Hey, Leaguers!
Not much to report about my New Year's Day Eve. Below you can read the fruits of my labor regarding a comic end of year commentary. Most of you don't read comics, and thusly will not care.
In the afternoon Lucy and I met Jason and Cassidy at the dog park off Riverside. We thought about maybe going to Austin's First Night festival, but decided that it would be easier, and maybe it would just be better to wrap up 2007 in the same mellow spirit I tried to deal with the year. Just playing with dogs seemed like a good idea.
Jamie and I met Matt and Nicole for dinner at Thai Tara, a place we'd been before. The food was still good, but clearly they weren't ready to deal with a New Year's Eve crowd. The service was unforgivably awful.
We then went to Jason's to ring in the New Year. And I got a smooch from Jamie.
And, if I may, a $4 bottle of spumante is exactly as bad as you think it might be. Not even funny bad. It's just... bad. Jason called it when he said "I'm not starting off 2008 with the cheapest champagne money can buy." He is wise, he is.
I want to wish all Leaguers a Happy New Year. Health, happiness and all the best to you and yours in 2008.
Tuesday, January 01, 2008
Monday, December 31, 2007
2007 Wrap-Up Part Two
Comics
Last year I think I swamped you guys with a lot of unfortunate year-end reflecting regarding comics. Well, this year I have a job, and am no longer reviewing comics. Also, I honestly had a lot less time to spend thinking about comics.
MARVEL
Civil War, Death of Captain America, World War Hulk, One More Day... and I'm sure there's tons of stuff going on in the X-Books, but I haven't read those very much in the past several years.
Mainstream Marvel saw a year of chaos, and, generally the storylines were intriguing. Recognizing that an adult audience is looking for character development and plot development (often if they do not realize it or will admit it), Marvel took the liberty this year of actually changing the status quo in the Marvel Universe.
Masks and capes are now either federally regulated or outlaws, Captain America was taken down by a sniper's bullet and the Hulk took mainstays of the Marvel U to task for their perceived crimes, and there was nothing cute about it. One More Day is turning out to be Marvel's big goof of the year, and I foresee the results being reversed within a calendar year or two. Daredevil continues to be the most interesting "super hero" comic on the stands, but I recommend picking it up in collected formats. Strictly for adults, and the only title I can think of that seems to have a fully dysfunctional but believable super hero in the lead... Anyway, Daredevil continues to be a hell of a comic.
Add in Annihilation, and my faith in the Marvel U is once again piqued. (Especially since one of the post-Annihilation books featured Rocket Raccoon.)
I believe Quesada and Buckley are doing their best to make sure that when you buy a Marvel comic, you get something beyond "fight, chase, fight", and I'm not sure either DC or smaller publishers are painting their universes with such a diverse set of brushes right now.
DC COMICS
After a few good years, this was the year DC seriously shook my faith. The "One Year Later" event of 2006 collapsed back into a status quo by early 2007 in virtually every title. "52" had a satisfactory ending with a world of promise for the DCU as a whole, which editorial seemed to take in exactly the wrong direction. "Countdown" was simply unreadable from Week 46 to Week 26, and still, week 18, shows almost no signs of actually going anywhere. (I'm still not sure what I;m supposed to be getting out of the Piper/ Trickster storyline.)
Didio pretty clearly had a slate of writers who were willing to follow his mandates and hand in multiple scripts per month. The unfortunate part is that many of them (Bedard, Gray, Palmiotti) can't tell an intertesting story to save their lives, even with an outline in hand. Further, Didio's friends Bilson, Matteo and Green handed in stories that had a tremendous impact and were simultaneously DOA. The horrendous reboot of Flash ended with issue #13 this year and the pointless aging and death of Bart Allen (from Kid Flash to Flash in 13 easy issues). Meanwhile, Green decided he could outdo "The Killing Joke" and wrote an awkward and somewhat pedestrian re-imagining of the origin of The Joker.
Several key DC titles were running behind at the beginning of the year, including Action Comics, Batman, Wonder Woman and others. It does seem DC managed to get these titles back on track for the foreseeable future, and with the exception of the "Return of Ra's Al Ghul" storyline, they're some of the first books I read out of the stack.
Kudos this year go out to Geoff Johns (and Tomasi) for his work on the spectacular "Sinestro Corps War" in Green Lantern and the always engaging Justice Society of America.
The oddest bit of 2007 was that DC seemed to realize Things Are Not Working, and they semi-publicly seem to be taking steps to clear that up. Tony Bedard is no longer writing half of the DCU books, Countdown suddenly seems to be going somewhere, books are coming out monthly (even if storylines are wrapping up in annuals), and all titles are no longer beholden to Countdown. Furthermore, Didio saw a genuine success with the Sinestro Corps War, and I expect more events like that will be the status quo rather than Universe Wide events.
Oh, and while Supergirl still isn't very good, it's a hell of a lot better now that Berganza is no longer editing the books.
In 2008 I will be clearing a lot of titles off of my pull list. More announcements about that later.
In the meantime, go read Blue Beetle. He's the teen-age protector of El Paso! It's a darn fun comic.
Superman
2008 will be the 70th anniversary of Superman's publication, and so we may see some small events in publishing, etc... I'd expect 2013 will be the big year, with 75 years of Superman. And I'll be 38. Christ.
Anyway, 2007 saw Geoff Johns' work on Action Comics with the not-quite finished "Lat Son" storyline, the Bizarro Worls three-issue run with Eric Powell (a fun read. Highly recommended.) and the Legion story currently taking place in Action. Johns' work is fantastic, and while some of the folks who came to Superman in the Byrne age might be put off by the Bronze-Age flair the comics have, I'm really enjoying them.
Kurt Busiek has been writing his own mini-events in the oft-overlooked "Superman" title. What's intriguing to me about Kurt's run is that he's making a conscious effort to establish the elements of Superman's life and tell stories in a manner which went out of fashion about ten to fifteen years ago. In short, while he's writing self-contained stories, there's a general backdrop that doesn't seem linked only to six-issue stories aimed at a trade collection. He's in it for the long-haul, and its helping out the mainstream Superman books immeasurably to have that context.
Mr. Busiek is telling engaging stories with a greater thematic vision than "Superman meet bad guy, Superman fight bad guy" and taking a look at Superman's place within his universe in a way that other writers have tried to do (including Azzarello) and haven't necessarily succeeded. I did feel the "Fall of Camelot" storyline had a satisfactory ending, but felt it had been cut a bit short.
Looking forward to upcoming issues.
That said, Kurt... more Subjekt 17.
"All Star Superman" is a critical darling for a reason, and if I were to recommend picking up one Superman comic, this would be it. From Quitely's refreshingly metitative art work to Morrison's larger-than-life scripts, it's a comic that seems to have a bit of something for anyone. It does feel a bit like the Superman comic you always wanted to pick up and read, but just never existed until now.
I don't foresee All Star Superman making it past issue 13 or so as Morrison moves on, but I imagine it will live on in collected formats for some time.
Superman also starred in the straight-to-DVD movie "Superman Doomsday", which has little to nothing to do with the original Death of Superman comics from the early 90's. As DC's first PG-13 animated feature, it was a lot of fun to see Superman cut loose on the screen the way he occasionally does in the comics. Unfortunately, I'm not sure the second half of the movie lives up to the promise of the first half.
That said, it also doesn't seem to go off in the "all-action, no logic" direction of the original "Return of Superman" comics.
DIGITAL COMICS
Two big stories wrapped up the year in digital comics.
Firstly, Marvel launched Marvel Digital Comics Unlimited. Their service, for $60 a year, would give readers access to a partial library of Marvel comics. The project has been widely criticized for the lack of completeness, as runs of series currently available as collections are not available as part of the site. In short, Marvel seems to be asking readers to pay for a marketing tool.
At $60 a year, I'm not sure this is a bad deal or worth complaining about. After all, the cover price on most Marvel comics is $3, and trades run about $18 for around siz issues worth of comics. But as I have as of yet to pay $60 myself for the service, I can't say whether it's worth the money.
