Monday, May 12, 2008
The Understated Brilliance of Sesame Street
Denyce Graves and Elmo
Somehow the "Grover as Waiter" skits had a profound impact on me as a child, leading to some sort of pre-school existential despair as I commiserated with Grover's lot in life.
This is sort of how I understand the classics, anyway.
DeNiro and Elmo
Sunday, May 11, 2008
The League Reviews: Speed Racer - The Next Generation
I was asked by some nice folks at the same marketing company that had me review "New Frontier" if I'd review a DVD of what I think is the pilot of the new TV series "Speed Racer: The Next Generation". I haven't seen the new feature film of Speed Racer, but I thought I'd pop in this DVD and give it a whirl.
I knew it was going to be a trouble when the low-fi credits rolled and the writers were listed as "Jimmy Palmiotti and Justin Gray", the DC Comics writing team who never met a cliche they didn't like. The opening is horrible CG with a re-imagined Southern California rockin' take on the great Speed Racer theme, that literally sounds like a guy, his guitar, and Garage Band. Its... not good.
But, I confess to a warm place in my heart for DJ Keoki's inspired circa 1993 club re-mix of the Speed Racer theme.
So, after the credits? Yeah, uhm... it never really gets better.
The premise is that a young man of the name "Speed" arrives at a "racing academy" of some sort which is run by the now middle-aged and oddly grandfatherly Spritle. "Speed" gets hassled by upper-classmen who are mean, because that's what happens in these coming of age stories, in order for our hero to have an external as well as an internal struggle. There's a quest to become the best racer, and despite the fact that Speed seems like a nice guy, pretty much everybody has it in for him but his wacky roommate with a deep, deep crush on Speed Racer (who also built a robotic Chim-Chim), and some busy body girl whose significance is never really fleshed out.
And, as with the original Speed Racer, the fate of the world seems to be hanging somehow in the balance of the who is the best race car driver in the minds of all the characters.
The animation is some sort of odd mix of CG and what looks like Flash. Or something. And I'm not kidding when I say this, but the character design and animation both really, really reminded me of Planet Unicorn (ed note: I feel bad about bagging on Planet Unicorn. Its actually a lot like the educational comics I remember getting in elementary school on the dangers of THC, or the recent comic we got from the vert on flea control. As in, "well, it's recognizably a person, and my art-student kid needs the work, so we're forging ahead"). I mean, its really, insanely bad.
The vehicular animation sorta looked like someone with 3D Studio Max and some free time. Its the sort of stuff that truly does seem as if it were designed as some sort of web freebie. And, honestly, if I thought that this was the future of animation, I would despair.
There's some particularly crappy CG in a portion where the laws of time and space breakdown and Speed drives on a "virtual track". Its tough to explain, because it makes no sense and sucks, but the animation here is a weird mix of bad CG and, maybe, Q-Bert.
Also, Speed has an oddly bad haircut. I don't know how they got to actual animation with that particular hair-don't, but it looks a bit like a ladies' haircut of some sort. Like a wedge gone bad or something.
Behold, Speed Racer Jr. and his stupid, lumpy face
It all sort of made we wonder. The quality of the original Speed Racer cartoons was always kind of iffy in both the animation and plot departments. I was never a huge fan of the original show. As I recall, it was usually just on between other cartoons, and I always felt the show was a little light on Racer X and Chim-Chim. But the show did have a particular look, which this show did nothing to preserve, even while including stock Speed Racer art in the show in various ways.
All in all, the overall cheapness of the movie just reeks of a fairly cynical money-grab on the part of Warner Bros. Which makes sense. I sort of think that's how the whole Speed Racer enterprise has been handled since they started running those E-Surance/ Speed Racer TV spots.
The voice acting is poorly directed, and uniformly flat. The guy playing Speed sounds like he's perpetually apologizing. His roommate (Gordon? It's been twenty minutes, and already I can't remember), is shrill and irritating. But no matter the scene, all of the voice actors use exactly the same intonation. Its weird, and kind of reminiscent of when people make funny Flash movies on their own and just do the voices themselves or get a girl from their class to speak in one of the parts.
There's an odd Luke Skywalker storyline to this story, which Palmiotti and Gray go ahead and acknowledge early on in the movie. In fact, the only thing I really liked about the movie was when the characters would occasionally make comments on the action, which seemed to almost acknowledge the lack of effort on the part of all hands.
