Pic taken by Jamie today
Friday, September 11, 2009
Some Comics Bits from Loyal Leaguers
We always appreciate it when folks send us links to comics-related items. (a) It's nice to know that we're being thought of during your work day, and (b) it's instant blog material. Shazam!
The Hall of Justice is located in Cincinnati?
Baby, did you ever wonder? Wonder whatever became of me? I'm living in the Hall of Justice. Which is located in Cin-cin-nat-ti.
NTT sends this item along. Apparently, the Hall of Justice which 30+-year-old Leaguers may recall from the Super Friends cartoon as the majestic headquarters of the Justice League, is based on a train station.
I did not know that.
The article is here.
New Clip From Superman/ Batman Animated feature
Shoemaker sends along this link. It's a video clip from the upcoming home video release of "Superman/ Batman: Public Enemies".
I am anxiously awaiting the release of the DVD. The original story from the "Superman/ Batman" comic was a fun, big screen adventure-ride, even if the story never made a whole lot of sense. It wrapped the multi-year arc featuring Lex Luthor as the President of the United States and siccing a legion of super heroes and villains on The World's Finest.
The comic also featured art by Ed McGuinness. I confess I'm not sure either the story or art will translate perfectly, but you have to have hope that DCU Animated knows what its doing.
Superman's Birthplace Now a Landmark - Siegel Home Restored
Jerry Siegel and Joe Shuster were living in Cleveland at the time when they brought Superman to the company that would become DC. Its one of my favorite parts of the history of comics that Superman was cooked up by teen-agers that were working with a gumbo of influences and didn't know the rules enough to think that Superman wouldn't sell.
The neighborhood where the Siegel house stood has changed, and the house itself fell into disrepair. The Shuster house was torn down several years ago.
Novel and comic author Brad Meltzer has done more in the past two years than the city of Cleveland has ever done to turn the house into an historical landmark and ensure the structure's future (which is somebody's house, I should mention).
JimD sent this. Which links to this page, featuring a video demonstrating the work done.
While this project may not be as important as many, its great to see that Americans care enough about the source of what's become an American icon to preserve a part of its history (and improve someone's living conditions as part of the deal).
The Hall of Justice is located in Cincinnati?
Baby, did you ever wonder? Wonder whatever became of me? I'm living in the Hall of Justice. Which is located in Cin-cin-nat-ti.
NTT sends this item along. Apparently, the Hall of Justice which 30+-year-old Leaguers may recall from the Super Friends cartoon as the majestic headquarters of the Justice League, is based on a train station.
I did not know that.
The article is here.
New Clip From Superman/ Batman Animated feature
Shoemaker sends along this link. It's a video clip from the upcoming home video release of "Superman/ Batman: Public Enemies".
I am anxiously awaiting the release of the DVD. The original story from the "Superman/ Batman" comic was a fun, big screen adventure-ride, even if the story never made a whole lot of sense. It wrapped the multi-year arc featuring Lex Luthor as the President of the United States and siccing a legion of super heroes and villains on The World's Finest.
The comic also featured art by Ed McGuinness. I confess I'm not sure either the story or art will translate perfectly, but you have to have hope that DCU Animated knows what its doing.
Superman's Birthplace Now a Landmark - Siegel Home Restored
Jerry Siegel and Joe Shuster were living in Cleveland at the time when they brought Superman to the company that would become DC. Its one of my favorite parts of the history of comics that Superman was cooked up by teen-agers that were working with a gumbo of influences and didn't know the rules enough to think that Superman wouldn't sell.
The neighborhood where the Siegel house stood has changed, and the house itself fell into disrepair. The Shuster house was torn down several years ago.
Novel and comic author Brad Meltzer has done more in the past two years than the city of Cleveland has ever done to turn the house into an historical landmark and ensure the structure's future (which is somebody's house, I should mention).
JimD sent this. Which links to this page, featuring a video demonstrating the work done.
