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Facebook Fans

Hey, Facebook Fans (and RSS fans, and the rare few of you who seem to actually click on the URL these days). At last count, we were up to 38 fans. And that's good stuff!

I was asked today why I'd set up League of Melbotis to feed into Facebook. Well, I sort of senselessly resisted setting up an RSS feed a while back, and now realize that wasn't just an exercise in futility, it just wasn't very forward thinking. And, of course, I know we're living in Twitter and Facebook these days, and I figured I would make it easier on LoM readers who were already checking Facebook (and you have the option to either read or not, and that's the way it should be).

Also, Facebook's very nature makes it a little easier to reach out than the conventional means. The very integrated nature of Facebook, such as those "Ryan is a Fan of League of Melbotis" things you see on the sidebar, mean its a bit easier for folks to stumble upon our doings here at The League.

And while I don't mind writing this for just NTT and Randy's amusement, it'd be nice to have a few more folks chiming in. I am, of course, concerned about managing comments both at the site proper and at Facebook, but we'll see how it goes.

Laura and Robb in Austin

So, this week has had an unusual bit of fun. As I mentioned, League-Pal Robb and his wife Neda drifted into Austin. We wound up having dinner with Robb, Neda, Jeff and Keora last night. This evening we caught up with League-Pals Laura "Cowgirl Funk" M-S and her husband, Eric and their cute-as-a-button kid, Sophie.

Laura I've known since high school. She was a few years behind me at good ol' Klein Oak, but thanks to the power of Klein Oak Drama and me having a driver's license, I got to know her a bit both hanging about backstage during productions and then heading back to our neighborhood. She was a swell dame then, and we caught up online here several years ago. She attended UT as a drama major, and somewhere along the line, met up with Eric, who happened to go to the same high school I went to my Freshman year, before moving to Spring. He's a couple years older, so we didn't happen to know each other.

They've recently returned from New York/ Brooklyn to our fair city. If moving back from Phoenix after 4 years was an adjustment for us, their return to Austin after 10 years (and Austin's seismic changes in that time) must be a massive change. And, of course, they've got 2.2 year old Sophie in tow, who wasn't around when they departed.



The internet has made it so easy to keep up, I sort of hope I don't ever take it for granted. But its great to reconnect and not have horrible, awkward silences, as we've been chatting on and off for much of the duration of League of Melbotis.

So, if you Austin-Area Leaguers start seeing Laura and Eric around, that's who they are. Be nice.

Robb I met when I drifted into the men's room in my dorm late on a Saturday night my Freshman year. He was down visiting Jeff and Patrick, who I'd gotten to know well at that point, but all I knew was that there was a guy I'd never seen before at the next urinal. I formally met him minutes later in Jeff and Pat's room. Mostly what I remember was that he played us the most recent Black Dog album.

The next year Robb transferred to UT, and was a part of the usual herd of folks who circled around one another. He was a musician and drummer, audio engineer, and always seemed to have a few other projects going on. Also, he was the person who sat me down and got me to watch "Stalker" and innumerable other movies in college, so my hats off to the guy.

In 2000, a good chunk of our crew packed their bags and moved up to Seattle for reasons which were never abundantly clear to me. Robb lived there, went to Berlin and other locations in Europe for a while, and then back to the US. While in Serbia, he met Neda, and it seems they were quite fond of one another as they are now hitched.



Anyway, its always a blast when these guys come back to town. I don't ever get up to Seattle (where they're all still at), and they only occasionally come back. So, yeah, its a little sad, too. I miss those guys.

Robb came into town in his usual style, alerting folks he was coming less than 24 hours in advance, and departing by Amtrak. I salute Neda for jumping into Robb's nomadic lifestyle. They're a good fit.

But that's the way it is with Leaguers. You come, you go, you come back again either to visit or to raise a darn cute kid. And, heck, as I write this, Letty is bringing a new Leaguer into the world. And Steven and Lauren are planning to make good their escape from the Capital City. Just know the door is always open here at League HQ.

Fritz Lang's Metropolis and Golden Hornet Project

When I was 15, Jason talked me into renting Fritz Lang's 1927 science fiction opus, "Metropolis". I was, of course, immediately disappointed to learn that Madonna's "Express Yourself" video was not a concept baked entirely new for The Material Girl. Instead, the creative team had told a sort of parallel (and sexier) story to the happenings of "Metropolis", in the same landscape.

