The least fortunate part of politicking has now arrived in Texas.
I just saw my first televised campaign ad of the 2008 presidential race. God bless each and every one of you living in states where you've already slogged through a primary.
The ad was a fairly simple ad for Mike Huckabee (I'm going to nail the "out of business" sign on the IRS. Perhaps you've seen it?)
It was on during the first bit of pre-Superbowl broadcast I flipped to this morning, and I am wondering if the campaigns can actually afford Superbowl time. After all, the campigns aren't selling cheap, watery beer or powerful trucks. How much advertising can they afford?
Anyhooo.... so it begins. And will end in November, I suppose.
Hooray for my DVR and my ability to FFWD thru the commercials.
Sunday, February 03, 2008
Super Cool!
My post on Captain America from the other day got picked up by Blog@Newsarama.
You can see it here.
Thanks to Jim for finding the article.
Also, the League was part of something really great this week, partaking in the 10th anniversary retrospective of the film "The Zero Effect". Visit Chronological Snobbery to read a huge amount of information about this little known, but much loved film.
heck, even star of the film Bill Pullman is reading it.
The League made a comment or two about Pullman's performance I now feel were a bit not-right. I am going to post on that later.
Mr. Pullman has a Saturday afternoon basic cable viewing of "Spaceballs" to thank for me realizing what a bizarre and wide variety of stuff he's been in, from Spaceballs to Lost Highway to ID4. And all pulled off with aplomb. Mr. Pullman, I salute you.
You can see it here.
Thanks to Jim for finding the article.
Also, the League was part of something really great this week, partaking in the 10th anniversary retrospective of the film "The Zero Effect". Visit Chronological Snobbery to read a huge amount of information about this little known, but much loved film.
heck, even star of the film Bill Pullman is reading it.
The League made a comment or two about Pullman's performance I now feel were a bit not-right. I am going to post on that later.
Mr. Pullman has a Saturday afternoon basic cable viewing of "Spaceballs" to thank for me realizing what a bizarre and wide variety of stuff he's been in, from Spaceballs to Lost Highway to ID4. And all pulled off with aplomb. Mr. Pullman, I salute you.
Comics You Should Be Reading: Action Comics
The League was reading some of his weekly stash of comics last night, and I was reminded that while one of the primary missions of The League of Melbotis is a forum for my Super-Fandom, I don't always mention the comics.
I stick with the Superman titles through thick and thin, sort of like a Cubs fan might stick with the Cubbies. And just as a Cubs fan might get very excited when they enter the play-offs, so do I get excited when the comics are on an uptic of quality.
Writer Geoff Johns (Green Lantern, JSA, etc...) was once a film-school graduate working as an assistant to Richard Donner, director of Superman: The Movie. It took Johns a while to work his way through the DCU to his current position as writer of GL, Action Comics, and pretty much any other property he wants to get his hands on.
Honestly, when Donner and Johns took over on Action Comics, I was a bit skeptical. Johns' love of Superman was well-known, and I was concerned he would be too concerned about making a wrong move and begin on a forgettable run. But that wasn't the case.
The Up, Up and Away storyline ran through Superman and Action Comics in mid-2006
Johns teamed first with writer Kurt Busiek for the first One Year Later storyline "Up, up and Away", a storyline which re-set the status quo for Superman and the World of Metropolis. After that, Johns and Donner moved into telling the story "Last Son", which would introduce the triumverate of Zod, Ursa and Non to the comics for, really, the first time. (Zod and other Phantom Zone survivors had appeared in the comics during the Bronze Age, from the Weisinger and Schwartz eras of editorialship, but the trio seen in Superman: The Movie and Superman II were somewhat an amalgamation of characters seen in the comics.)
"Last Son" was a fascinating storyline, but... artist Adam Kubert ran late with his issues, winding up with fill-ins during the middle of the storyline, and culminating in the single, 3D issue of Action Comics 851 (which was cool), but the storyline broke precedent and never actually wrapped up. Apparently series artist Adam Kubert, who had been announced as coming onto the comic with huge fanfare, simply wasn't keeping up with his duties. Kubert helps run the Joe Kubert School of Cartooning, and who knows what else was going on in his private life.
A Kubert Action Comics cover
Unfortunately, despite the engaging story, the delays made the comic impossible to recommend, and shook my faith in what Johns was brining to the title. A few fill ins and an unexpected Annual issue later, and the series was back on track with Eric Powell drawn Escape from Bizarroworld.
Powell's work on the JLA of Bizzaroworld
With 52 concluded and Teen Titans no longer on his plate, Johns seems to have found focus on both Green Lantern and Action Comics. Donner is no longer on the writing team, and it may be a case of Johns slipping backward into fanboyishness... But the current storyline "Superman and the Legion of Super-Heroes".
