coming soon, the folks at Palisades Toys will be bringing you adorable likenesses of our friends Hands, John, and Argyle. But, curiously, no Al.

The League is so far most excited about a new line of DC COmics toys from Mattel which appear to tie in with the Batman line The League has been so fond of (anyone remember The League welcoming Killer Croc home?).

While The League is puzzled over the Batcentric nature of the toys, The League suspects Mattel had some Bat-TOys all ready to go when they decided to go to a DC line instead of a strictly Bat-Centric line. We're hoping we see a Wonder Woman and J'onn J'onzz in pretty short order. But we do have a new Bizarro, and that ain't all bad.

This may also explain why DC Direct is now moving into creating non-DC Comics related figures.

update: I forgot the link to the new DC figures.

Reed T. Shaw, Captain of the starship "Winaprize", and proud father of QuickDraw McShaw has popped up in the old e-mail box.

Reed-o has some interesting links to share.

On the subject of Lance Armstrong, go here.

and here.

For race updates, here.

And, hinting The League and Mrs. League might do well to look into the sport, Reed sends along a story about The World Wife Carrying Championship.

You can read here and here.

Being of the Finnish persuasion, i wonder if I wouldn't have a genetic disposition for toting around wives. Especially my own.

Hey, all.

Quick Suggestions for Further Reading:

All-Star Batman and Robin the Boy Wonder is coming out today. Run, do not walk, to your local comic shop. Get it while the getting is good.

Written by Frank Miller
Pencils by Jim Lee



Click here for the previous SFFR to read up on Age of Bronze Vol. 1.

The League Goes to the Cinema to bear witness to
FANTASTIC FOUR

So, The Legue took in a special weekday journey to the cinema to catch up with Marvel's latest foray into the world of celluloid.



Jack Kirby created the FF after leaving DC and Challengers of the Unknown behind. Stan Lee pretty much forced him to turn his adventuring team into super heroes to help him launch Marvel Comics, and it worked. For forty years the FF has been the First Family of Comics, and is billed as "The World's Greatest Comic Magazine." A loyal fanbase the FF has. And Marvel does a good job of replicating the spirit of the comics while recreating the origin in a world without Commies to beat into space.

As anyone who has ever spent more than twenty minutes perusing The League can tell you, I'm going to dwell on the fidelity of the comic-to-big screen adaptation. Which is pretty close, actually. Four (well, five) people go up into space to check out some cosmic rays, something goes wrong, cosmic rays bombard our heroes and amazing powers are bestowed upon the heroes.

The Four (well, five) return to Earth and fight Mole Man. Well, no Mole Man, but I don't think you're going to hear anybody complaining that the first adventure didn't include Mole Man. Instead, we've jumped to villain numero uno. Lucky number 5 up in space is Dr. Victor Von Doom of Von Doom Inc., a company powerful enough to own it's own space station with gravity replicators. But, a company which has not yet gone public.

Curiously, instead of giving Doom a pathological hatred of Reed for being right about some calculations (and Doom being wrong, and this leading to an experiment exploding in Doom's face, scarring him and pledging a life of anti-Reedism), in the movie, Reed sort of does shoulder some plame. During our space mission, Reed forgets to carry a zero, and realizes the space storm isn't coming in seven hours, it's coming in seven minutes. He tells our hapless CEO, Doom, about the predicament. Doom tells him he should probably get rolling with his experiment (having just spent a billion dollars getting everyone into space. Note to self: Leave at LEAST a day early for space-based experiments).

Next thing we know, kablooie! Our heroes (and, we learn later, Doom) are bathed in cosmic rays.

After an improbable scene atop a bridge (either Georhe Washington or the Brooklyn Bridge...) the FF become Media darlings, and for some unexplained reason, this makes Doom's IPO tumble. Doom, however, is left holding the responsibility ball and is told his company is now, uh... doomed, thanks to the failure of the space project. (Talk about putting all your eggs in one basket. Diversify, Victor!) Ironically, for once, a villain appears to have a fairly legitimate reason to be irritated with a superhero movie's protagonist. Oh, that, and Reed steals his love interest. So, yeah...