DC is watching Marvel closely, but they seem content to continue to publish printed collections of older material. I suspect DC's marketing research has told them that their audience is older and seems willing to pay for printed collections. As DC spent 2006 and 2007 ramping up their trade collections department, they've done a great job of bringing collections to their audience, and that audience has been happy to pay the fairly low prices associated with the collections.
One day, perhaps, DC will have a stronger online effort. I've heard in 2008 the Archives Editions may disappear in favor of another model. I'll be keeping an eye open for what they'll do next. But I suspect it won't be online.
The other big story was that DC and Marvel jointly began asking the sites which were illegally carrying scanned copies of comics to knock it off. Honestly, I have no idea what the sites were thinking. Their activity was pretty clearly illegal, and they were getting a lot of hits.
There is an argument in the comic community that the free comics online were nothing but great marketing for the print collections. From an informal poll I took at work (and we have lots of guys and girls at work who read comics), this is sort of true, but not really. The truth seems to be that the $3 cover price for comics is simply too steep for what they're willing to pay for comics they'll read once. And I'm increasingly in agreement. What they do not do very often is actually purchase any comics whatsoever.
What I personally found ludicrous were the voices online who were outraged that the free comics sites had been shut down. For people who read comics every day about de facto law enforcement, the understanding of legal v. illegal and what is stealing and what is not is a little shakey. If you're going to illegally download comics, at least know what you're doing.
2007 saw the rise of popular web strips such as Achewood and Perry Bible Fellowship, which give me a lot more hope for comic strips (in print OR online) than, say, Fred Basset. And I continue to enjoy the hell out of Daniel Fu's action comic "The Retriever" (bookmark it and check weekly for updates).
That's it
No list of my favorite comics. This went on way longer than I expected. Hope you kids enjoy. More comics in 2008!
Last year I think I swamped you guys with a lot of unfortunate year-end reflecting regarding comics. Well, this year I have a job, and am no longer reviewing comics. Also, I honestly had a lot less time to spend thinking about comics.
MARVEL
Civil War, Death of Captain America, World War Hulk, One More Day... and I'm sure there's tons of stuff going on in the X-Books, but I haven't read those very much in the past several years.
Mainstream Marvel saw a year of chaos, and, generally the storylines were intriguing. Recognizing that an adult audience is looking for character development and plot development (often if they do not realize it or will admit it), Marvel took the liberty this year of actually changing the status quo in the Marvel Universe.
Masks and capes are now either federally regulated or outlaws, Captain America was taken down by a sniper's bullet and the Hulk took mainstays of the Marvel U to task for their perceived crimes, and there was nothing cute about it. One More Day is turning out to be Marvel's big goof of the year, and I foresee the results being reversed within a calendar year or two. Daredevil continues to be the most interesting "super hero" comic on the stands, but I recommend picking it up in collected formats. Strictly for adults, and the only title I can think of that seems to have a fully dysfunctional but believable super hero in the lead... Anyway, Daredevil continues to be a hell of a comic.
Add in Annihilation, and my faith in the Marvel U is once again piqued. (Especially since one of the post-Annihilation books featured Rocket Raccoon.)
I believe Quesada and Buckley are doing their best to make sure that when you buy a Marvel comic, you get something beyond "fight, chase, fight", and I'm not sure either DC or smaller publishers are painting their universes with such a diverse set of brushes right now.
DC COMICS
After a few good years, this was the year DC seriously shook my faith. The "One Year Later" event of 2006 collapsed back into a status quo by early 2007 in virtually every title. "52" had a satisfactory ending with a world of promise for the DCU as a whole, which editorial seemed to take in exactly the wrong direction. "Countdown" was simply unreadable from Week 46 to Week 26, and still, week 18, shows almost no signs of actually going anywhere. (I'm still not sure what I;m supposed to be getting out of the Piper/ Trickster storyline.)
Didio pretty clearly had a slate of writers who were willing to follow his mandates and hand in multiple scripts per month. The unfortunate part is that many of them (Bedard, Gray, Palmiotti) can't tell an intertesting story to save their lives, even with an outline in hand. Further, Didio's friends Bilson, Matteo and Green handed in stories that had a tremendous impact and were simultaneously DOA. The horrendous reboot of Flash ended with issue #13 this year and the pointless aging and death of Bart Allen (from Kid Flash to Flash in 13 easy issues). Meanwhile, Green decided he could outdo "The Killing Joke" and wrote an awkward and somewhat pedestrian re-imagining of the origin of The Joker.
Several key DC titles were running behind at the beginning of the year, including Action Comics, Batman, Wonder Woman and others. It does seem DC managed to get these titles back on track for the foreseeable future, and with the exception of the "Return of Ra's Al Ghul" storyline, they're some of the first books I read out of the stack.
Kudos this year go out to Geoff Johns (and Tomasi) for his work on the spectacular "Sinestro Corps War" in Green Lantern and the always engaging Justice Society of America.
The oddest bit of 2007 was that DC seemed to realize Things Are Not Working, and they semi-publicly seem to be taking steps to clear that up. Tony Bedard is no longer writing half of the DCU books, Countdown suddenly seems to be going somewhere, books are coming out monthly (even if storylines are wrapping up in annuals), and all titles are no longer beholden to Countdown. Furthermore, Didio saw a genuine success with the Sinestro Corps War, and I expect more events like that will be the status quo rather than Universe Wide events.
Oh, and while Supergirl still isn't very good, it's a hell of a lot better now that Berganza is no longer editing the books.
In 2008 I will be clearing a lot of titles off of my pull list. More announcements about that later.
In the meantime, go read Blue Beetle. He's the teen-age protector of El Paso! It's a darn fun comic.
Superman
2008 will be the 70th anniversary of Superman's publication, and so we may see some small events in publishing, etc... I'd expect 2013 will be the big year, with 75 years of Superman. And I'll be 38. Christ.
Anyway, 2007 saw Geoff Johns' work on Action Comics with the not-quite finished "Lat Son" storyline, the Bizarro Worls three-issue run with Eric Powell (a fun read. Highly recommended.) and the Legion story currently taking place in Action. Johns' work is fantastic, and while some of the folks who came to Superman in the Byrne age might be put off by the Bronze-Age flair the comics have, I'm really enjoying them.
Kurt Busiek has been writing his own mini-events in the oft-overlooked "Superman" title. What's intriguing to me about Kurt's run is that he's making a conscious effort to establish the elements of Superman's life and tell stories in a manner which went out of fashion about ten to fifteen years ago. In short, while he's writing self-contained stories, there's a general backdrop that doesn't seem linked only to six-issue stories aimed at a trade collection. He's in it for the long-haul, and its helping out the mainstream Superman books immeasurably to have that context.
Mr. Busiek is telling engaging stories with a greater thematic vision than "Superman meet bad guy, Superman fight bad guy" and taking a look at Superman's place within his universe in a way that other writers have tried to do (including Azzarello) and haven't necessarily succeeded. I did feel the "Fall of Camelot" storyline had a satisfactory ending, but felt it had been cut a bit short.
Looking forward to upcoming issues.
That said, Kurt... more Subjekt 17.
"All Star Superman" is a critical darling for a reason, and if I were to recommend picking up one Superman comic, this would be it. From Quitely's refreshingly metitative art work to Morrison's larger-than-life scripts, it's a comic that seems to have a bit of something for anyone. It does feel a bit like the Superman comic you always wanted to pick up and read, but just never existed until now.
I don't foresee All Star Superman making it past issue 13 or so as Morrison moves on, but I imagine it will live on in collected formats for some time.
Superman also starred in the straight-to-DVD movie "Superman Doomsday", which has little to nothing to do with the original Death of Superman comics from the early 90's. As DC's first PG-13 animated feature, it was a lot of fun to see Superman cut loose on the screen the way he occasionally does in the comics. Unfortunately, I'm not sure the second half of the movie lives up to the promise of the first half.
That said, it also doesn't seem to go off in the "all-action, no logic" direction of the original "Return of Superman" comics.
DIGITAL COMICS
Two big stories wrapped up the year in digital comics.