While this project may not be as important as many, its great to see that Americans care enough about the source of what's become an American icon to preserve a part of its history (and improve someone's living conditions as part of the deal).
Wednesday, September 09, 2009
DC Gets a Corporate Shake-Up
Today, while I was working, apparently DC Comics announced the end of an era as Paul Levitz has stepped down from executive duties at DC Comics. Levitz was a writer who ascended DC's corporate ladder, becoming Jenette Kahn's right hand man (as near as I could tell), and when she left DC, became Head Honcho.
This was a move I'd recently hinted was likely to happen, and pondered what it could mean.
I obviously know very little about any of these figures other than interviews I'd read online or clips that would appear in the documentaries tied to my DC Comics-related DVD's and Blu-Ray discs. But I always liked Levitz. In interviews he always seemed aware of fanboy rantings and capriciousness, but it was one small factor as he considered DC's role within a massive media empire where the characters of Superman and Batman made millions on licensing, and the comics maybe eked out a small profit in a good year.
It's not often that I disagree with blogger Kevin Church, but I think he gets it very, very wrong. Even if its hilarious.
What happened:
Levitz announced his new position and acknowledged change was afoot on the DCU Source Blog, stating he's no longer in chief, but will keep up his writing duties. This is, of course, not unlike when Hollywood execs are let go, and to save face the company gives them a multi-picture deal with the studio as a producer (which they most likely pray will not materialize).
Later in the day, there was an announcement of that the rumored move to put Diane Nelson over DC had materialized, and DC Comics is now: DC Entertainment (sound trumpets)
IE: DC owns characters who are to be exploited in many different forms of media, not just funny books with word balloons. And Ms. Nelson will make that happen.
What it means when the new super-boss replaces the guy you thought of as boss
The continuity of Paul Levitz from Jenette Kahn meant roughly two-decades of the same leadership at DC. That's unusual in any business, let alone the entertainment business. Marvel certainly hasn't seen that kind of stability, and I'd guess with Disney now looking over their shoulder, Joey Q may want to at least have a copy of his resume updated.
I'm not surprised DC is starting from the top down. And for good or ill, Dan Didio's record at DC may be one of the most public track records of any editor in any medium, from comics journalism, bloggers and the endless interaction Didio has had with the comics media itself (which always surprised me. I'm not sure he always came off as well as he thought he did in those first few 20 Questions videos).
With Levitz de-powered, the old boys network of DC is most likely to see something of a shake-up as someone new comes in to see what actually sells, and, to be blunt, its always seemed to me there are writers put on books who must be friends of Didio or Levitz, or they wouldn't be getting the work they're currently enjoying, given where they consistently fall in sales and from a creative standpoint. And, of course, the editors who haven't really seemed to have a decent book out since I was in college, but who hang on at DC.
As of today, all bets are off at DC Comics. Removing the traditional head is usually the first signal that an organization is about to be "re-organized".
Given the lengthy readership of the fanboys who make up the bulk of the comics audience, to suggest that readers don't notice these things (or that its not their business) is sort of ridiculous on its face. Its like not noticing a band's work is better under certain producers, or that somehow certain directors make better movies than other directors, no matter who is actually in those movies. After a while you draw connections on the names you see...
Better Promotion of the DC Characters
Somehow, the comic geek perception of Superman, Aquaman, and many non-Batman DC characters as somehow not as "cool" as Marvel's heroes has seeped into the public consciousness (although, for my dollar, Brave and the Bold's Aquaman is where its at).
What we do know is that DC Comics, as its been, has lost a lot of ground to Marvel in the public eye, from number of films produced to shelf space in the toy aisle at Target. And certainly Disney declaring the competition is worth $4 Billion, even with all the dispersed licenses for theme parks, film franchises, etc...
I'd also return to the complicated issue of portrayal of women on the cover of DC's line of books (and in the interiors), and how new blood is going to bring new perspective to all of this. Especially as Nelson considers each character as a possible t-shirt, movie, TV show, etc...