Anyhoo, a vast majority of the movie is dedicated to the FF discovering their powers and dealing with suddenly being dumped into the media spotlight. And then Doom goes crazy and tries to kill everyone. And he has super powers and no accent, although he's from a tiny Eastern-European country.

Anyway, the Four get their act together and have a somewhat interesting battle with Doom in Vancouver/ NYC. The Thing picks up an HBC (Hot Blind Chick), Johnny zips around sporting the best effects of the movie, Reed's effects are uniformly terrible, and Sue's effects are sort of old hat, so...

Anyway, is it close to the comic?

Well, sort of. The Baxter Building is there. Willy Lumpkin, the FF's mailman, makes an appearance. It's still early in the game for a Fantasticar or HERBIE, or Annihilus or, uh... Galactus. And we are saved from the menace of explaining the Inhumans. In one major departure, Ben Grimm is given a wife he can lose, but she's not around as much more than a plot point before disappearing.

Von Doom's past is changed, but, more than anything, Julian MacMahon is just never properly threatening. In fact, as mentioned before, you sort of get the feeling that maybe he has a lot of legitimate reasons for not liking Reed Richards. Sure, he's a bit egotistical, but he just seems like a run of the mill jerk with a lot of dough. To his credit, he appears interested in being helpful to the FF for the first half of the movie, not to mention concerned for the future of his company, which, no doubt employs hundreds of loyal little scientists, office admins and janitors.

The final act just never really leads you to think Doom is really all that threatening, and while MacMahon isn't exactly lighting the world on fire, Tim Story's direction of MacMahon just sucks. Doom is not the kind of guy who picks up a rocket launcher, walks to a window and fires it. Doom uses robot minions to do his dirty work, and would never lower himself to getting his own hands dirty. Also, Doom has sort of a regular guy voice for the face that literally inspired Darth Vader.

As Sue Storm, Jessica Alba does little more than act bratty and fill out a spandex suit. One is left to wonder, aside from her Barbie-like features, what an egg-head like Richards would want with Sue? She yells at him and lays passive-aggressive guilt trips on him like a perpetual bad-ex-girlfriend machine. Not to mention arbitrarily shouting at her brother. But she's pretty, so we know our hero will love her by movie's end. Her invisibility effects are okay, I guess. Nothing innovative makes it's way into that department at all.

Chris Evans plays Johnny Storm just as he is in the comics. Broad, silly, but with a conscience. And, again, the best effects seem reserved for the Human Torch sequences.

Initially I was disappointed that The Thing was not a CG generated 7' high 4' wide behemoth. And part of me is still disappointed that isn't the case. At times the Thing's latex costume is convincing, but whenever he turns his neck, you can see that it's Chiklis in a rubber suit. Still, he looks like he's got better mobility than either of Keaton's Batman suits. I guess The Thing was fairly close to Lee and Kirby's initial take. Chiklis doesn't embarass himself in the role (or suit), and given the kiddy audience this movie is intended for, his pathos at becoming The Thing is probably heavy enough. Nobody likes a whiner. Chiklis wisely goes with understandably grouchy.

The dude playing Mr. Fantastic probably didn't need to read any comics to get Reed Richards down pat. He's just a guy who loves his work and has forgotten about everything else in his quest for the advancement of science. His power is to stretch his body mass into any shape he likes. Sort of like the ultimate Stretch Armstrong. The Mr. Fantastic FX are, as noted above, quite lame. But I never really cared too much. It took me out of the moment a bit, but after w hile you can play a game where you try to decide what part of mr. Fantastic is actor and what part is colored polygons.