Firstly, Marvel launched Marvel Digital Comics Unlimited. Their service, for $60 a year, would give readers access to a partial library of Marvel comics. The project has been widely criticized for the lack of completeness, as runs of series currently available as collections are not available as part of the site. In short, Marvel seems to be asking readers to pay for a marketing tool.
At $60 a year, I'm not sure this is a bad deal or worth complaining about. After all, the cover price on most Marvel comics is $3, and trades run about $18 for around siz issues worth of comics. But as I have as of yet to pay $60 myself for the service, I can't say whether it's worth the money.
DC is watching Marvel closely, but they seem content to continue to publish printed collections of older material. I suspect DC's marketing research has told them that their audience is older and seems willing to pay for printed collections. As DC spent 2006 and 2007 ramping up their trade collections department, they've done a great job of bringing collections to their audience, and that audience has been happy to pay the fairly low prices associated with the collections.
One day, perhaps, DC will have a stronger online effort. I've heard in 2008 the Archives Editions may disappear in favor of another model. I'll be keeping an eye open for what they'll do next. But I suspect it won't be online.
The other big story was that DC and Marvel jointly began asking the sites which were illegally carrying scanned copies of comics to knock it off. Honestly, I have no idea what the sites were thinking. Their activity was pretty clearly illegal, and they were getting a lot of hits.
There is an argument in the comic community that the free comics online were nothing but great marketing for the print collections. From an informal poll I took at work (and we have lots of guys and girls at work who read comics), this is sort of true, but not really. The truth seems to be that the $3 cover price for comics is simply too steep for what they're willing to pay for comics they'll read once. And I'm increasingly in agreement. What they do not do very often is actually purchase any comics whatsoever.
What I personally found ludicrous were the voices online who were outraged that the free comics sites had been shut down. For people who read comics every day about de facto law enforcement, the understanding of legal v. illegal and what is stealing and what is not is a little shakey. If you're going to illegally download comics, at least know what you're doing.
2007 saw the rise of popular web strips such as Achewood and Perry Bible Fellowship, which give me a lot more hope for comic strips (in print OR online) than, say, Fred Basset. And I continue to enjoy the hell out of Daniel Fu's action comic "The Retriever" (bookmark it and check weekly for updates).
That's it
No list of my favorite comics. This went on way longer than I expected. Hope you kids enjoy. More comics in 2008!
Sunday, December 30, 2007
2007 Wrap-Up Part One
I'm not going to monkey with top 10 lists. Inspired by Jamie's random Top 10 list, I'm just going to highlight several things I found to be of import in 2007.
Movies:
I didn't see 95% of what came out this year. I'm moving into a period in my life where trailers tell me nothing about why I should drop my hard-won clams on a movie, movies aren't aimed at my demographic, or I feel like I've already seen the movie before.
My favorite movie of 2007: No Country for Old Men
It's probably Cormac McCarthy who deserves the real praise here, as from what I hear, the movie's greatest achievement was sticking close to the book. But for once, a movie managed to surprise me, have uniformly excellent performances, stark but fantastic cinematography and told a story with no fear. Still, adaptations are difficult at best, and to truly do the source material justice may actually be more difficult than creating a movie from the ground up where the audience has no foreknowledge and/ or no expectations.
Moreover, it's no secret that the Coens were a huge part of why I was enamored enough with film when I started college and remained a tremendous influence throughout much of my teens and 20's. Unfortunately, of late, I had felt they were no longer making movies I really cared about. This movie proved me wrong.
The movie took a plot that could have been a standard "package" movie, and, instead managed to make a coherent statement upon the nature of evil in the world and what becomes of good men who spend their lives fighting something they can't ever really understand.
Anyhow, it did lead to me buying a three-novel collection of McCarthy's work I'm going to crack here before the New Year.
Least Favorite Movie of 2007: So many to choose from!
Probably the most cynical and bankrupt of the movies I watched this year was "High School Musical 2", which I watched half of one night with Wagner. Calculated and intentionally stupid, but bright and shiny as a 52" Plasma Screen's demo disc, this movie was intended to give elementary and middle school kids who think high school is going to be AWESOME something to aspire to. Made Saved by the Bell look nuanced. Heck, it reallyw asn't any different than "From Justin to Kelly", except that this movie was somehow even more chaste. But, then again, it is for little kids.
Also, "Fantastic Four: Rise of the Silver Surfer" was... it was just a failure on so many levels, I don't have the time. Pair it with the nuttily bad "Ghost Rider", and Marvel had a rough year at the movies. Both will have sequels, I am sure.
As I mentioned, we really didn't see a lot of movies this year, and while many of them didn't do much for me, I can't say it was that the movies were bad, per se. They just weren't that great. But I think that's pretty typical.
True standouts:
Had we not had tickets to see Robosaurus after Transformers at the Alamo, I would have walked out. It was that bad. Oh, yes it was. The entire center thirty minutes of the film was embarrassing and nigh-unwatchable. If you weren't bored and squirming in your seats during the "Transformers sneak around Spike's backyard" sequence, I cannot help you.
But above all stands Tarantino's "Death Proof", the second half of the Grindhouse double feature. Yes. I do, in fact, get it. I am not against paying homage o exploitation movies, bad movies, etc... I think it can be nifty. But I do think that believing that whatever dialog you put in the character's mouths is interesting and needs no editing is a fallacious assumption. Tarantino's post "Pulp Fiction" career seems to be a test to see exactly how much he actually does need Roger Avary as the years go by.
Whatever Tarantino once added to the movies he made by recycling old bits from cheap movies and polishing them up has drained away. Now we're left with endless, pointless dialog and modestly directed action sequences. The movie was not (a) exciting, (b) funny. And it was easily thirty minutes too long.
Bleh.
Television
My favorite TV show of 2007: 30 Rock
For probably snooty reasons, TV reviewers (who have absolutely no ground to stand on being snooty) thought Studio 60 on the Sunset Strip was going to be the winner in the contest between the shows about a comedy sketch show. After all, Studio 60 was moody and joyless and featured alcoholics and other staples of the TV landscape of adult programming. But a show where absolutely nobody is funny or even cracks a smile about a sketch comedy show?
30 Rock stepped up to the plate and gave a writer's-eye view of working on a sketch comedy show owned by a mega-corporation and the goofiness the disconnect between the two worlds creates. Like all good jesters, Tina Fey is able to comment by making a joke, on everything from politics to star theatrics to the very suits who have made her career possible. The show may not be for all tastes, but with every episode a bit different, and without getting bogged down in any pointless "will they or won't they?" romantic plotlines, it's been a standout show that seems to get better all the time.
Also, due in large part to Alec Baldwin, it's possibly the most quotable show on TV any given week. Thanks to JAL and a certain sketch featuring "Paul Schwetty", I was quite glad to see Baldwin take on the role of Jack Donaghy, and they show has found it's voice in the schizm between the idealistic Liz Lemon and corporate shark Donaghy.
Add in Tracy Morgan, Jane Krakowski and Jack McBayer (as well as any of the rest of the show's multitude of characters) and it's a lot of fun.
Honorable Mention: It's Always Sunny in Philadelphia
The premise of the show: people are awful, especially when they're looking for an advantage.
There's no real story here other than a bar run by family and friends and their various misadventures from starting a band to trying out for the Eagles. In the current trend set by HBO programming, basic cable is waking up to the fact that shows with characters who are more morally ambiguous are inherently more interesting. And, in this case, a lot funnier.
This is the show that made me like Danny DeVito for the first time in more than a decade, made me want to join a band, and gave us Kaitlin Olson as Sweet Dee (a tie for my favorite female character in TV, right there with Liz Lemon).
Least Favorite Show of 2007: Any show that asked me to get invested (while providing nothing in return)
Dear TV,
I have only so many hours in my week. I know most people now seem to love getting wrapped up in the complicated mythologies of hour long dramas. I am not one of them.
There was a time when TV shows were good first, and then lasted long enough to build up a backbone and larger plots. These days, you take a fairly benign concept like "The Bionic Woman" and load it down with fifteen tons of dead-weight in the first two episodes with massive conspiracies, fractured families, precocious teenage sisters with criminal records, huge San Francisco apartments owned by bartenders and overly complicated backgrounds for Harvard-bound future bionic women.
