Tuesday, May 06, 2003

In response to yesterday's blog, Jim wrote:

Well, I think you miss the point, which is that a "comic book movie" has to cater to two audiences: the fans (like you and me) and the populace. If it is just to the fans, the film can't be made, as it will tank. If it is just for the populace, the fans will kill it with bad word of mouth. So how to do both?

Singer seems to get it . . .


I responded with:

I whole heartedly agree. I must have been unclear.

My point was not that movies should just follow the comics beat for beat, but that critics dismiss comic-based movies because the movie had a comic for a source. This is usually done loudly and unnecessarily before the reviewer ever gives the movie a chance. Critics are bringing in certain baggage, and as a result, end up repeating the same dumb 4 cliches in every review, every time a comic based movie is released. Sites like Aint It Cool have existed for so long because it's the one source from which you know the reviewer will most likely not be biased against a movie because it's a genre picture.

Clearly non-Superhero comic adaptations are free from this criticism, so it is not the panel to big screen translation which doesn't work. Ghost World, From Hell, Road to Perdition and Spirited Away escaped this kind redundant review, to name just a few.

Movies need to be directed as 90 minute stories, and there's nothing wrong with that. It's form equalling function. Reading a comic series is an investment of time and money and a different medium. A short trip to the movies is simply not the same investment. Yet, movies can finally deliver what super hero comics have promised us for so long, and bring that experience to millions more. I just hope they can keep the essence of what made the properties being adapted mean so much for so many years.

I hope to see X2 immediately, but it will probably wait until the weekend.

So Jim said:

Ah, but the opposite is true! Sites like that of Knowles are far more likely to slavishly worship and adore rather than use a critical eye. AICN is the fringe, as well, and probably a bad example anyway, since Knowles was bought long ago by the studios with ego-stroking, junkets and trinkets.

I think perhaps people just find the idea of superheros SILLY. Tights, powers, etc, truth, justice. They don't know superheros like the dark and brooding X-Men . . . . Their notions of superheros come not from claremont and miller but mostly from plastic man and the wonder twins, you know?


So I am inclined to say:

Well, at this point I don't know if Knowles counts as a critic at all anymore. You can glean what you need to from perusing his headlines. (I happened to see Harry this weekend entering Austin Books on Lamar. He was going in to get free comics for Free Comics Day.) But, yeah... I mean, the man liked Daredevil. He's lost all credibility. So I guess maybe he has the opposite of a knee-jerk anti-superhero reaction. BUT, folks looking for news about genre films can usually find that info there, if they know how to read around the insane ramblings of the site's proprietor.

I don't think there's any perhaps about folks finding Superheroes silly (or Knowles silly, either). That seems to be the common concensus. But lately, in the right hands, these characters are working on the big screen for the first time since Burton did Batman. For two hours, folks are able to suspend their disbelief and think it's okay for Spider-Man to be swinging around Manhattan. It's just fun to see these stories working on a mass level. I think that's the secret hope of every comic fan... mass appreciation for something we've enjoyed for years. We know that superheroes are thought of as silly, so when Spider-Man makes a Billion Dollars, and little kids will grow up thinking of Spider-Man as a great action hero, it doesn't matter if it's in comics or movies.

So if the typical critical reaction to superhero movies is pretty negative, I think i can live with that. You're not going to always appeal to everyone, and critics have a reputation to maintain. If they don't stay conservative, they could lose the easiest job in the world. Producers just need to take their material seriously, and generally the audience will follow their cue. The moment someone wants to talk about making something into a musical, or adding a wise-cracking sidekick, that director, writer, whatever... that person needs to be shown the door. Marvel's producers believe in their product, and find creatives who also believe in the product. They've managed to stay true to their subject mateiral, and they're making a lot of money doing it, masks, crazy-Wolverine-hair and all.

Yeah, superheroes are kind of silly, but so is watching an entire season of baseball, or voting Democrat in Texas, or wearing a cowboy hat, or reading this blog, for that matter.

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