From Nelson's letter on the DC Blog (this looked like an intra-office memo. I'm surprised it wound up on the blog):
For readers looking for Nelson to not make any big changes: it isn't going to be her focus. There's real money to be made here. But for folks who think DC is off her radar? Paul Levitz. Gone. Do the math.
In conclusion:
Surprise, comics fans... the huge multinational company that owns your favorite superheroes would very much like to exploit them in all sorts of ways that aren't currently happening, and the first thing to get a hit are the people who have been there and not found themselves worth $4 Billion dollars.
Its not going to be one massive change, but certainly Nelson has the opportunity to make her mark with DC, and is hopefully not as vaguely embarrassed by superheroes as the previous master of the kingdom seemed to be (but this is a guy who greenlit a Catwoman movie).
This was a move I'd recently hinted was likely to happen, and pondered what it could mean.
I obviously know very little about any of these figures other than interviews I'd read online or clips that would appear in the documentaries tied to my DC Comics-related DVD's and Blu-Ray discs. But I always liked Levitz. In interviews he always seemed aware of fanboy rantings and capriciousness, but it was one small factor as he considered DC's role within a massive media empire where the characters of Superman and Batman made millions on licensing, and the comics maybe eked out a small profit in a good year.
It's not often that I disagree with blogger Kevin Church, but I think he gets it very, very wrong. Even if its hilarious.
What happened:
Levitz announced his new position and acknowledged change was afoot on the DCU Source Blog, stating he's no longer in chief, but will keep up his writing duties. This is, of course, not unlike when Hollywood execs are let go, and to save face the company gives them a multi-picture deal with the studio as a producer (which they most likely pray will not materialize).
Later in the day, there was an announcement of that the rumored move to put Diane Nelson over DC had materialized, and DC Comics is now: DC Entertainment (sound trumpets)
IE: DC owns characters who are to be exploited in many different forms of media, not just funny books with word balloons. And Ms. Nelson will make that happen.
What it means when the new super-boss replaces the guy you thought of as boss
The continuity of Paul Levitz from Jenette Kahn meant roughly two-decades of the same leadership at DC. That's unusual in any business, let alone the entertainment business. Marvel certainly hasn't seen that kind of stability, and I'd guess with Disney now looking over their shoulder, Joey Q may want to at least have a copy of his resume updated.
I'm not surprised DC is starting from the top down. And for good or ill, Dan Didio's record at DC may be one of the most public track records of any editor in any medium, from comics journalism, bloggers and the endless interaction Didio has had with the comics media itself (which always surprised me. I'm not sure he always came off as well as he thought he did in those first few 20 Questions videos).
With Levitz de-powered, the old boys network of DC is most likely to see something of a shake-up as someone new comes in to see what actually sells, and, to be blunt, its always seemed to me there are writers put on books who must be friends of Didio or Levitz, or they wouldn't be getting the work they're currently enjoying, given where they consistently fall in sales and from a creative standpoint. And, of course, the editors who haven't really seemed to have a decent book out since I was in college, but who hang on at DC.
As of today, all bets are off at DC Comics. Removing the traditional head is usually the first signal that an organization is about to be "re-organized".
Given the lengthy readership of the fanboys who make up the bulk of the comics audience, to suggest that readers don't notice these things (or that its not their business) is sort of ridiculous on its face. Its like not noticing a band's work is better under certain producers, or that somehow certain directors make better movies than other directors, no matter who is actually in those movies. After a while you draw connections on the names you see...
Better Promotion of the DC Characters
Somehow, the comic geek perception of Superman, Aquaman, and many non-Batman DC characters as somehow not as "cool" as Marvel's heroes has seeped into the public consciousness (although, for my dollar, Brave and the Bold's Aquaman is where its at).