Thanks to shows like X-Files (which eventually built a mythology), and the break-away success of shows like "Lost", every show has to have a built in mythology. This ignores the fact that probably, at some point, a better idea could come along but the show will be locked into whatever angle they put in the pilot. And trying to write around whatever was in the pilot will just make things even more awkward.
I dunno.
I wonder if I am not a bit jaded regarding the "instant mythology" bit from seeing too many comics that believe they need to cram potentially interesting ideas down your throat in the first issue or two, but when you get down to it, there's nothing there beyond the mythology. The characters don't behave from an area of honesty, they become walking plot devices or behave in ways that serve plot while providing no real motivation of their own that I can buy.
In the deepest, darkest places in my heart, I am secretly hoping that the writer's strike and lack of programming for a year or so will mean that in 2008 I will no longer see the look of shock on people's faces when I admit I am not interested in Show X, or that I have no plans to watch Show Y, no matter how good it is. Especially if I have 40 episodes to watch in order to catch up.
Where do you people find the time?
Sophomore Slump 2007: Friday Night Lights
Formerly a show about the pressure cooker of kids growing up in the spotlight of high-school football, as well as the strain on a coach in a town where football is king... this year Friday Night lights became a show about inappropriate relationships between those above and under the demarcation of high school graduation.
This is not what I signed up for.
Last year, even when the show had a bad week or flimsy plotline, it would be wrapped up quickly. This year, it seemed as if they brought in the writers from Felicity and set them loose upon formerly interesting characters.
Once the plotlines were used up from the Peter Berg movie (and the book? I've not read it.), the writers knew too little about their own subject to know what to do. Even the potentially interesting "finding Jesus" storyline started for one of the characters was dropped without comment, while the implausible "murder" storyline took up an inordinate amount of screentime when the ending was really never in doubt. And while Connie Britton and Kyle Chandler both deliver great performances each week, the TMU coaching storyline was awkward and somewhat unbelievable. Probably too believable was Julie's storyline about a high school girl acting out and feeling misunderstood. It just wasn't interesting.
It'll be curious to see what happens when/ if the show returns.
Music
I really didn't buy many albums this year. I think the real story for 2007 was that fissures in the music industry became visible cracks as Radiohead tried it's own distribution experiment and pretty much proved that whatever labels once offered (especially for established artists) is no longer relevant. The interwebs have compltely repainted the picture as of two or three years ago, and effects are now becoming obvious.
Musical Celebrity of the Year
Suck it, Steve Jobs. I know you wanted this, but it ain't happening.
I choose Amy Winehouse. It's not often we get a musician who is such a public trainwreck as part of the package BEFORE they've really taken a toe-hold on the American music scene. But Winehouse was already a celebrity in the UK, and came to our shores pre-packaged as a bee-hived chanteuse who was so deep in the sauce, she might just pass out at any time.
We didn't even need to watch the inevitable rise and crash of a starlet. Winehouse came to us in "Britney, Career Year 6" mode, so there was no suffering through the peppy teen-years, awful movies or ghost-written books.
Nope, we went right for the "I have to cancel my ACL Fest appearance because I'm drying out" phase shortly after I'd downloaded Rehab to iTunes.
Plus, her album isn't half bad, IMHO.
ACL Fest
Surprisingly lived up to the hype. It was a perfect way to watch music for those of us with attention deficit problems, and I saw a lot of good shows. And walked away from a lot of shows I just wasn't interested in.
I will definitely be attending again in 2008.
What the @#%$??? goes to the Hannah Montana phenomenon and all of the psychotic parents raising a generation of entitled sociopaths by dropping thousands of dollars on tickets to watch a modestly talented little girl lip-synch.
Just imagine if those parents, instead, wrote checks to Doctors without Borders, Habitat for Humanity, the Red Cross or some other worthy organization and told their children what they were doing with the money, and then bought their kid a Season 1 DVD set of the TV show.
Yes, I am judging. It's what I do.
I also liked the LCD Soundsystem album
That's it for this post. Next time we'll get into some other items of import. Maybe the news, politics, comics and space travel. Who knows?
Movies:
I didn't see 95% of what came out this year. I'm moving into a period in my life where trailers tell me nothing about why I should drop my hard-won clams on a movie, movies aren't aimed at my demographic, or I feel like I've already seen the movie before.
My favorite movie of 2007: No Country for Old Men
It's probably Cormac McCarthy who deserves the real praise here, as from what I hear, the movie's greatest achievement was sticking close to the book. But for once, a movie managed to surprise me, have uniformly excellent performances, stark but fantastic cinematography and told a story with no fear. Still, adaptations are difficult at best, and to truly do the source material justice may actually be more difficult than creating a movie from the ground up where the audience has no foreknowledge and/ or no expectations.
Moreover, it's no secret that the Coens were a huge part of why I was enamored enough with film when I started college and remained a tremendous influence throughout much of my teens and 20's. Unfortunately, of late, I had felt they were no longer making movies I really cared about. This movie proved me wrong.
The movie took a plot that could have been a standard "package" movie, and, instead managed to make a coherent statement upon the nature of evil in the world and what becomes of good men who spend their lives fighting something they can't ever really understand.
Anyhow, it did lead to me buying a three-novel collection of McCarthy's work I'm going to crack here before the New Year.
Least Favorite Movie of 2007: So many to choose from!
Probably the most cynical and bankrupt of the movies I watched this year was "High School Musical 2", which I watched half of one night with Wagner. Calculated and intentionally stupid, but bright and shiny as a 52" Plasma Screen's demo disc, this movie was intended to give elementary and middle school kids who think high school is going to be AWESOME something to aspire to. Made Saved by the Bell look nuanced. Heck, it reallyw asn't any different than "From Justin to Kelly", except that this movie was somehow even more chaste. But, then again, it is for little kids.
Also, "Fantastic Four: Rise of the Silver Surfer" was... it was just a failure on so many levels, I don't have the time. Pair it with the nuttily bad "Ghost Rider", and Marvel had a rough year at the movies. Both will have sequels, I am sure.
As I mentioned, we really didn't see a lot of movies this year, and while many of them didn't do much for me, I can't say it was that the movies were bad, per se. They just weren't that great. But I think that's pretty typical.
True standouts:
Had we not had tickets to see Robosaurus after Transformers at the Alamo, I would have walked out. It was that bad. Oh, yes it was. The entire center thirty minutes of the film was embarrassing and nigh-unwatchable. If you weren't bored and squirming in your seats during the "Transformers sneak around Spike's backyard" sequence, I cannot help you.
But above all stands Tarantino's "Death Proof", the second half of the Grindhouse double feature. Yes. I do, in fact, get it. I am not against paying homage o exploitation movies, bad movies, etc... I think it can be nifty. But I do think that believing that whatever dialog you put in the character's mouths is interesting and needs no editing is a fallacious assumption. Tarantino's post "Pulp Fiction" career seems to be a test to see exactly how much he actually does need Roger Avary as the years go by.
Whatever Tarantino once added to the movies he made by recycling old bits from cheap movies and polishing them up has drained away. Now we're left with endless, pointless dialog and modestly directed action sequences. The movie was not (a) exciting, (b) funny. And it was easily thirty minutes too long.
Bleh.
Television
My favorite TV show of 2007: 30 Rock
For probably snooty reasons, TV reviewers (who have absolutely no ground to stand on being snooty) thought Studio 60 on the Sunset Strip was going to be the winner in the contest between the shows about a comedy sketch show. After all, Studio 60 was moody and joyless and featured alcoholics and other staples of the TV landscape of adult programming. But a show where absolutely nobody is funny or even cracks a smile about a sketch comedy show?
30 Rock stepped up to the plate and gave a writer's-eye view of working on a sketch comedy show owned by a mega-corporation and the goofiness the disconnect between the two worlds creates. Like all good jesters, Tina Fey is able to comment by making a joke, on everything from politics to star theatrics to the very suits who have made her career possible. The show may not be for all tastes, but with every episode a bit different, and without getting bogged down in any pointless "will they or won't they?" romantic plotlines, it's been a standout show that seems to get better all the time.