Madonna's "Express Yourself"*

At any rate, I doubt I'd ever watched an entire feature silent film prior to that cut, but as I recall, it had some pop songs on it, and, of course, even on VHS the movie was brilliantly stunning and the story moving.

I don't really want to get into a whole conversation here on German Expressionist film of the pre-Nazi era, and how one of the seldom-mentioned casualties of Hitler's regime was the crippling of an entire media and art form. But there you have it. While I do enjoy some American and British silent film (like all good former film students, I appreciate me some good Buster Keaton and Chaplin), I'd argue that anyone watching Metropolis will be awed at how far ahead of Hollywood and London that the German's were in using the medium.


Ladytron

It's also impossible to separate Germany's post-WW1 conditions with the output of their cinema, and not wonder a bit about what Lang saw in his countrymen in the years prior to the rise of Hitler. Or his refusal to allow the film's resolution to make a solid case completely on the side of beleaguered labor (what with the Reds running around Mother Russia).

The dimensions of the movie are huge, even by today's standards. And while sets are necessarily re-used for the story, they're unbelievable in scale and practical effects, number of sets, etc... The models of exteriors are phenomenal, some scenes that I assume are matte prints continue to astonish, and the cast is enormous. It's tough to believe such efforts used to go into moviemaking, but clearly Lang wasn't cutting corners.


Sort of makes "New Detroit" in Robocop seem kind of silly, 1980's Dallas.

The imagery has, of course, become iconic and endlessly emulated in sci-fi films, in comics and elsewhere. Lang's Metropolis would come to define the massive super cities seen in everything from "The Fifth Element" to "Blade Runner", acknowledging that these cities will grow on the backs of a labor class who will most likely always have the short end of the stick. The glories of the towers and the miseries of the folks below would become a perennial theme in science fiction, and, one can see how the first quarter of the 20th Century would be enough to tell you where this was headed. The predictions for technology aren't as important to the film as the homily shared using the backdrop and extremes of the future presented in the film.

The effects are mostly practical and hold up because Lang's grasp didn't overextend his reach. The Man-Machine's metal body looks exactly like what its meant to look like, the flying machines and cars don't take bizarre shapes.


why is evil always more fun and noticeably hotter?

But what's just as striking are the hallucinatory visions experienced by Freder, including the approach of "death". These scenes are a fairly straightforward moment when Lang's involvement with Expressionism crosses over into the Metropolis.

And, curiously, its funny how different the same actress is as Brigitte Helm as "good" Maria and "evil" Maria.** While acting styles have definitely changed for film in teh ensuing 80 years, the actors are still committed and engrossing.

We lost a few things when they added sound to film, but nothing so much as the possibilities for a film to easily cross borders, simply applying new title cards.

My hat is off to the Golden Hornet Project. A friend at dinner asked if they're an offshoot of Austin's "Golden Arm Trio", and I really don't. But the band/ orchestra/ whatever was made up of about 8 musicians, featuring keyboards, two percussionists (phenomenal percussionists), and several strings and guitar players. I am actually very interested in seeing their other work in town this summer.


seriously, when was the last time you got this excited about one of your ideas?

The score was terrific, going above and beyond the call of duty to execute upon their task: helping to tell the story without getting in the way. Its unfair to try to categorize the work, so I won't try too hard here to do so. But what would you be if you didn't try? I kinda/ sorta would compare it in spirit to... oh, David Byrne's score for "The Forest". Only totally different.

Anyway, the movie is a favorite. It was a huge treat not just to see it on the big screen, but with such a huge amount of love put into the music.

I like to point out that for all the snooty, looking down the nose critics like to do with sci-fi, this 80 year old movie had three sold out shows and inspired musicians, who could be doing plenty of other things with their time, to create new works of art just to support it. And not just here. Nathan mentioned a similar effort in San Antonio, and when I described the screening to League-Pal Robb at dinner, he told me about a screening at Seattle's Gasworks Park about a decade back that attracted thousands. THOUSANDS.