What we do know is that DC Comics, as its been, has lost a lot of ground to Marvel in the public eye, from number of films produced to shelf space in the toy aisle at Target. And certainly Disney declaring the competition is worth $4 Billion, even with all the dispersed licenses for theme parks, film franchises, etc...
I'd also return to the complicated issue of portrayal of women on the cover of DC's line of books (and in the interiors), and how new blood is going to bring new perspective to all of this. Especially as Nelson considers each character as a possible t-shirt, movie, TV show, etc...
From Nelson's letter on the DC Blog (this looked like an intra-office memo. I'm surprised it wound up on the blog):
The founding of DC Entertainment is about Warner Bros. taking DC to the next level and giving DC an even greater degree of focus and prioritization in all the businesses in which we operate—films, television, home entertainment, digital, consumer products and videogames.
For readers looking for Nelson to not make any big changes: it isn't going to be her focus. There's real money to be made here. But for folks who think DC is off her radar? Paul Levitz. Gone. Do the math.
In conclusion:
Surprise, comics fans... the huge multinational company that owns your favorite superheroes would very much like to exploit them in all sorts of ways that aren't currently happening, and the first thing to get a hit are the people who have been there and not found themselves worth $4 Billion dollars.
Its not going to be one massive change, but certainly Nelson has the opportunity to make her mark with DC, and is hopefully not as vaguely embarrassed by superheroes as the previous master of the kingdom seemed to be (but this is a guy who greenlit a Catwoman movie).
Adios, Summer '09
It's been 100+ and dry almost every day since, oh, May. So I was stunned when I saw the forecast...
I predict we get a two day freeze this winter. We earned it.
I predict we get a two day freeze this winter. We earned it.
Tuesday, September 08, 2009
Changing habits of the longtime comic fan
So this weekend, Austin Books had their Big Annual Sale, where I wound up spending my fair share of coin. I picked up several Superman, Action Comics and Jimmy Olsen back issues.
I also picked up this issue of The Flash. Because when one sees issue #177 of The Flash, one BUYS issue #177 of The Flash.
This is what you put on a cover when you're trying to grab The League's attention
You may not know this, but they recently raised the price of about half the line of comics at DC, while increasing page-count with back-up stories. Detective now has back-up stories featuring "The Question", Action now has back-ups with "Captain Atom" (a move I fully endorse). Best of all, Booster Gold has "Blue Beetle" back ups.
I'm not sure what it means to my pocket book as I would most assuredly pick up a Question, Blue Beetle and Captain Atom series from DC. But many comics I'm buying now cost a full dollar more. That's not chump change, week in and week out. So I'm reducing the number of titles I pick up. I'm mostly looking at core titles from DC, and I'll pick up Sherlock Holmes while its running, and Buck Rogers. But everything else...?
DC operated on the "WTF?" model for their covers for about three decades
Well, Boom is still putting out good comics (seriously, Irredeemable is phenomenal. As is "Poe").
But I've dropped the Project: Superpowers books from Dynamite, and I only look at Cap and Dardevil at Marvel these days (a world in which I'm not interested in Spidey. It's a frikkin' crime, I tell you).
There are literally hundreds of comics which hit every month, so while you may believe that this superhero/ comic fan has his eye on the industry, I tell you that's near impossible. And at some point, you begin to see the same things popping up on cover after cover, month after month, from upstart companies, new talent, etc... And like any other form of entertainment, 90% of it is dreck.
Somehow the confluence of rising prices and my disinterest in a lot of what's on the shelf has meant I'm becoming increasingly keen on reprints and back-issues these days.
Back-issues are those bagged and boarded comics someone else was saving, believing they'd pay for a car or semester of college at some point. "Old Comics", I guess, most of which are worth nothing, others are worth more. Reprints are collections of that same material.
Oh, Jimmy Olsen, what freakish bull@#$% are you up to this issue?