Whatever magic folks might have felt the original series contained isn't part of the equation here. Even the races feel dull and lifeless. What was considered to be life-or-death struggles in the original series is reduced to some sort of VR racing in this version, with cardboard cut out characters, 100% recycled plot elements and bland and/ or annoying protagonists. The family dynamic of the Racer clan is intentionally missing in order to give our hero a journey of discovery, and teh school yard setting takes away any weight that the international racing in the original series contained.
In many ways, this pilot reminded me of a lot of the first issues of comics from the post Spidey-boom of 2002 or so. Teenager with a mysterious gift gets hassled by his peers for simply existing, plus there's a shady adult businessman with dire plans for our hero. Unsurprising this might feel familiar, as few have ever accused Palmiotti and Gray of blowing readers' minds with original concepts.
I dunno. I've already thought too much about this, especially for something I'm highly suggesting you avoid.
I was going to do a give-away of Ol' Speed Racer here, but I like all of you too much, so I'm not going to force this DVD upon you.
There's also a trailer for an Avengers Babies movie on the DVD. Or Avengers Next. Or Something.
I knew it was going to be a trouble when the low-fi credits rolled and the writers were listed as "Jimmy Palmiotti and Justin Gray", the DC Comics writing team who never met a cliche they didn't like. The opening is horrible CG with a re-imagined Southern California rockin' take on the great Speed Racer theme, that literally sounds like a guy, his guitar, and Garage Band. Its... not good.
But, I confess to a warm place in my heart for DJ Keoki's inspired circa 1993 club re-mix of the Speed Racer theme.
So, after the credits? Yeah, uhm... it never really gets better.
The premise is that a young man of the name "Speed" arrives at a "racing academy" of some sort which is run by the now middle-aged and oddly grandfatherly Spritle. "Speed" gets hassled by upper-classmen who are mean, because that's what happens in these coming of age stories, in order for our hero to have an external as well as an internal struggle. There's a quest to become the best racer, and despite the fact that Speed seems like a nice guy, pretty much everybody has it in for him but his wacky roommate with a deep, deep crush on Speed Racer (who also built a robotic Chim-Chim), and some busy body girl whose significance is never really fleshed out.
And, as with the original Speed Racer, the fate of the world seems to be hanging somehow in the balance of the who is the best race car driver in the minds of all the characters.
The animation is some sort of odd mix of CG and what looks like Flash. Or something. And I'm not kidding when I say this, but the character design and animation both really, really reminded me of Planet Unicorn (ed note: I feel bad about bagging on Planet Unicorn. Its actually a lot like the educational comics I remember getting in elementary school on the dangers of THC, or the recent comic we got from the vert on flea control. As in, "well, it's recognizably a person, and my art-student kid needs the work, so we're forging ahead"). I mean, its really, insanely bad.
The vehicular animation sorta looked like someone with 3D Studio Max and some free time. Its the sort of stuff that truly does seem as if it were designed as some sort of web freebie. And, honestly, if I thought that this was the future of animation, I would despair.
There's some particularly crappy CG in a portion where the laws of time and space breakdown and Speed drives on a "virtual track". Its tough to explain, because it makes no sense and sucks, but the animation here is a weird mix of bad CG and, maybe, Q-Bert.
Also, Speed has an oddly bad haircut. I don't know how they got to actual animation with that particular hair-don't, but it looks a bit like a ladies' haircut of some sort. Like a wedge gone bad or something.
Behold, Speed Racer Jr. and his stupid, lumpy face
It all sort of made we wonder. The quality of the original Speed Racer cartoons was always kind of iffy in both the animation and plot departments. I was never a huge fan of the original show. As I recall, it was usually just on between other cartoons, and I always felt the show was a little light on Racer X and Chim-Chim. But the show did have a particular look, which this show did nothing to preserve, even while including stock Speed Racer art in the show in various ways.
All in all, the overall cheapness of the movie just reeks of a fairly cynical money-grab on the part of Warner Bros. Which makes sense. I sort of think that's how the whole Speed Racer enterprise has been handled since they started running those E-Surance/ Speed Racer TV spots.
The voice acting is poorly directed, and uniformly flat. The guy playing Speed sounds like he's perpetually apologizing. His roommate (Gordon? It's been twenty minutes, and already I can't remember), is shrill and irritating. But no matter the scene, all of the voice actors use exactly the same intonation. Its weird, and kind of reminiscent of when people make funny Flash movies on their own and just do the voices themselves or get a girl from their class to speak in one of the parts.
There's an odd Luke Skywalker storyline to this story, which Palmiotti and Gray go ahead and acknowledge early on in the movie. In fact, the only thing I really liked about the movie was when the characters would occasionally make comments on the action, which seemed to almost acknowledge the lack of effort on the part of all hands.