Its not the genre that attracted the audiences, but there's something to the mix of story, homily and visuals that sci-fi makes possible. And while few have done it anywhere near as well as Metropolis in those years, I don't see "Wings" (best picture, 1928, and a really good movie in its own right) drawing three sold out nights and a new score.

For the record, there's no known direct connection between this movie and the naming of Superman's adopted hometown. Nor does there seem to be any direct connection between the film, its themes, its portrayal in the comic, etc... and the movie. I think teen-age comic developers, Siegel and Shuster, picked it out of the zeitgeist in the years after the movie appeared in the US. Superman would appear roughly 10 years after Metropolis, by the way. So, yeah, the Germans were ahead of us on this crazy sci-fi thing.




*Dang, yo, Circa 1990 Madonna... you are a bad, bad girl.

**Or "boring" Maria and "hot" Maria, as I declared when we left the theater.

New Lil' Leaguer (Sloane Shaw!)

I would be remiss if I did not mention the birth of Sloane Julianne Shaw. Sloane arrived June 7th at 8:33am to happy parents Reed and Jennifer Shaw.

No pictures yet, so...

here's a puppy with a blanet to tide you over.*



*We understand that Sloane is neither a puppy or blanket, but adding an image always makes for a better post.

chillaxing y facebook

Sadly, not much to report on. We've had a very low key weekend. Friday we didn't get up to too much. I suspect that my new Ghost Hunters substitute will be "Whale Wars".

Saturday I ran some errands and we attended the annual MeatFest at the Shoemaker's. This year, we had the very special treat of not just the appearance of League pal Robb Kunz (fresh in from Seattle), but he brought his wife. And we didn't even know Robb HAD a wife. Yeah, it'd been a while since we'd talked to Robb.

Today we really didn't do anything, which is how I like my Sundays. Spent a couple of hours at Barton Springs and then grabbed lunch at Shady Grove.

I guess I can tell its summer because they're running the movies I fid myself watching annually. Today was "Trading Places", the 1980's movie with Dan Aykroyd, Eddie Murphy, Jamie Lee Curtis, Denholm Elliot, Ralph Bellamy and Don Ameche. I've seen it more times than I can count, and I'm still not sure I understand the transaction that takes place at the end of the movie that puts our heroes on top and gives the bad-guys their comeuppance.

But I can say with 100% certainty, I am not interested in the Taco Bell "volcano taco" that's been advertised every commercial break.

Lucy got on the couch with me and we both fell asleep for the entire middle of the movie. And to me, that's a good Sunday.

Tonight, I'm off to see that screening of Metropolis.

Facebook Help

I have started a page on Facebook for League of Melbotis. I'm not really sure how or if I can really use it. I'm going to try to push an RSS feed of some sort out through the thing, but Facebook's "Help" section hasn't been anything remotely like helpful. Anyway, if you're on Facebook, look up "League of Melbotis" and become a fan.

Also, if you know of HOW I can do this, let me know.

Metropolis Sunday at Alamo South

I am going to the Alamo on South Lamar on Sunday evening for a special presentation of Fritz Lang's "Metropolis". The show is at 7:15.

There's a new score by the Golden Hornet Project. Should be fun!

For more info, look here.

some other quick links

From Johnny Cash's biography:

“I’ve had a lot of loves over the years: Gospel, country, rockabilly. But my greatest passion is and always has been Donkey Kong.”

here


From Jason: More stuff on The Reals (real life superheroes). CNN tries to tie it to the economy somehow. Not sure that follows, but I am fascinated by the phenomenon.


Finally got my hands on Mark Waid's new series "Irredeemable" from Boom Studios. Its been sold out TWICE. Really liked the first issue. Here's a preview. (not for kids)

I assume someone will compare it to Miracleman at some point, but I've never had an opportunity to read that series.

A great reason to tune into TLC on Mondays.


New Buck Rogers comic from Dynamite! Enstertainment.

I'm reading a LOT of Boom! and Dynamite these days.

Oddly, reading almost no Marvel but Cap, Daredevil and the new Lockjaw and the Pet Avengers series.

Still recommending Superman titles, Green Lantern, Wonder Woman and the Dini and Morrison Bat-books. Booster Gold is good, but am looking forward to Blue Beetle being added in as a back-up feature.

Here's a video promoting that DCU Massive Multiplayer Game. When the @#$% is this game coming out?