It may also be a time issue. In Arizona, I genuinely DID have time to scour the internet and find new comics. Less so these days, so when I do stumble across something cool, like "The Stuff of Legend", I'm far more impressed and surprised. And part of me knows my tastes are also getting a little more focused as I try to figure out (sigh) even more about Superman comics.
I know.
There's 70-odd years of the stuff out there now. And that's not a bad thing. That just gives me something to do for a couple of decades while I catch up, both by reading reprints, and by filling out my own Superman collection of original print issues (which, yes, I do read).
And, no, I have absolutely no idea how many Superman stories I've read in my lifetime. Let us say its been lots and lots. But there are literally thousands more out there, when one considers two major Superman titles and the ancillary titles that each had long lives of their own (Superboy, Supergirl, Jimmy Olsen, Lois Lane, Adevnture/ Legion, etc...). So there's plenty to keep me busy.
I love the prestige reprints, such as the new "DC Comics Classics Library", but would point you first to the super-affordable "Showcase Presents" format, which collects 500 pages of comics for about $15. That's a whole hell of a lot of whatever character you want to check out, and they've covered all sorts of characters, from the obvious (Batman) to the less so (Elongated Man). Not bad when one considers the cost of those back issues (36-48 pages) ranges from $2 - $250,000.
Anyway, all this talk is inspired by the issues I was able to pick up and some Flash reprints that showed up in the mail last week. So I'm going to go read some comics.
I also picked up this issue of The Flash. Because when one sees issue #177 of The Flash, one BUYS issue #177 of The Flash.
This is what you put on a cover when you're trying to grab The League's attention
You may not know this, but they recently raised the price of about half the line of comics at DC, while increasing page-count with back-up stories. Detective now has back-up stories featuring "The Question", Action now has back-ups with "Captain Atom" (a move I fully endorse). Best of all, Booster Gold has "Blue Beetle" back ups.
I'm not sure what it means to my pocket book as I would most assuredly pick up a Question, Blue Beetle and Captain Atom series from DC. But many comics I'm buying now cost a full dollar more. That's not chump change, week in and week out. So I'm reducing the number of titles I pick up. I'm mostly looking at core titles from DC, and I'll pick up Sherlock Holmes while its running, and Buck Rogers. But everything else...?
DC operated on the "WTF?" model for their covers for about three decades
Well, Boom is still putting out good comics (seriously, Irredeemable is phenomenal. As is "Poe").
But I've dropped the Project: Superpowers books from Dynamite, and I only look at Cap and Dardevil at Marvel these days (a world in which I'm not interested in Spidey. It's a frikkin' crime, I tell you).
There are literally hundreds of comics which hit every month, so while you may believe that this superhero/ comic fan has his eye on the industry, I tell you that's near impossible. And at some point, you begin to see the same things popping up on cover after cover, month after month, from upstart companies, new talent, etc... And like any other form of entertainment, 90% of it is dreck.
Somehow the confluence of rising prices and my disinterest in a lot of what's on the shelf has meant I'm becoming increasingly keen on reprints and back-issues these days.
Back-issues are those bagged and boarded comics someone else was saving, believing they'd pay for a car or semester of college at some point. "Old Comics", I guess, most of which are worth nothing, others are worth more. Reprints are collections of that same material.
Oh, Jimmy Olsen, what freakish bull@#$% are you up to this issue?
It may also be a time issue. In Arizona, I genuinely DID have time to scour the internet and find new comics. Less so these days, so when I do stumble across something cool, like "The Stuff of Legend", I'm far more impressed and surprised. And part of me knows my tastes are also getting a little more focused as I try to figure out (sigh) even more about Superman comics.
I know.
There's 70-odd years of the stuff out there now. And that's not a bad thing. That just gives me something to do for a couple of decades while I catch up, both by reading reprints, and by filling out my own Superman collection of original print issues (which, yes, I do read).