Superman is asked to return to the future of the 31st Century, re-establishing continuity lost during the Crisis on Infinite Earths and with the Byrne/ Wolfman reboot of the Superman titles with Man of Steel. He learns that an "Earth First" movement has meant that the true story of Superman, now 1000 years in the past, has been co-opted by the movement and changed so that the people of Earth would believe Superman was born on Earth, denying his Kryptonian heritage. They are using this as part of an anti-alien propaganda, which is leading to war between Earth and other planets of the 31st Century.
Gary Frank's art on the cover of Action Comics
It's a good read, despite some gaps in logic that could use some explaining. The action is fast-paced, and while it's certainly rewarding to know a bit about the Legion, it's not a requirement for getting into the story. The threats are understandable and of an appropriately enormous scope for a Legion and Superman story. There's a common complaint in comics that the fanboys are now writing the comics, and that's inherently bad for comics. But in the case of Johns, his understanding of the publishing history of Superman and the Legion helps to make a textured read with a good understanding of character and character motivation.
Add in the pencils of Gary Frank, whose style one might compare to a less cartoonish Steve Dillon (sharing the love and mastery of the facial expression), mixed with detail of far more naturalistic artists, its a great look for the title. Especially as Frank has internalized Christopher Reeve for his version of Superman, and gives the reader a Superman with distinct facial characteristics.
You may still be able to pick up this storyline from the first issue at your local comic shop, or may wish to wait for the inevitable collection. Either way, now's a great time to be jumping into Action Comics.
I stick with the Superman titles through thick and thin, sort of like a Cubs fan might stick with the Cubbies. And just as a Cubs fan might get very excited when they enter the play-offs, so do I get excited when the comics are on an uptic of quality.
Writer Geoff Johns (Green Lantern, JSA, etc...) was once a film-school graduate working as an assistant to Richard Donner, director of Superman: The Movie. It took Johns a while to work his way through the DCU to his current position as writer of GL, Action Comics, and pretty much any other property he wants to get his hands on.
Honestly, when Donner and Johns took over on Action Comics, I was a bit skeptical. Johns' love of Superman was well-known, and I was concerned he would be too concerned about making a wrong move and begin on a forgettable run. But that wasn't the case.
The Up, Up and Away storyline ran through Superman and Action Comics in mid-2006
Johns teamed first with writer Kurt Busiek for the first One Year Later storyline "Up, up and Away", a storyline which re-set the status quo for Superman and the World of Metropolis. After that, Johns and Donner moved into telling the story "Last Son", which would introduce the triumverate of Zod, Ursa and Non to the comics for, really, the first time. (Zod and other Phantom Zone survivors had appeared in the comics during the Bronze Age, from the Weisinger and Schwartz eras of editorialship, but the trio seen in Superman: The Movie and Superman II were somewhat an amalgamation of characters seen in the comics.)
"Last Son" was a fascinating storyline, but... artist Adam Kubert ran late with his issues, winding up with fill-ins during the middle of the storyline, and culminating in the single, 3D issue of Action Comics 851 (which was cool), but the storyline broke precedent and never actually wrapped up. Apparently series artist Adam Kubert, who had been announced as coming onto the comic with huge fanfare, simply wasn't keeping up with his duties. Kubert helps run the Joe Kubert School of Cartooning, and who knows what else was going on in his private life.
A Kubert Action Comics cover
Unfortunately, despite the engaging story, the delays made the comic impossible to recommend, and shook my faith in what Johns was brining to the title. A few fill ins and an unexpected Annual issue later, and the series was back on track with Eric Powell drawn Escape from Bizarroworld.
Powell's work on the JLA of Bizzaroworld
With 52 concluded and Teen Titans no longer on his plate, Johns seems to have found focus on both Green Lantern and Action Comics. Donner is no longer on the writing team, and it may be a case of Johns slipping backward into fanboyishness... But the current storyline "Superman and the Legion of Super-Heroes".
Superman is asked to return to the future of the 31st Century, re-establishing continuity lost during the Crisis on Infinite Earths and with the Byrne/ Wolfman reboot of the Superman titles with Man of Steel. He learns that an "Earth First" movement has meant that the true story of Superman, now 1000 years in the past, has been co-opted by the movement and changed so that the people of Earth would believe Superman was born on Earth, denying his Kryptonian heritage. They are using this as part of an anti-alien propaganda, which is leading to war between Earth and other planets of the 31st Century.
Gary Frank's art on the cover of Action Comics
It's a good read, despite some gaps in logic that could use some explaining. The action is fast-paced, and while it's certainly rewarding to know a bit about the Legion, it's not a requirement for getting into the story. The threats are understandable and of an appropriately enormous scope for a Legion and Superman story. There's a common complaint in comics that the fanboys are now writing the comics, and that's inherently bad for comics. But in the case of Johns, his understanding of the publishing history of Superman and the Legion helps to make a textured read with a good understanding of character and character motivation.
