So...
Well, the pilot had Katie Starbuck, or whatever her name is. Which is weird. I guess she's looking at jumping on another series before BSG wraps up and that gravy train rolls to a halt. Anyhoo, she's the evil Ladytron. I doubt she'll be in every episode, but there you have it. Jason should be happy.
The San Francisco of the show is very clearly Canada. So I kinda wish they'd quit telling us it is San Francisco when it COULD be somewhere in the Pacific Northwest with a few establishing shots. Or Canada. Because, really, why not? Remember when every place Scully and Mulder visited across the US just happened to look like Canada?
The Bionic Lady Person is TV attractive and, one would guess, not too bad of an actor. But, like many pilots, this one was so full of exposition, that, well... Who knows? The writers for this episode were big on telling rather than showing, which didn't give the BLP much room showing her chops. In fact, our Jamie Summers does a lot of looking like some lost, shell-shocked Deschanel sister even before she's hit by an 18 wheeler. Most of her dialog is complaining about being given a superhuman body (?) and/ or giving mini-exposition.
Thanks to her upgrades, we're to believe that BLP feels like a freak, but there's no indication as to why. She looks, after all, completely normal and seems to feel mostly normal, but its in vogue for super powers to be a burden (thank you, Marvel Comics), hence a lot of moping. Of greater consequence is the weighty question posed by the budgetless biomed/military research team as to whether they should hang onto the Bionic Lady Person and/ or kill her rather than letting her go after her surgery. Unfortunately, they kinda play that card early. As a viewer, it doesn't feel like much of a threat to our hero as neither Bionic Dead Person, nor Bionic Prisoner sounds terribly appealing for a prime time spot.
We're told by the BLP's boyfriend (a walking plot point) that the BLP is somehow different and special, and while nothing necessarily contradicts this point, there's also nothing to suggest she is, in fact, special. She's a 24 year old bartender and a college drop out. Aside from the fact that she owns a really, really huge place in San Francisco on a bartender's salary, she's pretty darn ordinary, which is great. I like "everymen". However, the show shouldn't tell us our cyborg is so amazing that this professor/ neurosurgeon/ mad scientist boyfriend never met anyone like her (Because, Doc, I can walk into any Bennigan's in the US and find someone just as "special").
What the show does have going for it are two things: 1) Good special FX 2) a glowering
Miguel Ferrer. I'm always going to cheer for my man Ferrer. He's an aces actor, and while I've only ever seen a small part of his output, I know what I'm getting with Ferrer. In BLP, he manages to out-presence everyone else in every scene he's in without really trying. But what can he do? He's Miguel Ferrer, and that's why you hire the man.
The number one strike BLP has going against it is that, like so many other shows, this program has decided it will have a built in mythology from episode #1. Unfortunately, rather than slowly revealing aspects from BLP's point of view, the producers chose to drop us in the middle of things, somewhere several years into the Shadowy Government Bionic People Making Project. I understand that's more or less how TV shows now work, but... sigh. Give me time to get used to the show. Try some literary devices like foreshadowing or something (and no, dropping in scenes of characters not tied to the main action speaking in cryptic, disjointed dialog is not foreshadowing. See what works for the show before you eliminate any wiggle room. Especially when you might as well have a blink tag on the character which reads: Bad Guy.)
There's something sort of perfunctory about the whole pilot, as if the producers didn't trust the story to unfold on its own. This could have easily been a two hour movie, but instead, the Spider-Man-like discovery of powers is crammed in there in two or three scenes, none of which give BLP an opportunity to REACT to her powers other than that googy-eyed scared expression.
Making the whole thing kinda by-the-numbers, the supporting characters are barely defined, yet plugged with enough TV friendly cues that you sorta get the idea (ex: the rebellious sister who just needs to be loved, but, hey... she's also a computer whiz! It all seemed so extraneous at the time...).
Add in the perfunctory super karate face off with Katie Starbuck (in high heels, no less), and the unconvincing face off between BLP and Miguel Ferrer (who pwns her), and you got your show in motion. In most ways that count, Katie Starbuck's storyline is a lot more interesting than that of BLP.
I dunno. I was sort of excited by the possibilities for this series, but now?
I'm giving them another episode or two to see how it all shakes out.