Most disappointing was the creative team's lack of Kirbyism. Jack's name is up there in the credits right next to Stan's (a shout out to fans who know who REALLY dreamed up the FF), but no sign of his wild vision for the FF's unique technology makes it into a single frame. Instead, everything looks sort of as if it were purchased at Fry's electronics. Where are my Kirby-dots when Doom crackles with energy? Where are the wavy lines over glass? The unnecessary zigzags? The odd reflections of endless miles of steel tubing? Where are my pronounced bottom lips and sleepy looking eyes?

Dammit, man! I wanted KIRBY! Where's my fill of villains with improbably designed headgear?

Also, for some odd reason, the script makes it sound as if Reed is a genetcist. Which is fine, I guess... But the FF in the comics are adventurers, not guys working ont he human genome project. Nor are they superheroes with capes going out on patrol. They're a team of professionals ready to jump in the Fantasticar (designed by Reed) to drive through the transdimensional gate (also designed by Reed), to collect data with instruments (designed by Reed), for application in industrial projects (by Reed). Unfortunately, they often run afoul of transdimensional beasties and alien warlords in their travels. And it was this adventurous attitude that got them bathed in cosmic rays in the first place.

In truth, the movie was better than I expected. It's certainly more enjoyable than the forgettable Daredevil, but is still a far cry from the rare-achievemnt of the Spider-Man movies. The story and characters are terribly kid friendly, and a part of me would have loved to have seen more toys and doo-hickeys (Fantasticar, HERBIE) for younger fans to have as $20 plastic toys.

Maybe next time around.

Not only does the film jump up and point to the likelihood of a sequel, it's made enough this weekend alone to justify a second round with the FF.

The League Presents:
TOYS THAT SHOULD NOT BE

The Longhorn Po-Boy Enthusiast


Anyone who lived in Austin got used to occasionally seeing local eccentric and body-modification nut, Enigma, out and about from time to time. The first few opportunities running into Enigma at 2:00 am at Magnolia Cafe was always sort of titillating. "Don't look, don't look... okay, NOW!" you'd always say to the person who hadn't seen Enigma and/ or his Cheetara look-alike girlfriend.

But after a while, you'd be headed into Kinko's to photocopy your tax forms or headed into Longhorn Po-Boy to grab lunch, and there was Enigma. And that's sort of the trouble with naming yourself "Enigma" and trying to set yourself apart from the rest of us regular jerks. The magic is sort of gone the second someone sees you actually doing the same mundane bulls**t everyobody else has to do. (I would love to see Enigma having to water his yard. Seriously. It gives me the chills just thinking about it.)

Having no discernable talent not held by the average 19-year old in Austin, Enigma has sorted of traded on his modification at freak shows and a brief appearance on X-Files about 10 years ago.



Encouraged by the attention, Enigma remains true to his vision for himself, and while something about all that ink sort of makes you feel that the man just needs a big hug, you also have to admire his ability to sit in a chair while somebody pokes him.

Palisades Toys has just announced that Enigma will be turned into a tiny, abstract little action-thing for collectors of this sort of stuff.

The League admits to a twinge of jealousy at this man's ability to dye himself blue, but The League is also a sucker for a steady paycheck and health insuance.

Also, why is the toy gray?

Roger Ebert: Fantastic Fear

In reviewing "Fantastic Four", I believe Roger Ebert just said, "Well, I'd like to see Jessica Alba in an Invisible Bikini." And then later went into how Alicia Masters and Ben Grimm would need a "reinforced bed" if we're to believe their romance should come to it's logical conclusion.

Thank you, Roger, for taking something delightful from my childhood and making it high-octane nightmare fuel.

this shall make Steanso wet himself.

Correction: this will make Steanso wet himself even more.

Soulhat returns! Whoo-hoo!

Thanks to Jim D. for the link.

And no thanks to Steanso for dragging me unwittingly to a Soulhat show in 1994.

this image would be hilarious if I could get it to show up the right size. Click for full-sized hilarity.

THE LEAGUE GOES TO SEE WAR OF THE WORLDS

ZAP! BLAM! ZORCH!!! KA-POWIE!!!!!