Whatever magic folks might have felt the original series contained isn't part of the equation here. Even the races feel dull and lifeless. What was considered to be life-or-death struggles in the original series is reduced to some sort of VR racing in this version, with cardboard cut out characters, 100% recycled plot elements and bland and/ or annoying protagonists. The family dynamic of the Racer clan is intentionally missing in order to give our hero a journey of discovery, and teh school yard setting takes away any weight that the international racing in the original series contained.
In many ways, this pilot reminded me of a lot of the first issues of comics from the post Spidey-boom of 2002 or so. Teenager with a mysterious gift gets hassled by his peers for simply existing, plus there's a shady adult businessman with dire plans for our hero. Unsurprising this might feel familiar, as few have ever accused Palmiotti and Gray of blowing readers' minds with original concepts.
I dunno. I've already thought too much about this, especially for something I'm highly suggesting you avoid.
I was going to do a give-away of Ol' Speed Racer here, but I like all of you too much, so I'm not going to force this DVD upon you.
There's also a trailer for an Avengers Babies movie on the DVD. Or Avengers Next. Or Something.
Happy Mother's Day!
Hey, Leaguers! It's Mother's Day.
This year I need to salute not just the two Mom's in my life (Hi KareBear and Judy!), but all of the Leaguers who have become Moms over the past few years.
CB, Maxwell, Denise, Jilly, and all the Moms-To-Be. I am sure I missed one or two of you, but, hey, I salute you, too.
Being a Mom is a tough job. Just ask KareBear about raising her two hare-brained sons. We didn't really do our part to ever make things easy. And I don't think much ever passed without some snarky comment from Jason and myself. Seriously, KareBear was well within her rights to pop us in the back of the head about five times a day.
And... I'm pretty sure Judy sort of experiences the same thing during our little visits. She didn't lose a daughter, she gained a lump of a son-in-law.
Anyhoo, thanks to the Moms for all they do. And a special salute to all you Leaguer Moms out there. Hope your kids got you a card.
Saturday, May 10, 2008
Comet the Super (creepy) Horse and DC Comics Movies
Comet the Skeevy Superhorse
Randy suggested I blog on this topic: Cracked Online has identified the creepiest characters in comics. And, yeah, they knock it out of the park.
Of all Superman lore, Comet the Superhorse is probably the number one concept I just can't get behind. In case you don't click over, here's the rundown:
In order to make Supergirl appeal even more to the little girl audience of the 50's and 60's, they gave Supergirl a pony. Just as she had a cute little kitty with superpowers (Streaky the Supercat, who was actually hilarious on the recent Krypto cartoon), and Superman had Krypto and Beppo*, it seemed a pony was a good idea. What could go wrong?
Really, Comet is a study in "sometimes the simple ideas are the best", and you really don't need to muck about with the winning super-pet formula. But, this is comics, and in the world of comics, why have a lovely idea when you can have a really convoluted and bizarre idea?
Somewhere along the lines, Mort Weisinger fell asleep at the editorial wheel and Comet the Superhorse went from being a cute horse with powers to having a secret origin which revealed that he was once Centaur who had been transmorgified into a horse. And lusted for Supergirl. And would occasionally transform into a cowboy of some sort.
I dunno. It was the Silver Age.
No. Just... No.
I'm all into star-crossed lovers, but there's just something a bit creepy about a horse having romantic notions about a 16 year old girl. Or a 3000 year old Centaur who was lusting for Superman's young cousin. And, really, any way you slice it, I think Superman should have been going after Superhorse with a Super shotgun.
Also, they mention Terry Long, who even when I first saw him in the first Teen Titans story I ever read, I found a little skeevy, and I never understood the Donna Troy/ Terry Long romance and what the hell the editors were thinking.
*According to trusted site Wikipedia, Beppo was also a name for monstrous Nazi evil-bastard doctor guy Josef Mengele. I am... without words. Here. And here.
DC can't get a movie out, but Iron Man made $100 million its first weekend
Ah, DC Comics. It's not enough that DC Comics are the wallflower comics in the comic shops. For the past ten years, Marvel has been putting out profitable movie after profitable movie, all while Warner Bros. has been sitting on their sub-divison, DC Comics, unable to figure out how to bring anyone but Superman and Batman to the big screen.
Randy sent along this article, which takes a quick look at DC's stalled efforts while Marvel has another bonafide hit on their hands.
As a greater fan of DC Comics than Marvel Comics, it can be frustrating watching Marvel's characters make it to the big screen. After all, in theory, DC has had all the advantages for years. They're not licensing characters to get the movies made. In theory, they should be doing it in house. Marvel, meanwhile, should be struggling with bad deals.