Also, due in large part to Alec Baldwin, it's possibly the most quotable show on TV any given week. Thanks to JAL and a certain sketch featuring "Paul Schwetty", I was quite glad to see Baldwin take on the role of Jack Donaghy, and they show has found it's voice in the schizm between the idealistic Liz Lemon and corporate shark Donaghy.
Add in Tracy Morgan, Jane Krakowski and Jack McBayer (as well as any of the rest of the show's multitude of characters) and it's a lot of fun.
Honorable Mention: It's Always Sunny in Philadelphia
The premise of the show: people are awful, especially when they're looking for an advantage.
There's no real story here other than a bar run by family and friends and their various misadventures from starting a band to trying out for the Eagles. In the current trend set by HBO programming, basic cable is waking up to the fact that shows with characters who are more morally ambiguous are inherently more interesting. And, in this case, a lot funnier.
This is the show that made me like Danny DeVito for the first time in more than a decade, made me want to join a band, and gave us Kaitlin Olson as Sweet Dee (a tie for my favorite female character in TV, right there with Liz Lemon).
Least Favorite Show of 2007: Any show that asked me to get invested (while providing nothing in return)
Dear TV,
I have only so many hours in my week. I know most people now seem to love getting wrapped up in the complicated mythologies of hour long dramas. I am not one of them.
There was a time when TV shows were good first, and then lasted long enough to build up a backbone and larger plots. These days, you take a fairly benign concept like "The Bionic Woman" and load it down with fifteen tons of dead-weight in the first two episodes with massive conspiracies, fractured families, precocious teenage sisters with criminal records, huge San Francisco apartments owned by bartenders and overly complicated backgrounds for Harvard-bound future bionic women.
Thanks to shows like X-Files (which eventually built a mythology), and the break-away success of shows like "Lost", every show has to have a built in mythology. This ignores the fact that probably, at some point, a better idea could come along but the show will be locked into whatever angle they put in the pilot. And trying to write around whatever was in the pilot will just make things even more awkward.
I dunno.
I wonder if I am not a bit jaded regarding the "instant mythology" bit from seeing too many comics that believe they need to cram potentially interesting ideas down your throat in the first issue or two, but when you get down to it, there's nothing there beyond the mythology. The characters don't behave from an area of honesty, they become walking plot devices or behave in ways that serve plot while providing no real motivation of their own that I can buy.
In the deepest, darkest places in my heart, I am secretly hoping that the writer's strike and lack of programming for a year or so will mean that in 2008 I will no longer see the look of shock on people's faces when I admit I am not interested in Show X, or that I have no plans to watch Show Y, no matter how good it is. Especially if I have 40 episodes to watch in order to catch up.
Where do you people find the time?
Sophomore Slump 2007: Friday Night Lights
Formerly a show about the pressure cooker of kids growing up in the spotlight of high-school football, as well as the strain on a coach in a town where football is king... this year Friday Night lights became a show about inappropriate relationships between those above and under the demarcation of high school graduation.
This is not what I signed up for.
Last year, even when the show had a bad week or flimsy plotline, it would be wrapped up quickly. This year, it seemed as if they brought in the writers from Felicity and set them loose upon formerly interesting characters.
Once the plotlines were used up from the Peter Berg movie (and the book? I've not read it.), the writers knew too little about their own subject to know what to do. Even the potentially interesting "finding Jesus" storyline started for one of the characters was dropped without comment, while the implausible "murder" storyline took up an inordinate amount of screentime when the ending was really never in doubt. And while Connie Britton and Kyle Chandler both deliver great performances each week, the TMU coaching storyline was awkward and somewhat unbelievable. Probably too believable was Julie's storyline about a high school girl acting out and feeling misunderstood. It just wasn't interesting.
It'll be curious to see what happens when/ if the show returns.
Music
I really didn't buy many albums this year. I think the real story for 2007 was that fissures in the music industry became visible cracks as Radiohead tried it's own distribution experiment and pretty much proved that whatever labels once offered (especially for established artists) is no longer relevant. The interwebs have compltely repainted the picture as of two or three years ago, and effects are now becoming obvious.
Musical Celebrity of the Year
Suck it, Steve Jobs. I know you wanted this, but it ain't happening.
I choose Amy Winehouse. It's not often we get a musician who is such a public trainwreck as part of the package BEFORE they've really taken a toe-hold on the American music scene. But Winehouse was already a celebrity in the UK, and came to our shores pre-packaged as a bee-hived chanteuse who was so deep in the sauce, she might just pass out at any time.
We didn't even need to watch the inevitable rise and crash of a starlet. Winehouse came to us in "Britney, Career Year 6" mode, so there was no suffering through the peppy teen-years, awful movies or ghost-written books.
Nope, we went right for the "I have to cancel my ACL Fest appearance because I'm drying out" phase shortly after I'd downloaded Rehab to iTunes.
Plus, her album isn't half bad, IMHO.
ACL Fest
Surprisingly lived up to the hype. It was a perfect way to watch music for those of us with attention deficit problems, and I saw a lot of good shows. And walked away from a lot of shows I just wasn't interested in.
I will definitely be attending again in 2008.
What the @#%$??? goes to the Hannah Montana phenomenon and all of the psychotic parents raising a generation of entitled sociopaths by dropping thousands of dollars on tickets to watch a modestly talented little girl lip-synch.
Just imagine if those parents, instead, wrote checks to Doctors without Borders, Habitat for Humanity, the Red Cross or some other worthy organization and told their children what they were doing with the money, and then bought their kid a Season 1 DVD set of the TV show.
Yes, I am judging. It's what I do.
I also liked the LCD Soundsystem album
That's it for this post. Next time we'll get into some other items of import. Maybe the news, politics, comics and space travel. Who knows?
Congrats to Denise and Ryan (Kudva)
Hey, you might be interested to know Denise and her husband, Ryan, are now proud parents of not one, but TWO new Kudvas.
Please welcome young Grace and Dylan Kudva to planet Earth. They were born, I believe, on December 20th. Denise is a tough lady, but, geez... twins. You are a superwoman, Denise.
Anyhow, Denise and Ryan will do a great job. And I have no doubt they will have a couple of molecular biologists or something equally sciency on their hands in a couple of decades.
For more info and pictures of the cute little nippers, go to the Bambino Blog.
Please welcome young Grace and Dylan Kudva to planet Earth. They were born, I believe, on December 20th. Denise is a tough lady, but, geez... twins. You are a superwoman, Denise.
Anyhow, Denise and Ryan will do a great job. And I have no doubt they will have a couple of molecular biologists or something equally sciency on their hands in a couple of decades.
For more info and pictures of the cute little nippers, go to the Bambino Blog.
Jamie's Top 10 of 2007
Hi, Leaguers! I've asked Jamie to come up with a list of her Top 10 of 2007. Here it is. Enjoy!
Totally Random Top Ten 2007 List
1. Harry Potter and the Deathly Hallows
2. Superbad
3. Holiday Heckstravaganza '07
4. Swimming at Gus Fruh
5. Robosaurus
6. LOST season finale
7. In Rainbows
8. My new CR-V
9. Starting dance classes again
10. My awesome game at Peter Pan Golf
**Extra special bonus item: Mom's medical scare was a false alarm. We love you, Mom!!
Totally Random Top Ten 2007 List
1. Harry Potter and the Deathly Hallows
2. Superbad
3. Holiday Heckstravaganza '07
4. Swimming at Gus Fruh
5. Robosaurus
6. LOST season finale
7. In Rainbows
8. My new CR-V
9. Starting dance classes again
10. My awesome game at Peter Pan Golf
**Extra special bonus item: Mom's medical scare was a false alarm. We love you, Mom!!
Saturday, December 29, 2007
Rockin' Out 2007
As I mentioned, I received a bass for Christmas. It is shiny. It is blue. I have no idea how to play it. I do know that no matter how long I sit down and play the thing, Jamie says "You didn't play your bass very long." I'm not sure she really wants me cranking away on it for hours when I know exactly one bass line (U2's "With or Without You").