Since The League was a wee tot, he's been a bit interested in HG Wells' tale of horrific panic, War of the Worlds. I confess that my interest hasn't really been in the novel (which I finally attempted to read this spring to, uh... mixed results), but in the 1938 radio broadcast and 1953 film versions of WoW.

In 7th grade I had initially heard about the mad panic caused by Orson Welles' broadcast, and located tapes of the show. For those of you unfamiliar with the 1938 broadcast and ensuing panic, I HIGHLY suggest you read up on the broadcast here. The radio broadcast is absolutely worth listening to for more than nostalgia reasons. Just imagine tuning in a few minutes late and it sort of boggles the mind.


In 1988, a TV series based upon the 1953 movie was released. Staying mostly in continuity with the movie, WoW: The TV series suggested that the 1953 attack had been a scouting mission of some sort, and in 1988 the aliens were finally getting off their duff and getting serious about taking over the planet. The show was 1) not that great, 2) got real weird real fast, and 3) was on at some awkward time, so I didn't catch it all that often.

It DID lead me to rent the 1953 movie which, along with the debut of MST3K, led me to a love affair with classic sci-fi, good and bad, which continues to this day. (It is no coincidence that both War of the Worlds and MST3K both have characters named Dr. Clayton Forrester.)


I still watch the original film about once a year. Sure, it's a bit dated and sexist, but it's good at what it does, and I can still remember how it scared me the first time I saw it. The ship design is still excellent. Sound FX, alien FX and force field FX still hold up remarkably well.

War of the Worlds relies on poking and prodding your fight or flight responses. Unlike Freddy Krueger, Jason Voorhees, or even the aliens from ID4, the aliens in WoW can't be fought, can't be slowed, can't be tricked with some nice flying and a Mac with a wireless connection. They're pure unstoppable force with no points of weakness. To see a tri-pod is to see death arriving.

So how does Spielberg's War of the World's stack up?

Pretty well, I guess.



It should be no surprise that the special effects, sound design, set design, etc... are all top notch. The tripods look and sound phenomenal. Scary, monstrous stuff, taking cues from both the novel and the 1950's film (sound FX and the look of the force fields). And while I like the gliders from the 1953 version, it's no secret that the gliders were there because the special FX folks couldn't animate a 3 legged vehicle without it tumbling over. This crew makes it work.

The tripods seemed to have more of a functional purpose in previous incarnations, given the aliens' physiology. There's nothing really wrong with the current look of the aliens, but by taking away the fact that the aliens are using the tripods for tasks (ie, violence) their bodies can't perform, it somehow takes away the cold thuggishness of the three-eyed blobs as they go about their business.

Oh, three eyes? Not in this movie, baby. These joyriders are all about stereoscopic vision. Seemingly the love child of tea aliens from AI and ID4, it's all elbows, long limbs and beady little eyes. It's a nice design, but I sincerely liked the squat blobs of the 1953 version a bit better. Not to mention that the horrible three-part eye was about all you really saw of them. (creepy little three-eyed bastards).

The film uses images of devastation with great effect. Unlike the fireball devastation of, say ID4, Spielberg's WoW tears apart freeways and overpasses, blasts apart intersections and disintegrates buildings, brick by brick.

Tom Cruise is, and I hate to say this, pretty darn good. As much as he annoyed the hell out of The League in The Last Samurai, Tom uses that cocky charm to good effect in this film (for maybe five minutes when things go boom). Yes, he is a jack-ass, but in this movie, he's our jack-ass.

Dakota Fanning is good, I guess. I've read some reviews which talk about her giving an Oscar-worthy performance, but I don't know if that's quite how I see it. Sure, she's good, but, you know...

The story flows along at a good pace, although it does eliminate the familiar "standing around the spaceship until bad stuff happens" scene which found it's way into the book, radio show and movie. The script definitely borrows elements from the book and 1953 film (avoiding detection in the house) to good effect.