According to the article, Marvel is simply decimating DC. And in a lot of ways, that's true. Especially if you go by volume of movies coming out.
And with Iron Man hitting theaters with a solid win, its tough to see DC having much success. That is, if you forget Dark Knight is coming out in a little while. And if you forget Marvel's recent efforts which may have made money, but also landed with a thud. FF2: Rise of the Silver Surfer, Ghost Rider, and even Spidey 3 didn't do much to get audiences terribly excited. X-Men 3 made more money than X-Men 1, but ask anyone which of the X-Movies is their favorite...
This isn't counting movies such as Daredevil, Elektra and the Hulk, all of which made some money, but which were mostly disliked. And a quick show of hands for anyone who is particularly jazzed by the trailers for the new Hulk movie?
So I'm not sure what to make of all of this, honestly.
DC should be out there trying to compete. But of their two feature film releases, Superman Returns received fairly decent critical reviews, but forgot it was supposed to be an action movie when it opened just a few days before the steamroller of Pirates of the Caribbean 2. Batman Begins continues to be a favorite. And the trailers for The Dark Knight look promising.
Attempts at a Justice League movie, which should incorporate Batman, Superman and 5 other super hero mainstays (Wonder Woman, Green Lantern, Martian Manhunter, Aquaman and Flash) was scuttled after the writer's strike, ostensibly for cost reasons, but rumor control still leaked dissatisfaction with the script, and the cast listings for these iconic figures boiled down to a lot of talent which seemed more appropriate for a CW TV show than a superheroic epic. This, of course, was getting negative web press from the comic dorks. And I wouldn't be surprised if the studios didn't take notice (hey, we seem to be irritating our built in market...).
Speaking of the CW, the 7 seasons of Smallville will roll into an 8th season in the fall, as Smallville continues on as the highest rated show on the CW network. I wouldn't recommend the show at this point, but 8 seasons? That's got to say something fairly positive.
With Marvel Studios recent establishment and the success of Iron Man at the box office, the relationship DC has with Warner Bros., unfortunately, is seeming to become more of an albatross than a bonus. Rather than Marvel having the freedom to find the right package to get a movie off the ground with talent associated who they can guide in staying true to the concepts they're bringing to the big screen, DC is still fighting off directors and writers who are seemingly being gifted with superhero films with minimal input from DC.
The article states:
-A wacky Aquaman? Any particular reason? Not enough to work with there with the Lord of the Seas, his super strength and various other powers and a largely unused environment full of all kinds of potential? I assume this is because stand up comics have been taking pokes at Aquaman for the past few years.
-A screwball comedy director for The Flash? Because that worked so well for the FF movies. I can only assume they think The Flash is a barrel of yuks, or I can't imagine what drove that decision. And while I agree that the Flash should be a huge amount of fun, letting Owen Wilson and Co. mug for the camera doesn't seem like much of a qualification. But I'd be curious to hear what the story is, first...
-Am I seeing a trend here? About four years ago it was rumored Jack Black would star in a Green Lantern movie. Once again, it seems that the now 45 year old Batman TV series seems to dictate how writers are thinking of superheroes. Its particularly disappointing when Geoff Johns is doing so much to make Green Lantern such an engaging read. And could probably hammer out an outline for a movie in about three days at this point.
-And I'm going to go out on a limb here about Whedon's Wonder Woman, but... Whedon's financial track record isn't that great. He has a small, core audience that will follow him anywhere he goes, but remember the shakiness regarding the final seasons of Buffy? The quick cancellation of Firefly? The non-existent box office for Serenity? I'm glad the man got a shot, but perhaps whatever script he handed in just wasn't looking like much to the producers but "Serenity Deux".
That said, there's a lot of room for Wonder Woman to be very, very bad. I'm not interested in seeing this movie until there's a solid script and talent behind it.
How, after 3 Spider-Man movies, Iron Man, and whatever success you want to assign to the various other Marvel movies at this point, Warner Bros. still can't help but see their potentially profitable action franchises as anything but silliness to be milked and discarded is a mystery beyond my ability to solve.
Add in what they seem interested in doing when they do get a well-written property, and you wind up with "League of Extraordinary Gentlemen" (wtf?) or "V for Vendetta" (let's all be non-conformists, together!). Or the ability for things to go off the rails when the money guys get too involved (see: Batman Forever and Batman and Robin. Actually, don't.). Or they rush out a movie that's just not a good idea ("Steel". Starring Shaq. Oh, yes.).