The main problem is that I did not want a bass guitar for Christmas. I wanted a delicious bass. Oh well. Some things get lost in the translation.
Jason and I played some tonight, and he showed me some other bass lines. It seems Adam Clayton may not be the genius I have often given him credit for if I can already play two U2 songs.
Anyhow, its fun. I may not get a chance to pick up chicks playing bass (unless Jamie starts throwing the house keys at me while I'm playing), but it is fun. Sooner or later, we will need more than just me and Jason, but for right now, it's kind of cool to be able to play with him and try something he's into after all the trips to Austin books he's suffered through to amuse me.
So look forward to more future rockin' announcements in these pages.
The main problem is that I did not want a bass guitar for Christmas. I wanted a delicious bass. Oh well. Some things get lost in the translation.
Jason and I played some tonight, and he showed me some other bass lines. It seems Adam Clayton may not be the genius I have often given him credit for if I can already play two U2 songs.
Anyhow, its fun. I may not get a chance to pick up chicks playing bass (unless Jamie starts throwing the house keys at me while I'm playing), but it is fun. Sooner or later, we will need more than just me and Jason, but for right now, it's kind of cool to be able to play with him and try something he's into after all the trips to Austin books he's suffered through to amuse me.
So look forward to more future rockin' announcements in these pages.
Friday, December 28, 2007
More LA Crime
It seems that JAL has uncovered a lost collection of Chandler's famous "Melbotis Mysteries", dealing with a similar theme to the current traffic ticket crisis we're experiencing at League HQ.
Never Been to Los Angeles (and now I never will)
It's becoming increasingly likely that if I ever return to the State of California or ever actually make it to Los Angeles, that I will be arrested.
I think as far back as October, I received a notice of a parking citation with the City of Los Angeles. An oddity as I have never actually been to Los Angeles, and certainly not in my own car. I once went to Anaheim, but there I took cabs and never left the Disneyland Resort area.
It seems that when I traded in the Forester, the car made its way out to Los Angeles either as part of a fleet deal, or as a rental. I'm not sure. At any rate, at some point in September, someone driving my former ride received a parking violation. And as the City of LA doesn't maintain updated State of Texas tax records or whatever, they've sent me the violation.
Not wanting to pay someone else's $70 ticket, I sent the City of LA a letter saying "I didn't own this car at this time. Thanks for playing." This, of course, did nothing. And so Jamie sent in a copy of the trade agreement. Here's where things get wacky and where bureaucracy falls apart.
About two weeks ago I called to follow up after receiving a letter that essentially said "Oh yes, you do too own that car." I talked to a person named Lupe on the phone who said "Oh, yes. We do have the right documentation. Call back n 3 to 5 days and we'll get this straightened out."
I called back in seven working days to give them time (hey, I'm busy... they're busy...). Apparently the state of California looks for some document called a "Transfer of Liability" which we don't have in Texas. Because I didn't submit this document, the city of LA doesn't seem to know what to do. In addition, because the transfer of title wasn't from California, Lupe (who I happened upon again) said she couldn't read the document, but from what she described, she was looking at the right document. At the time, I agreed to send in a copy of some other documentation, but upon returning home figured out that I HAD sent in the right documents.
I called back today to check on things and tell them what I had sent them, and today Jessica said "Sir, you said you'd send in the documentation..."
"Yeah, that was before I realized you had my paperwork. You have all the paperwork I have. That's all we have in Texas."
"But you said-"
"I know what I said. Now I'm telling you, you HAVE the paperwork you asked for before. I was calling from work and wasn't sure."
"You said you'd send a FAX-" (I actually never said that)
"It doesn't MATTER what I said before. You have my documentation."
"All I have from you is a letter and two pieces of blank paper".
"Why would I send in two pieces of blank paper?"
"Sir, I don't know."
"I can't help it if your scanner doesn't work, but you guys had this documentation before."
"I don't see it, sir."
So I am kind of wondering what the @#$% is going on at the City of Los Angeles Parking Violations Bureau.
I do know its run by nitwits, and that in order to speak to a supervisor, I will have to wait 72 hours. 72 HOURS.
But here's the kicker. I could hear people discussing my situation in the background during the call. I kept hearing "Austin" and "Texas". Pretty clearly whatever system they have going isn't working. And has already passed some deadline which means I will have, at best, an arrest warrant out for my name in LA. At worst, they could put this against my credit score.
What I am trying not to do is spend a huge amount of time on this problem, but I am increasingly frustrated with my inability to prove I did not own a car the City of LA's least impressive public servants claim I owned.
If an attorneys want to start sending letters on letterhead, I can send you the address.
I think as far back as October, I received a notice of a parking citation with the City of Los Angeles. An oddity as I have never actually been to Los Angeles, and certainly not in my own car. I once went to Anaheim, but there I took cabs and never left the Disneyland Resort area.
It seems that when I traded in the Forester, the car made its way out to Los Angeles either as part of a fleet deal, or as a rental. I'm not sure. At any rate, at some point in September, someone driving my former ride received a parking violation. And as the City of LA doesn't maintain updated State of Texas tax records or whatever, they've sent me the violation.
Not wanting to pay someone else's $70 ticket, I sent the City of LA a letter saying "I didn't own this car at this time. Thanks for playing." This, of course, did nothing. And so Jamie sent in a copy of the trade agreement. Here's where things get wacky and where bureaucracy falls apart.
About two weeks ago I called to follow up after receiving a letter that essentially said "Oh yes, you do too own that car." I talked to a person named Lupe on the phone who said "Oh, yes. We do have the right documentation. Call back n 3 to 5 days and we'll get this straightened out."
I called back in seven working days to give them time (hey, I'm busy... they're busy...). Apparently the state of California looks for some document called a "Transfer of Liability" which we don't have in Texas. Because I didn't submit this document, the city of LA doesn't seem to know what to do. In addition, because the transfer of title wasn't from California, Lupe (who I happened upon again) said she couldn't read the document, but from what she described, she was looking at the right document. At the time, I agreed to send in a copy of some other documentation, but upon returning home figured out that I HAD sent in the right documents.
I called back today to check on things and tell them what I had sent them, and today Jessica said "Sir, you said you'd send in the documentation..."
"Yeah, that was before I realized you had my paperwork. You have all the paperwork I have. That's all we have in Texas."
"But you said-"
"I know what I said. Now I'm telling you, you HAVE the paperwork you asked for before. I was calling from work and wasn't sure."
"You said you'd send a FAX-" (I actually never said that)
"It doesn't MATTER what I said before. You have my documentation."
"All I have from you is a letter and two pieces of blank paper".
"Why would I send in two pieces of blank paper?"
"Sir, I don't know."
"I can't help it if your scanner doesn't work, but you guys had this documentation before."
"I don't see it, sir."
So I am kind of wondering what the @#$% is going on at the City of Los Angeles Parking Violations Bureau.
I do know its run by nitwits, and that in order to speak to a supervisor, I will have to wait 72 hours. 72 HOURS.
But here's the kicker. I could hear people discussing my situation in the background during the call. I kept hearing "Austin" and "Texas". Pretty clearly whatever system they have going isn't working. And has already passed some deadline which means I will have, at best, an arrest warrant out for my name in LA. At worst, they could put this against my credit score.
What I am trying not to do is spend a huge amount of time on this problem, but I am increasingly frustrated with my inability to prove I did not own a car the City of LA's least impressive public servants claim I owned.
If an attorneys want to start sending letters on letterhead, I can send you the address.
Holiday Bowl
Not many people get to watch their two former employers duke it out on the gridiron, but last night I watched UT play ASU in the Holiday Bowl. I was a bit nervous about the game going in as UT's performance toward the end of teh regular season hadn't been anything to write home about, while ASU had their best season in recent memory. Add in the disdain most folks in Arizona have for Texas in general, plus the bad taste in their mouth about Ut beating USC a few years back in the Rose Bowl, and I wasn't sure what to expect.