The movie does a fairly good job of propelling itself along (at breakneck pace) while integrating memorable character moments. Some of these are Spielbergian character moments of goofy sentimentality, but it's not that they don't work or even necessarily insincere. They're just... sort of... Squishy.

A lot of items remain unnecessarily unexplained. And while War of the Worlds has never gone out of it's way to get into the minds and motivations of the aliens, some items simply could have used a little clearing up.

beware: HUGE SPOILERS AHEAD

Unsurprisingly, the points at which the script strays furthest from the original concepts are where the story runs into trouble. Innovations like the aliens inserting themselves via lightning strike goes beyond defying physics to defying logic. Were the aliens just floating around in a cumulonimbus for the past million years? Is there a mother ship or not?

The film suggests that the tripods sat dormant for millions of years. How on earth were the tripods not identified under the streets of NYC, Boston, Chicago? Why did the aliens wait a million years?

Waiting a million years suggests that the aliens had been to earth before. Wouldn't they be aware that they were going to keel over if they'd visited earth before?

Further, this Modus Operandai suggests that this was most likely not the first time the aliens had used this MO for invasion. Have the aliens not yet learned the value of a good, sealed space suit?

And if they had a million years, why didn't they just nuke earth from orbit and come back when the radiation was gone? Or use cows for their evil schemes instead of people?

end spoilers

The movie makes more sense in the context of Mars invading earth, and while the movie never explicitly says where the aliens come from, the logic behind the original movie, radio show, etc... somehow seems to add up slightly better.

That said, the movie is a good popcorn movie. It may, in fact, win some academy awards for sound and visual FX. And while WoW will most likely continue to be interpreted for film, TV and who-knows where else, this version certainly won't do the general property that is WoW any disservice.

Anyway, all in all, fairly enjoyable.

I also saw the trailer for Peter Jackson's King Kong. People (I'm looking at you, SGH) seem bent out of shape about this movie being made. I'm not really sure why.

Look, I love the original King Kong. I think it's a great adventure movie, but, let's be honest, it's not 1933 anymore. The story should still work for audiences today, and today's effects are a direct descendant of the original Kong.

It's got a gorilla and dinosaurs. Thus, it has already earned my $8.00.

You are Pedro Sanchez and love holy chips.


Which Napoleon Dynamite character are you?
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The League presents
Suggestions for Further Reading:

AGE OF BRONZE


So, comics aren't all capes, tights and jet packs. Occasionally someone decides to do something a little different. Or, depending upon how you want to read it, something classically familiar.

Eric Shanower is the one man band behind Age of Bronze, a retelling of the Trojan War in comic book format.

I've only read Volume 1 (Volume 2 is just now being released as a trade paper back), but thus far, Age of Bronze has been a true achievement. Handling dozens of characters, both familiar and less so, as well as a handful of ancient cultures, Shanower manages to put a unique stamp on each character and storyline.


To prepare for the comic, Shanower has done his homework. Pulling from more than just the Iliad, Shanower has consulted other versions of the story, both ancient versions and modern versions based upon archaeological evidence of the recent past. Shanower manages to meld the sources in order to create a level of understood depth that easily surpasses the usual stereotypes of togas and sandals standing around columns.

The story doesn't ignore the Gods and mythology in his retelling, but has chosen to show only the mortal (and perhaps, thereby, human) side of the story. It is possible the gods are at work, but it's left to the reader to decide if the gods are actually involved or not. Character still experience visions, there's still some divination and prophetic dreams, but at no point do the gods actually make an appearance.

The story takes us from Paris living as a cow herder in rural Greece to the setting sail of 1000 ships toward Troy. Characters such as Odysseus and Achilles play prominent roles as the story unfolds, but are not presented as flawless mythological beings as much as charismatic and skilled leaders.