So it doesn't do much to make me think that DC's woes as far as not meeting Marvel's output are as much of a problem as the article suggests. I would rather have fewer, better movies (and I still think Superman Returns was much better than folks gave it credit for) than a machine just dumping the DCU out onto a populace with minimal regard to quality. There's no guarantee that every Marvel flick to come will be Iron Man. There's a lot of room to go off the rails with Thor, Cap and the rest.
And if DC wants to test the waters... there's no rule that says you need to roll out the big seven. I don't think most people have a solid idea of who the heck Iron Man is/ was before the movie. So are people really going to not show up for a Blue Beetle movie if it looks fun and cool? And isn't there a great movie somewhere in there with Shazam!? Green Arrow and Black Canary? Heck, I think people would turn up for Plastic Man.
Understand, too, that WB has felt burned in the past. After the Catwoman debacle, it seems that they're aware of the potential for things to go poorly, and will do what they can to manage their properties. So while there may be a wacky Aquaman script out there, I think they're genuinely ting to do right by these characters.
Sometimes, less is more.
Now, if DC could get their comics straightened out...
Randy suggested I blog on this topic: Cracked Online has identified the creepiest characters in comics. And, yeah, they knock it out of the park.
Of all Superman lore, Comet the Superhorse is probably the number one concept I just can't get behind. In case you don't click over, here's the rundown:
In order to make Supergirl appeal even more to the little girl audience of the 50's and 60's, they gave Supergirl a pony. Just as she had a cute little kitty with superpowers (Streaky the Supercat, who was actually hilarious on the recent Krypto cartoon), and Superman had Krypto and Beppo*, it seemed a pony was a good idea. What could go wrong?
Really, Comet is a study in "sometimes the simple ideas are the best", and you really don't need to muck about with the winning super-pet formula. But, this is comics, and in the world of comics, why have a lovely idea when you can have a really convoluted and bizarre idea?
Somewhere along the lines, Mort Weisinger fell asleep at the editorial wheel and Comet the Superhorse went from being a cute horse with powers to having a secret origin which revealed that he was once Centaur who had been transmorgified into a horse. And lusted for Supergirl. And would occasionally transform into a cowboy of some sort.
I dunno. It was the Silver Age.
No. Just... No.
I'm all into star-crossed lovers, but there's just something a bit creepy about a horse having romantic notions about a 16 year old girl. Or a 3000 year old Centaur who was lusting for Superman's young cousin. And, really, any way you slice it, I think Superman should have been going after Superhorse with a Super shotgun.
Also, they mention Terry Long, who even when I first saw him in the first Teen Titans story I ever read, I found a little skeevy, and I never understood the Donna Troy/ Terry Long romance and what the hell the editors were thinking.
*According to trusted site Wikipedia, Beppo was also a name for monstrous Nazi evil-bastard doctor guy Josef Mengele. I am... without words. Here. And here.
DC can't get a movie out, but Iron Man made $100 million its first weekend
Ah, DC Comics. It's not enough that DC Comics are the wallflower comics in the comic shops. For the past ten years, Marvel has been putting out profitable movie after profitable movie, all while Warner Bros. has been sitting on their sub-divison, DC Comics, unable to figure out how to bring anyone but Superman and Batman to the big screen.
Randy sent along this article, which takes a quick look at DC's stalled efforts while Marvel has another bonafide hit on their hands.
As a greater fan of DC Comics than Marvel Comics, it can be frustrating watching Marvel's characters make it to the big screen. After all, in theory, DC has had all the advantages for years. They're not licensing characters to get the movies made. In theory, they should be doing it in house. Marvel, meanwhile, should be struggling with bad deals.
According to the article, Marvel is simply decimating DC. And in a lot of ways, that's true. Especially if you go by volume of movies coming out.
And with Iron Man hitting theaters with a solid win, its tough to see DC having much success. That is, if you forget Dark Knight is coming out in a little while. And if you forget Marvel's recent efforts which may have made money, but also landed with a thud. FF2: Rise of the Silver Surfer, Ghost Rider, and even Spidey 3 didn't do much to get audiences terribly excited. X-Men 3 made more money than X-Men 1, but ask anyone which of the X-Movies is their favorite...
This isn't counting movies such as Daredevil, Elektra and the Hulk, all of which made some money, but which were mostly disliked. And a quick show of hands for anyone who is particularly jazzed by the trailers for the new Hulk movie?
So I'm not sure what to make of all of this, honestly.
DC should be out there trying to compete. But of their two feature film releases, Superman Returns received fairly decent critical reviews, but forgot it was supposed to be an action movie when it opened just a few days before the steamroller of Pirates of the Caribbean 2. Batman Begins continues to be a favorite. And the trailers for The Dark Knight look promising.