Well, I needn't of worried. UT came out strong and scored on their first drive. The UT defense, which had looked less than intimidating all season, came out of the gate pummeling ASU's quarterback Rudy Carpenter, and more or less had him on the ropes through the first half. There was an odd play that should have buried ASU and ended the game early on when Carpenter fumbled and the ball came loose. UT picked up the ball near the sideline after some crazy bobbling, and got the turn over with great field position. However...
A mysterious figure on the sideline for UT decided to get involved and, according to the refs, touched the ball. This wound up giving the ball back to ASU in a 4th and goal situation, which, sadly, led to ASU's first touch down.
It looked like momentum might swing back to ASU, and had it done so, the name Chris Jessie would have been mud in Austin for the next ten years. However, on review, its hard to say that Mr. Jessie actually touched the ball. It certainly didn't make the ball dead, and it never seemed to, in any way, effect the momentum or trajectory of the ball. But, nonetheless, Mr. Jessie would have been responsible for one of the most unfortunate plays in UT history.
Here's highlights, the play, etc...
And poor Chris Jessie
Fortunately, UT pulled it out with a solid win against ASU, 52-34.
Well, I needn't of worried. UT came out strong and scored on their first drive. The UT defense, which had looked less than intimidating all season, came out of the gate pummeling ASU's quarterback Rudy Carpenter, and more or less had him on the ropes through the first half. There was an odd play that should have buried ASU and ended the game early on when Carpenter fumbled and the ball came loose. UT picked up the ball near the sideline after some crazy bobbling, and got the turn over with great field position. However...
A mysterious figure on the sideline for UT decided to get involved and, according to the refs, touched the ball. This wound up giving the ball back to ASU in a 4th and goal situation, which, sadly, led to ASU's first touch down.
It looked like momentum might swing back to ASU, and had it done so, the name Chris Jessie would have been mud in Austin for the next ten years. However, on review, its hard to say that Mr. Jessie actually touched the ball. It certainly didn't make the ball dead, and it never seemed to, in any way, effect the momentum or trajectory of the ball. But, nonetheless, Mr. Jessie would have been responsible for one of the most unfortunate plays in UT history.
Here's highlights, the play, etc...
And poor Chris Jessie
Fortunately, UT pulled it out with a solid win against ASU, 52-34.
Wednesday, December 26, 2007
Christmas Wrap-Up
Hey, Leaguers
Well, we had a small hiccup in our plans and Jamie's dialysis unit sort of had a problem with the dialysis she was supposed to have in Houston/ Spring. So, we returned this afternoon/ evening.
I am a weird sort of tired.
Mel came with us on our trip, and he is sacked out now, taking up the whole couch. Poor little Lucy spent Christmas away from the family at doggy resort Austin Pet Ranch, and Jeff stayed home to keep guard over our valuables. Luckily, Cassidy was also able to make the trip, so we had her eager little face following us around during our stay in Spring.
We arrived in Spring on Sunday afternoon, the last folks to show up at my parent's house. Jason had taken point and gone in on Friday, and my grandparents got into Houston an hour or so before Jamie and I arrived. My grandparents live in Florida, and as we don't travel much, and as we didn't make it it home for Christmas the last few times my grandparents were in Houston, it had been a few years since we'd seen each other. Luckily, ain't none of us change too much, so it wasn't too tough to pick up where we left off.
Christmas Eve day the Bridenstines came over as Wayne and Jane were in town, and it was my first chance to see Cousin John and Julie's baby, Brandy. She is cute and babyish, but still very tiny and not yet up to much other than looking at you with big eyes and occasionally sticking her tongue out. Christmas Eve was lovely, with a dinner we ran out and grabbed from Rudy's BBQ. We hit one of the 5 Christmas Eve services at my folk's church, then came back and had some egg nog and played Cranium. Yes, Team Steans Bros. won.
Christmas morning we enjoyed Jamie's famous roll-wreath, and then the gifting of loot began.
Here's the big news, I suppose: I received a bass guitar and amp for Christmas from my folks and Jason. So, really, the clock is ticking on me quitting my job and Jamie getting used to being the wife of a musician, what with me touring and rocking all the time. It's a lovely, shiny blue Yamaha, and I plan to be rockin' out on the thing under Jason's tutelage. Really, I'm very excited. It's something totally new for me that I've always wanted to try. So if anyone wants in NOW on joining the Ryan Steans Bass-heavy Experience, let me know.
From Jamie came the big surprise present. I got a copy of Superman #199, the first race between Superman and The Flash (before Randy asks: they tie). This is one of maybe five comics that I've always wanted a copy of, and I had no idea it was coming. Well done, Jamie.
Jason had to leave to be back at work for today (your tax dollars at work, Travis County tax-payer), and so he left after watching me down about two pounds of ham at Christmas dinner. Not much else happened.
Anyhoo, this morning we had a trip to IHOP with the family, loaded ourselves into the car and were home by evening. Jamie had dialysis tonight, and aside from that, we laid low. I also just saw I missed a call from JAL, and we WERE supposed to meet up tonight. Sorry, man. My phone turned off and I didn't notice. It's been doing that. Hope you and Gene had fun.
So... that was Christmas. I could also talk about how I worked with the Admiral to hook-up the wireless router in their office, or the walk I took with Mel, but, you know... who cares?
I did not make it to Bedrock City, but I am headed down to Austin Books on Saturday, if anyone wants to go. I'm going to limit myself strictly to cheap Superman back-issues, so we'll see what happens.
Oh, and when we got home, a present was waiting in the mail for me from Jamie's brother, Doug. Somewhere, somehow, he'd found a lunchbox with images "Superman: The Movie" on it. It still had the thermos and none of that weird lunch box smell you sometimes find in vintage lunchboxes. So, yes... I now have a lunchbox with an image of Marlon Brando on it. Where's your Streetcar Named Desire luncbox? Hmmmmmm?
Hope you had a good few days off, and, if you celebrated the day, I hope you had a good Christmas. Also, Merry Christmas to Judy and Dick, who are currently in Portugal. Live it up, in-laws. Next year we're in San Marcos.
I'm sort of off for a few days, so I'm hoping to have time to read comics and maybe crack this Cormac McCarthy book I picked up.
Well, we had a small hiccup in our plans and Jamie's dialysis unit sort of had a problem with the dialysis she was supposed to have in Houston/ Spring. So, we returned this afternoon/ evening.
I am a weird sort of tired.
Mel came with us on our trip, and he is sacked out now, taking up the whole couch. Poor little Lucy spent Christmas away from the family at doggy resort Austin Pet Ranch, and Jeff stayed home to keep guard over our valuables. Luckily, Cassidy was also able to make the trip, so we had her eager little face following us around during our stay in Spring.
We arrived in Spring on Sunday afternoon, the last folks to show up at my parent's house. Jason had taken point and gone in on Friday, and my grandparents got into Houston an hour or so before Jamie and I arrived. My grandparents live in Florida, and as we don't travel much, and as we didn't make it it home for Christmas the last few times my grandparents were in Houston, it had been a few years since we'd seen each other. Luckily, ain't none of us change too much, so it wasn't too tough to pick up where we left off.
Christmas Eve day the Bridenstines came over as Wayne and Jane were in town, and it was my first chance to see Cousin John and Julie's baby, Brandy. She is cute and babyish, but still very tiny and not yet up to much other than looking at you with big eyes and occasionally sticking her tongue out. Christmas Eve was lovely, with a dinner we ran out and grabbed from Rudy's BBQ. We hit one of the 5 Christmas Eve services at my folk's church, then came back and had some egg nog and played Cranium. Yes, Team Steans Bros. won.
Christmas morning we enjoyed Jamie's famous roll-wreath, and then the gifting of loot began.
Here's the big news, I suppose: I received a bass guitar and amp for Christmas from my folks and Jason. So, really, the clock is ticking on me quitting my job and Jamie getting used to being the wife of a musician, what with me touring and rocking all the time. It's a lovely, shiny blue Yamaha, and I plan to be rockin' out on the thing under Jason's tutelage. Really, I'm very excited. It's something totally new for me that I've always wanted to try. So if anyone wants in NOW on joining the Ryan Steans Bass-heavy Experience, let me know.