Batman and Robin #1

Believe it or not, there has not previously been a comic entitled "Batman and Robin". Batman, Detective, Batman Confidential, Legends of the Dark Knight, Brave and the Bold, Robin.... sure. All of those. But on Wednesday, DC Comics released the first issue of "Batman and Robin".


the all-new dynamic duo!

Generally, for established talent, I prefer commenting on a storyline as it wraps rather than issue by issue, especially at the beginning. There's simply too much unknown in the early issues of a comic. Its not that you can't form an opinion (and a valid one at that), but in many ways its sort of like reviewing an album based on one or two songs, or running out of a movie after the first fifteen minutes and writing a review.

Grant Morrison took over the title "Batman" in late 2006 and proceeded to take two years to spin out what became clear was just part of a multi-year effort. He wrapped his run into DC's mega-event "Final Crisis" (in itself a 7-issue series with multiple tie-ins), culminating in the disappearance/ seeming death of Bruce Wayne.

Morrison then took a break to make room for what I'd consider to be some serious filler material in the way of the "Battle for the Cowl" storyline. Hey, at least I enjoyed Neil Gaiman's two-part stand in with "Whatever Happened to the Caped Crusader?".

Morrison is also the author of such highly recommended works as "Invisibles", "We3", "Vinamarama", "New X-Men", "JLA", "Animal Man" and the most defining work on the character in a generation, "All Star Superman".

Art is penciled by the amazing Frank Quitely, whose work with Morrison elevates both talents. He's probably now most famous for "All Star Superman", but his "New X-Men" run is pretty stellar. My personal favorite of his work is still "We3", but he made his real mark with "Flex Mentallo" with Morrison. The work has never been collected due to a law suit from the Charles Atlas company.

The first issue begins with the new status quo of former Robin, Dick Grayson, in the Batsuit. Those unfamiliar to recent events in the comics will be surprised to learn that Batman's bastard son (both literal and figurative), Damian, takes on the mantle of Robin. There's enough exposition to catch up a casual reader or possibly explain to someone utterly unfamiliar with Batman as to what's going on.


Dick and Damian go for a ride!

Morrison does what he so often does, and injects a relaxed cool to the high octane proceedings (these superheroes don't flinch over something like an explosion). Dick and Damian have put together the first flying Batmobile, and are in hot pursuit of a Mr. Toad (who both physically resembles a toad and who is on a wild ride).

There's much in the way of exposition to catch us up, but which also fills in gaps for the reader who may wonder how we got from the end of "Battle for the Cowl" to this point.

But nasty things are afoot in Gotham City as the issue wraps, unveiling the first glimmer of bizarre goings on with the newest additions to Batman's rogues gallery.

All in all, its a great start to the series, and should give those who were left scratching their heads at the end of Batman RIP and Final Crisis a huge jolt of faith in Morrison. One also realizes how much Morrison's work is enhanced or detracted from by the art talent with whom he's joined. One saving grace for Final Crisis was that I felt he was lucky to land two great artists (I really dig Doug Mahnke's stuff), and I'm not sure Tony Daniel really did much to carry his part of the load in Batman RIP.

For myself... I was not at all a fan of the continuity-lite six issue runs that came out of the early 2000's. I was raised on Claremont X-Men and Alan Grant and Co. dominating the Bat-titles. So I very much appreciate DC's decision to let Morrison spin his web across the Bat-titles (just as Johns, Robinson and Rucka are building a phenomenal, multi-year arc on the Superman titles).

This is going to sound odd, but something about the issue vaguely gave me the same charge as those old Alan Grant and Norm Breyfogle issues of Batman and Detective used to give me. I think because there was so little distraction. No Dan Didio harping about "Batman RIP" for a year in advance. Just a story, great art and characters. There's not too, too much else in common, but it reminded me of the relentless insistence on the "event" that's been going on in Bat-books for a long time.

The book ain't necessarily for kids. Just felt I'd remind our eager-beavers in the interwebs to be careful what they put in the kiddos' hands.

Morrison said something about trying to mix the psychedelia of the Adam West Batman with some creepier aspects. Whatever he said, fine. The first issue was downright fun. It really is a gorgeous comic to look at, and I'm excited its out there and look forward to the next issue.