Attempts at a Justice League movie, which should incorporate Batman, Superman and 5 other super hero mainstays (Wonder Woman, Green Lantern, Martian Manhunter, Aquaman and Flash) was scuttled after the writer's strike, ostensibly for cost reasons, but rumor control still leaked dissatisfaction with the script, and the cast listings for these iconic figures boiled down to a lot of talent which seemed more appropriate for a CW TV show than a superheroic epic. This, of course, was getting negative web press from the comic dorks. And I wouldn't be surprised if the studios didn't take notice (hey, we seem to be irritating our built in market...).
Speaking of the CW, the 7 seasons of Smallville will roll into an 8th season in the fall, as Smallville continues on as the highest rated show on the CW network. I wouldn't recommend the show at this point, but 8 seasons? That's got to say something fairly positive.
With Marvel Studios recent establishment and the success of Iron Man at the box office, the relationship DC has with Warner Bros., unfortunately, is seeming to become more of an albatross than a bonus. Rather than Marvel having the freedom to find the right package to get a movie off the ground with talent associated who they can guide in staying true to the concepts they're bringing to the big screen, DC is still fighting off directors and writers who are seemingly being gifted with superhero films with minimal input from DC.
The article states:
• Aquaman: "According to Comic Book Resources, the producers want to make a screwball comedy of it." • The Flash: Wedding Crashers' David Dobkin was signed to direct last year. • Green Lantern: Greg Berlanti (Brothers & Sisters, Eli Stone) is writing a script; Jack Black won't star—at least he promised as much back in 2006. • Justice League of America: "Tabled." • Superman: The Man of Steel: Director Bryan Singer's on board. Superman Returns star Brandon Routh's on board. Filming might begin "early next year," per Routh, who admittedly doesn't have the power to schedule such things. • Wonder Woman: "Sitting uncomfortably on the backburner."
-A wacky Aquaman? Any particular reason? Not enough to work with there with the Lord of the Seas, his super strength and various other powers and a largely unused environment full of all kinds of potential? I assume this is because stand up comics have been taking pokes at Aquaman for the past few years.
-A screwball comedy director for The Flash? Because that worked so well for the FF movies. I can only assume they think The Flash is a barrel of yuks, or I can't imagine what drove that decision. And while I agree that the Flash should be a huge amount of fun, letting Owen Wilson and Co. mug for the camera doesn't seem like much of a qualification. But I'd be curious to hear what the story is, first...
-Am I seeing a trend here? About four years ago it was rumored Jack Black would star in a Green Lantern movie. Once again, it seems that the now 45 year old Batman TV series seems to dictate how writers are thinking of superheroes. Its particularly disappointing when Geoff Johns is doing so much to make Green Lantern such an engaging read. And could probably hammer out an outline for a movie in about three days at this point.
-And I'm going to go out on a limb here about Whedon's Wonder Woman, but... Whedon's financial track record isn't that great. He has a small, core audience that will follow him anywhere he goes, but remember the shakiness regarding the final seasons of Buffy? The quick cancellation of Firefly? The non-existent box office for Serenity? I'm glad the man got a shot, but perhaps whatever script he handed in just wasn't looking like much to the producers but "Serenity Deux".
That said, there's a lot of room for Wonder Woman to be very, very bad. I'm not interested in seeing this movie until there's a solid script and talent behind it.
How, after 3 Spider-Man movies, Iron Man, and whatever success you want to assign to the various other Marvel movies at this point, Warner Bros. still can't help but see their potentially profitable action franchises as anything but silliness to be milked and discarded is a mystery beyond my ability to solve.
Add in what they seem interested in doing when they do get a well-written property, and you wind up with "League of Extraordinary Gentlemen" (wtf?) or "V for Vendetta" (let's all be non-conformists, together!). Or the ability for things to go off the rails when the money guys get too involved (see: Batman Forever and Batman and Robin. Actually, don't.). Or they rush out a movie that's just not a good idea ("Steel". Starring Shaq. Oh, yes.).
So it doesn't do much to make me think that DC's woes as far as not meeting Marvel's output are as much of a problem as the article suggests. I would rather have fewer, better movies (and I still think Superman Returns was much better than folks gave it credit for) than a machine just dumping the DCU out onto a populace with minimal regard to quality. There's no guarantee that every Marvel flick to come will be Iron Man. There's a lot of room to go off the rails with Thor, Cap and the rest.