To some extent, the dialogue can occasionally feel stilted. And it should be mentioned that Shanower's art is occasionally stiff as costuming details take precedence over natural poses. It might also be mentioned that, as of this printing, the art is entirely in black and white. Will the reader miss the color? Most likely not. Shanower's art doesn't need color to succeed. The pacing, elaborate detail and characterization do more than enough to keep the reader invested.

Age of Bronze is a good cross-over book for folks who still won't read about superheroes, or folks into mythology or ancient history. If Shanower is being serious, the story will span 7 volumes before it is completed. I'm guessing these books are going to find their way into classics departments for quite some time well after the 7th volume is finally released.


For previous Suggestions for Further Reading, click here.

The League wishes to make note of the horrific events of today in London.

I am unsure of what to say, other than that my sympathies, and those of all Americans, are with the people of London and the United Kingdom.

England will, of course, show the world why it is famous for its resolve and tenacity in the face of such adversity.

Mystery Albums from a Far-Off Place


So, occasionally being Chairman and CEO of The League of Melbotis has unexpected consequences. Sure, The League has not brought fame, money, women or even personal gratification… But occasionally material goods are gotten in a way which I don’t have to report on my taxes.

Just such an adventure began not long ago when The League made a trek to the mailbox.

The mailbox contained two padded media envelopes from two different people The League does not know. Quickly discerning that the albums were, in fact, from eBay sellers and bought by an anonymous source, The League was intrigued.

Inside envelope #1? Warrant’s 1990 album, Cherry Pie.

Yes, Cherry Pie. An album The League confesses he had never heard in its entirety. But was The League, age 15, really right to prejudge the band and album based upon bad hair and a video fraught with double entendre?



Well, let’s just say that while my initial feelings on the album were, perhaps, knee-jerk and reactionary to what was the oppressive nightmare of late 80’s hair metal. No matter the initial success of the record, the album has not aged like a fine wine.

While the title track, Cherry Pie, does fill my head with images of the video and model Bobbie Brown prancing about with a firehose against a white backdrop, the nostalgia ends there. From there, The League gets the same queasy uneasiness which he felt quite often circa 1990 as bands such as Warrant, Great White and Poison filled hour after hour of MTV’s programming.

The League’s fragile psyche was rattled with flashback images of sweaty glam rockers, rocking in unison.

Luckily, it is not just The League which has chosen to put the past behind him. It should be noted that Windows Media Player did not retrieve the album information as it usually does upon accepting any new album.




It should be noted that at some point and for some duration, Bobbie Brown was, in fact, married to that cheese-d**k singer you see in the photo.















Inside Envelope #2? The pain continues with Poison’s 1990 bow, “Flesh & Blood”.

Oh, holy hell.

There’s not a memorable song on this waste of 0’s and 1’s. Poison was a particularly asinine part of circa 1990 America, perhaps giving the rest of the world a pretty good reason to turn on the US of A.



Led by “Bret Michaels”, Poison was visually and musically indistinguishable from any other 1980’s metal band, save for wild man CC DeVille. CC was most memorable for lying on the floor during his screaming guitar solos and refusing to quit rocking even after becoming very pudgy and his styule of music was horrendously out of vogue.

Honestly, I’m coming up empty. This is a really, really shitty record. And if you bought it for your own listening pleasure between 1990 and 1992, you deserve every bad thing that ever happened to you.





Thinking the gifting was over, The League was surprised to receive a 3rd envelope from yet another eBay seller.

Inside envelope #3: Ugly Kid Joe’s 1991 musical travesty: As Ugly as they Want to Be.

The musical equivalent of Garbage Pail Kids, Ugly Kid Joe somehow stumbled their way into fame as, in the wake of the success of Pearl Jam, record execs abandoned their glitter-sprayed LA metal gods in favor of earthier, more flannelized fare. This effort was met with, as history has shown, mixed results.

Ugly Kid Joe was an overshot by a well-meaning record exec who confused earthy for stupid. Nobody asked for Ugly Kid Joe, anymore than anyone asked for Mr. Big, and yet, here they were. Constantly.