Add in the pencils of Gary Frank, whose style one might compare to a less cartoonish Steve Dillon (sharing the love and mastery of the facial expression), mixed with detail of far more naturalistic artists, its a great look for the title. Especially as Frank has internalized Christopher Reeve for his version of Superman, and gives the reader a Superman with distinct facial characteristics.
You may still be able to pick up this storyline from the first issue at your local comic shop, or may wish to wait for the inevitable collection. Either way, now's a great time to be jumping into Action Comics.
Saturday, February 02, 2008
Friday, February 01, 2008
Thursday, January 31, 2008
Mel looks like 10 Miles of Bad Road
Ho boy.
Well, the left half of Mel's face is shaved, as well as the left side of his neck, and some spots around his legs. His face is pretty badly bruised from the surgery, and his eye is sort of blackened, if a dog can get a black eye.
Jamie's got him pretty well tranq'd up, so he's resting, and seems perhaps... too happy when he does wake up. He has to eat tiny little scoops of his dog food which Jamie has turned into meatballs.
I know in a few days he'll be getting back to normal in spirits, but for now he looks a bit like Batman-villain Two Face.
Also, the cone... I have to put the cone on him again. Which I'm not looking forward to. But he should really wear it tonight.
It looks like the surgery went well. Jamie's doing a great job if taking care of Mel.
he just twitched in his sleep and kicked me in the butt.
Anyhow, he's doing okay. He just looks like a dog that just had serious surgery.
Well, the left half of Mel's face is shaved, as well as the left side of his neck, and some spots around his legs. His face is pretty badly bruised from the surgery, and his eye is sort of blackened, if a dog can get a black eye.
Jamie's got him pretty well tranq'd up, so he's resting, and seems perhaps... too happy when he does wake up. He has to eat tiny little scoops of his dog food which Jamie has turned into meatballs.
I know in a few days he'll be getting back to normal in spirits, but for now he looks a bit like Batman-villain Two Face.
Also, the cone... I have to put the cone on him again. Which I'm not looking forward to. But he should really wear it tonight.
It looks like the surgery went well. Jamie's doing a great job if taking care of Mel.
he just twitched in his sleep and kicked me in the butt.
Anyhow, he's doing okay. He just looks like a dog that just had serious surgery.
Comics You Should Be Reading: Captain America
America, @#$% YEAH!!!
So, you may have heard several months ago: They killed Captain America.
What they did not tell you is that the 24 issues leading up to the Death of Captain America and the subsequent issues following have been absolutely engaging reading.
I thought I'd post on this, thanks to this story which ran today on CNN.com.
Writer Ed Brubaker took over the reigns on the flagship title for the Sentinel of Liberty, relaunching the series with a new #1. I was familiar with Brubaker from his work, mostly, on Gotham Central (perhaps DC's most underrated title of the past six years), and had read a few other comics he'd penned, and had planned to follow him to Marvel. I did pick up issue #1 of Brubaker's run, enjoyed it, and planned to pick up the collections of the series... But somehow I never got around to doing so.
And then I heard they were bringing back Bucky.
Bucky was Captain America's youthful sidekick in the original comics sold during WWII, but he'd never been part of Captain America since Atlas/ Timely became Marvel. It had been explained that Bucky was killed during the final mission in which Cap, himself, fell into the sea to be frozen until found and thawed by the Avengers. Wacky stuff, but, you know... you grow up with an idea and it doesn't sound totally weird.
Anyhow, Bucky's death was canon, and for whatever reason I took exception to the idea that they'd bring back Bucky Barnes. His death was as fundamental to the mythos as the death of Jason Todd had become to the Bat-comics. Well, of course, we know what happened with Jason Todd, and so perhaps having Bucky around didn't seem that crazy.
Brubaker's take on Cap isn't so much superhero as super-soldier. Or, more specifically, super-anti-terrorist operative. World weary, but with a certain optimism and faith in what he's doing, it makes for a good, three dimensional character behind the shield.
The plot is not convoluted in the way so many comics can become, but rather feels novelistic. There's a lot going on that doesn't require punches to the head (although those happen, too), and there's a good story. Good enough that, in the telling, the return of Bucky feels less like a stunt to draw in readers, and more like one of the unfortunate side effects of the world Cap's been a part of since WWII.
The New Cap
I have to thank Nathan Cone for pointing me back towards the series. Part of why I picked up the Omnibus was that Nathan told me he was reading the series and was still very enthusiastic about it.
You may be aware that Cap was killed some time back, but that story is just as fascinating to watch unfold. Unlike the impenetrable and winding plots of the Death of Superman and World without a Superman stories, the post-Steve Rogers world feels organic, and as if the characters are acting from a real sense of loss and grieving (which, in superhero comics, rarely means sitting around crying).
Anyhow, pick up Brubaker's Captain America.
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