And if DC wants to test the waters... there's no rule that says you need to roll out the big seven. I don't think most people have a solid idea of who the heck Iron Man is/ was before the movie. So are people really going to not show up for a Blue Beetle movie if it looks fun and cool? And isn't there a great movie somewhere in there with Shazam!? Green Arrow and Black Canary? Heck, I think people would turn up for Plastic Man.
Understand, too, that WB has felt burned in the past. After the Catwoman debacle, it seems that they're aware of the potential for things to go poorly, and will do what they can to manage their properties. So while there may be a wacky Aquaman script out there, I think they're genuinely ting to do right by these characters.
Sometimes, less is more.
Now, if DC could get their comics straightened out...
Friday, May 09, 2008
Loss of Faith in Humanity/ Getting out of Town
Part of why I do not understand the world
I saw on TV the other day that Kim Kardashian, who has no skills and is famous only because of a 6th degree separation to the OJ Simpson trial (it's insanely complicated, but a quick check of Wikipedia whould clear it up) is making $25,000 a night "hosting" parties in LA.
If there were ever any time I would think God would be within his rights to smite a place from the Earth...
Gas is going to $3.60 a gallon, it costs $80,000 to get a graduate degree, the NSF is struggling for funding, schools are underfunded, and we're having food riots across the world... But somehow there's an economy in LA that says its reasonable and profitable to pay this person with a horrible "reality" show on basic cable $25K to show up and have a drink at a party. Which means, and this is the scary part, that people actually want to be at a party hosted by this person of no talent and no influence enough that the $25K will turn a profit.
The fact that the poor of LA haven't put the heads of the Kardashians and their ilk on spikes and redustributed their wealth tells me only that the American dream is mutated from work hard and it will pay off to instant wealth for becoming a personality.
Ladies and gentlemen... I ask of you... What kind of a world do we live in where Screech has to appear on Celebrity Fit Club to make ends meet and this person is making a dime?
Somebody give me my reality show, already. I'm ready to be rich. And I think America is ready to fall in love with Melbotis and his wise-cracking side-kick, Jeff the Cat.
Radiohead - Next week we're going to see Radiohead in Houston and do a bit of late Mother's Day celebrating. I'm excited.
Costa Rica - At the end of the month, The League and Jason are taking a two-man trip to lovely Costa Rica.
I'm a bit nervous. I've only ever been on one non-family oriented trip, and that was our honeymoon which was at Disneyworld. (Look, its tough coming up with stuff to do and still have access to dialysis, so shut up).
Jason and I are going to the rain forest for two days to see a large volcano and fight monkeys. The next day we're headed to the coast for a few days of drinking cheap whiskey by the shore and fighting beach monkeys.
As I mentioned, I haven't traveled much in my life and I haven't seen much of the world, so this will be very new to me. I've never even had need for a passport until this trip as I never made the college trip to Europe or went anywhere on spring break, and our "alternative lifestyle" doesn't lend itself easily to travel.
One thing that's always turned me off about vacations is that the second you mention you're even thinking of vacation, everybody comes out of the woodwork to tell you where to go, what to do, how to do it, and that no matter what you're thinking of, you're doing it wrong. And I get that. People have a good time on vacation. They want to relive their vacation by sending you on a duplicate of their vacation so they can verify that you had the same fun they had on their trip and feel that they're time away was well spent.
At least I'm now past the age where people went to Europe and came back (a) declaring how much better everything is in Europe from food to transportation to whatever, and (b) declaring how they were moving to Europe and leaving loser Americans (ie: you) behind for the greener grass of The Continent.
I confess, one of the big upsides of my trip to Disneyworld was countering this discussion with how much more ideal things are in the Magic Kingdom. The public transportation of Monorails and huge paddle boats and submarines where you can see mermaids. There's so many varieties of foods, time periods, and alternate realities. If America were more like Disneyland, things would be so much better here.
Anyway, my travel experience is extremely limited. The League has never been anywhere or done anything, and, we confess, it really gets us down sometimes, so the trip to Costa Rica is very welcome. And I am pretty sure my check from Uncle Sam intended to stimulate the American economy is going to be going to fruity, girly drinks in some cabana on a beach.
And that, Leaguers, is as close as you're going to see me sticking it to the man.
Wednesday, May 07, 2008
Your daily recommended allowance of awesome
Isabella Rossellini, who is certainly a DITMTLOD, has created a series of short films describing the mating rituals of various insects.
Leaguers, I link you to: Green Porno
I forewarn you, the language is a little crass, and Isabella is at the peak of her powers as she portrays each insect going about their, ahem, business. All while wearing outfits that look like they came from the drama department of a state university putting on some sort of buggy summer stock production.
Isabella wants you to "bee" yourself.