Honestly, The League has such bitter feelings about this particular band that we have bypassed a listen of this record. We heard the hit single, whatever it was, enough during our formative years that the very sight of the album cover brought back the nervous twitch in our left eye.



The little, hilarious, caricature on the cover of the album still brings back bad memories of trying to come of age in rural/ suburban Houston. Guys like this were a sort of omnipresent threat.

The League remembers this music with an extra dash of piss and vinegar as this was the original co-option of "college rock", which was, of course, transmorgified hair metal. This trend has not only continued, but led to travesties such as Avril Lavigne and "Hot Topic."






Just as we were all set to blog upon our gifts, what should come in the mail but lucky envelope #4.

A curious addition to the previous arrivals, the anonymous gifter had selected Anthrax’s 1991 release “Attack of the Killer B’s.”

This album was not a new album. It’s a comp of Anthrax’s B-Sides and other obscure and unreleased material. And while The League was not so much an Anthrax fan himself, he at least felt that Anthrax was, at minimum, funny, if not as scary as they wanted to be perceived.

Curiously, this collection of B-Sides may have done more for Anthrax’s longevity and general warm wishes amongst Gen X’ers than any of their previous work. In a move well-documented by VH1 and MTV at this point, Anthrax had decided to join controversial hip hop group Public Enemy for a new version of “Bring the Noise” from PE’s watershed 1988 album, “It Takes a Nation of Millions to Hold Us Back.”

Anthrax, not entirely by accident, brought hip hop to a generation of white kids who otherwise had given up on Hip Hop after Run DMC’s “Raising Hell.”

“Bring Tha Noize” also appeared on Public Enemy’s 1991 album, “Apocalypse 91: The Enemy Strikes Black” (an album which contains League favorite “By the Time I get to Arizona”).

Sadly, The League isn’t anymore into Anthrax now than he was in 1991. And, it should be mentioned for Madi that, for The League, memories of Anthrax and Denise D. will forever be intermingled. That dame was really into Anthrax.

The League was supposed to see PE in 1991 or 1992, but plans were scrubbed when the tour, double billed with goth-curiosity “Sisters of Mercy”, failed to sell enough tickets and the show was cancelled.

With several out of town visitors in for the show, the group got their money refunded and went to see Charlie Sheen’s “Hot Shots” at the North Oaks 6 Cineplex.

We're booked for Beaumont.

Date: July 23rd, 2005

The League and Mrs. League are headed for the majestic Jefferson Theater in Beaumont, Texas for a screening of Superman: The Movie, followed by a screening of Flash Gordon.

WHOOOOOOO-HOOOOOOOOOOOOOO!!!!

I expect to see all Loyal Leaguers in Beaumont for the screening. And to provide us with crate after crate of The League's favorite movietime treat, Hot Tamales. Seriously, without the Hot Tamales, The League will not make it through the movie.

So, this weekend, The League has to work on a presentation about Superman. Can you beat that?

Any ideas you Leaguers might have for filling twenty minutes would be appreciated. Otherwise, we're currently down to

1:00 minute synopsis of the film's history
1:00 on the new movie, Superman Returns
1:00 minute on Superman comics
17:00 minutes of me "flying" around the auditorium with my homemade cape and red briefs

And, you know, Steanso keeps promising to show up, and if you haven't seen Steanso in all his glory, my God, Leaguers... you are missing something. Just imagine latter-era Elvis: sweaty, dazed... take away the talent and women, add a foot of vertical height and a law degree, and VOILA!!!!!

Also, RHPT.com is going to show up. RHPT, Leaguers. Which is sort of like having Scooter from The Muppets, only more of a programmer and married to a person of tremendous mystery who is staying in Tennessee for reasons known only to her.

In case you forgot, Lance "LiveStrong" Armstrong is trying to make world history. Again.

Lance is currently racing his heart out in the Tour de France.

The League stands in awe.

read more here.

Expect many links to Tour de France updates over the next several days.