From Jamie came the big surprise present. I got a copy of Superman #199, the first race between Superman and The Flash (before Randy asks: they tie). This is one of maybe five comics that I've always wanted a copy of, and I had no idea it was coming. Well done, Jamie.
Jason had to leave to be back at work for today (your tax dollars at work, Travis County tax-payer), and so he left after watching me down about two pounds of ham at Christmas dinner. Not much else happened.
Anyhoo, this morning we had a trip to IHOP with the family, loaded ourselves into the car and were home by evening. Jamie had dialysis tonight, and aside from that, we laid low. I also just saw I missed a call from JAL, and we WERE supposed to meet up tonight. Sorry, man. My phone turned off and I didn't notice. It's been doing that. Hope you and Gene had fun.
So... that was Christmas. I could also talk about how I worked with the Admiral to hook-up the wireless router in their office, or the walk I took with Mel, but, you know... who cares?
I did not make it to Bedrock City, but I am headed down to Austin Books on Saturday, if anyone wants to go. I'm going to limit myself strictly to cheap Superman back-issues, so we'll see what happens.
Oh, and when we got home, a present was waiting in the mail for me from Jamie's brother, Doug. Somewhere, somehow, he'd found a lunchbox with images "Superman: The Movie" on it. It still had the thermos and none of that weird lunch box smell you sometimes find in vintage lunchboxes. So, yes... I now have a lunchbox with an image of Marlon Brando on it. Where's your Streetcar Named Desire luncbox? Hmmmmmm?
Hope you had a good few days off, and, if you celebrated the day, I hope you had a good Christmas. Also, Merry Christmas to Judy and Dick, who are currently in Portugal. Live it up, in-laws. Next year we're in San Marcos.
I'm sort of off for a few days, so I'm hoping to have time to read comics and maybe crack this Cormac McCarthy book I picked up.
Monday, December 24, 2007
Merry Christmas from League of Melbotis
Merry Christmas from all of us at League of Melbotis to all of you and yours.
-Ryan, Jamie, Melbotis, Lucy and Jeff the Cat (Jason, Cassidy, KareBear and The Admiral)
Hope yours is a Merry Christmas
Sunday, December 23, 2007
Christmas: Gettin' out of town
Hey Leaguers,
We head out a little later today for Spring, Texas, which is sure to be a winter wonderland.
We planned on being back on Thursday evening, but something got screwed up with Jamie's dialysis schedule, and so we're having to come back a day early, right after Christmas. The biggest impact is that now we'll not get to see any friends while in Houston, so my apologies to Randy and Family, as well as Shannon and Josh.
Yesterday we wrapped presents and packed, as well as did some last minute shopping with Heather Wagner for her family. And, yeah, the stores were crazy. Which made my trip to go pick something up for Cousin John's new kid something I knew I'd have to brace myself for. I also bought myself a pair of pants for goin' to Church, and even the fat-guy store was busy. Mostly full of fat guys buying pants for church, I think.
This is probably my last post for a few days. So Merry Christmas and Happy Holidays to one and all! We wish you and yours the best this season. May the days be merry and bright. Be safe. We'll see you on the other side of Christmas.
We head out a little later today for Spring, Texas, which is sure to be a winter wonderland.
We planned on being back on Thursday evening, but something got screwed up with Jamie's dialysis schedule, and so we're having to come back a day early, right after Christmas. The biggest impact is that now we'll not get to see any friends while in Houston, so my apologies to Randy and Family, as well as Shannon and Josh.
Yesterday we wrapped presents and packed, as well as did some last minute shopping with Heather Wagner for her family. And, yeah, the stores were crazy. Which made my trip to go pick something up for Cousin John's new kid something I knew I'd have to brace myself for. I also bought myself a pair of pants for goin' to Church, and even the fat-guy store was busy. Mostly full of fat guys buying pants for church, I think.
This is probably my last post for a few days. So Merry Christmas and Happy Holidays to one and all! We wish you and yours the best this season. May the days be merry and bright. Be safe. We'll see you on the other side of Christmas.
Friday, December 21, 2007
Thursday, December 20, 2007
Green Lantern
The stuff that has been going on in Green Lantern since "Rebirth" is some of the best thought-out and most engaging comics coming out of DC. I highly recommend picking up both the Johns-penned GL comics as well as the Gibbons and Tomasi-penned GL Corps.
Not only did Johns take us from kick-starting a formerly dead Hal Jordan and returning him as a major force in the DCU, he made a Corps that made sense and has expanded the scope of the Corps and their universe by several degrees. He also set up the need for four Lanterns and embraced all of them as equals, a scenario which works well for the GL fans who usually prefer to bicker over which Lantern should get the spotlight. And all since 2004. Well done.
But I also really wish DC would put the GL Corps stuff from around issue 200 - end of series back in print. I may have to start picking up back issues.
If you've ever read a GL comic, the panel above is absolutely huge. And is why I plan on reading GL Corps until 2010. The conclusion of the Sinestro Corps War went ahead and told us in 2009 we'll see the beginning of an event called "Blackest Night", and we'll begin to see the other Corps begin to form in the coming year.
Weird, wild stuff.
Reading List:
Rebirth
No Fear
Revenge of the Green Lanterns
Wanted: Hal Jordan
GL Corps: Recharge
GL Corps: To Be a Lantern
GL Corps: The Dark Side of Green
Sinestro Corps War Volume 1
Not only did Johns take us from kick-starting a formerly dead Hal Jordan and returning him as a major force in the DCU, he made a Corps that made sense and has expanded the scope of the Corps and their universe by several degrees. He also set up the need for four Lanterns and embraced all of them as equals, a scenario which works well for the GL fans who usually prefer to bicker over which Lantern should get the spotlight. And all since 2004. Well done.
But I also really wish DC would put the GL Corps stuff from around issue 200 - end of series back in print. I may have to start picking up back issues.
If you've ever read a GL comic, the panel above is absolutely huge. And is why I plan on reading GL Corps until 2010. The conclusion of the Sinestro Corps War went ahead and told us in 2009 we'll see the beginning of an event called "Blackest Night", and we'll begin to see the other Corps begin to form in the coming year.
Weird, wild stuff.
Reading List:
Rebirth
No Fear
Revenge of the Green Lanterns
Wanted: Hal Jordan
GL Corps: Recharge
GL Corps: To Be a Lantern
GL Corps: The Dark Side of Green
Sinestro Corps War Volume 1
Tuesday, December 18, 2007
Christmas 2008
I know you're already done buying and sending me presents for Christmas 2007, but if you're looking to get a jump on next year:
Hal Jordan/ Sinestro bookends. Only $300.
Hal Jordan/ Sinestro bookends. Only $300.
Monday, December 17, 2007
Dark Knight Trailer is now up
You can see a trailer for Dark Knight here.
Personally, I'm looking forward to the movie. It's interesting to see the "toyetic" parts of the Batman franchise coming to a crossroads with the post-Crisis/ first appearance of Joker interpretation of the Clown Prince of Crime. That's more or less what I want my Batman to be on the screen. Now, if they could just work in a Norm Breyfogle designed Batmobile.
If only they had taken a page from Morrison's book and done the Joker a bit more like the chap in "Arkham Asylum".
Anything is better than the Joker now appearing in Salvation Run. It's like Willingham wasn't even really trying.
Personally, I'm looking forward to the movie. It's interesting to see the "toyetic" parts of the Batman franchise coming to a crossroads with the post-Crisis/ first appearance of Joker interpretation of the Clown Prince of Crime. That's more or less what I want my Batman to be on the screen. Now, if they could just work in a Norm Breyfogle designed Batmobile.
If only they had taken a page from Morrison's book and done the Joker a bit more like the chap in "Arkham Asylum".
Anything is better than the Joker now appearing in Salvation Run. It's like Willingham wasn't even really trying.
Subscribe to:
Posts (Atom)