Leaguers, I link you to: Green Porno
I forewarn you, the language is a little crass, and Isabella is at the peak of her powers as she portrays each insect going about their, ahem, business. All while wearing outfits that look like they came from the drama department of a state university putting on some sort of buggy summer stock production.
Isabella wants you to "bee" yourself.
Items for Wednesday
ITEM! Randy finds a strip that is all too accurate.
ITEM! It's only taken, like, two years, but they're finally wrapping up the "Last Son" storyline in Action Comics Annual #11 coming out this week. Great googledy-moogledy. I'd heard the Kubert Brother working on this had "health" problems that kept him from working on this comic and getting it in on time. He also helps run the Joe Kubert School of Cartooning or whatever in NYC. I understand health issues can be private, so I'm not looking for an explanation. But I wish DC had hired another artist and wrapped this up a while back. Hopefully DC has their scheduling straightened out for the foreseeable future on the Superman titles.
ITEM! Hi, Denise! How are you? How are the kids?
ITEM! Entertainment Weekly has preview pages of Final Crisis #1
ITEM! Jason, Jamie, Julia... sorry about the whole Speed Racer thing last night. I had passes to a sneak peek, but I thought they were for the nearby Westgate Theater. When I grabbed them to get ready to go, I realized they were for the Gateway Theater on the other end of town. So... we didn't end up going due to the time.
ITEM! The Met has a show right now called "Superheroes: Fashion and Fantasy", featuring superhero costumes right alongside some of the more extreme fashion ideas. Especially from the 80's, I think.
Click here for The Beat's report and to see an amazing statue of DC's Trinity. They also had one of Lynda Carter's costumes. Whoo!
ITEM! I don't remember where I read it, but there's a rumor that Matthew McConaughey may have landed the role of Captain America. Which... Really? I always thought he was more of a young Michael Biehn.
Of all superheroes, Cap is really the American Superhero ideal. He's the barrel-chested, baritone voiced, two-fisted slugger fighting against fascism. Is that McConaughey? I've never seen his more action oriented flicks. And I don't want a Vin Diesel or some pro-wrestler putting on the feather-headed cowl, so...
And I don't know how many of you have seen the circa 1980 Cap movies made for TV, or the 1990 movie which never made it to theaters (starring no less than the son of JD Salinger), but the costume sorta doesn't work in real life. But I think if they took a look at Hitch's designs for Cap in The Ultimates, then, maybe it won't make him look like a member of the cast of a Superbowl Halftime Show.
ITEM! It's only taken, like, two years, but they're finally wrapping up the "Last Son" storyline in Action Comics Annual #11 coming out this week. Great googledy-moogledy. I'd heard the Kubert Brother working on this had "health" problems that kept him from working on this comic and getting it in on time. He also helps run the Joe Kubert School of Cartooning or whatever in NYC. I understand health issues can be private, so I'm not looking for an explanation. But I wish DC had hired another artist and wrapped this up a while back. Hopefully DC has their scheduling straightened out for the foreseeable future on the Superman titles.
ITEM! Hi, Denise! How are you? How are the kids?
ITEM! Entertainment Weekly has preview pages of Final Crisis #1
ITEM! Jason, Jamie, Julia... sorry about the whole Speed Racer thing last night. I had passes to a sneak peek, but I thought they were for the nearby Westgate Theater. When I grabbed them to get ready to go, I realized they were for the Gateway Theater on the other end of town. So... we didn't end up going due to the time.
ITEM! The Met has a show right now called "Superheroes: Fashion and Fantasy", featuring superhero costumes right alongside some of the more extreme fashion ideas. Especially from the 80's, I think.
Click here for The Beat's report and to see an amazing statue of DC's Trinity. They also had one of Lynda Carter's costumes. Whoo!
ITEM! I don't remember where I read it, but there's a rumor that Matthew McConaughey may have landed the role of Captain America. Which... Really? I always thought he was more of a young Michael Biehn.
Of all superheroes, Cap is really the American Superhero ideal. He's the barrel-chested, baritone voiced, two-fisted slugger fighting against fascism. Is that McConaughey? I've never seen his more action oriented flicks. And I don't want a Vin Diesel or some pro-wrestler putting on the feather-headed cowl, so...
And I don't know how many of you have seen the circa 1980 Cap movies made for TV, or the 1990 movie which never made it to theaters (starring no less than the son of JD Salinger), but the costume sorta doesn't work in real life. But I think if they took a look at Hitch's designs for Cap in The Ultimates, then, maybe it won't make him look like a member of the cast of a Superbowl Halftime Show.
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