And, no, I have absolutely no idea how many Superman stories I've read in my lifetime. Let us say its been lots and lots. But there are literally thousands more out there, when one considers two major Superman titles and the ancillary titles that each had long lives of their own (Superboy, Supergirl, Jimmy Olsen, Lois Lane, Adevnture/ Legion, etc...). So there's plenty to keep me busy.
I love the prestige reprints, such as the new "DC Comics Classics Library", but would point you first to the super-affordable "Showcase Presents" format, which collects 500 pages of comics for about $15. That's a whole hell of a lot of whatever character you want to check out, and they've covered all sorts of characters, from the obvious (Batman) to the less so (Elongated Man). Not bad when one considers the cost of those back issues (36-48 pages) ranges from $2 - $250,000.
Anyway, all this talk is inspired by the issues I was able to pick up and some Flash reprints that showed up in the mail last week. So I'm going to go read some comics.
Monday, September 07, 2009
Halloween Spooktacular 2009!
So, it seems we're going to do this thing. Based largely upon the fact that Matt has come up with two very good costume ideas.
Also, we need to redeem ourselves for the lousy Halloween party we tried circa 1999. That thing was a bust. But this year, we know how to ensure everyone has terrifying fun:
add warm water and H1N1, and it truly is a frightening party game
It's a Costume Party
We're planning a costume contest, and we'd prefer it if you played ball by actually wearing a costume. And, no, "serial killers look just like everyone else" does not count. Jason in antennas claiming to be "The Blair Witch", however...
Will your 6 Million Dollar Man costume win the contest?
We'll be kicking things off around 8:30, and we hope to see you there. We know Halloween is a kooky night, so we fully expect people to come and go as the evening goes on. We can't promise fire dancers or anything too exotic, but I would expect we can still scare up a pretty darn good time.
Goodness. She IS the most sincere kid in the pumpkin patch.
E-mail me if you'd like to come but somehow fell off my list on Facebook, etc... where I've posted announcements.
On Kids: We know that Halloween is a kid-friendly Holiday, and while we love your kids, too... If Scout eats your kid, all I'm going to be able to do is apologize. We are happy to have them, but nobody ever accused League HQ of being an overly toddler-friendly place.
Rides Home: I will also see what I can find out about safe rides home. Halloween is a tricky night for driving, and we want all of our friends to make it home safe and sound.
What You Can Do: Do you have any ideas for the party? Share them. Have treats or goodies for the party? Bring them. I'm still requesting people think long and hard before bringing a case of beer. But if you really wanted to make popcorn balls, nobody is telling you not to.
Also, we need to redeem ourselves for the lousy Halloween party we tried circa 1999. That thing was a bust. But this year, we know how to ensure everyone has terrifying fun:
add warm water and H1N1, and it truly is a frightening party game
It's a Costume Party
We're planning a costume contest, and we'd prefer it if you played ball by actually wearing a costume. And, no, "serial killers look just like everyone else" does not count. Jason in antennas claiming to be "The Blair Witch", however...
Will your 6 Million Dollar Man costume win the contest?
We'll be kicking things off around 8:30, and we hope to see you there. We know Halloween is a kooky night, so we fully expect people to come and go as the evening goes on. We can't promise fire dancers or anything too exotic, but I would expect we can still scare up a pretty darn good time.
Goodness. She IS the most sincere kid in the pumpkin patch.
E-mail me if you'd like to come but somehow fell off my list on Facebook, etc... where I've posted announcements.
On Kids: We know that Halloween is a kid-friendly Holiday, and while we love your kids, too... If Scout eats your kid, all I'm going to be able to do is apologize. We are happy to have them, but nobody ever accused League HQ of being an overly toddler-friendly place.
Rides Home: I will also see what I can find out about safe rides home. Halloween is a tricky night for driving, and we want all of our friends to make it home safe and sound.
What You Can Do: Do you have any ideas for the party? Share them. Have treats or goodies for the party? Bring them. I'm still requesting people think long and hard before bringing a case of beer. But if you really wanted to make popcorn balls, nobody is telling you not to.
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