We'd love to see you!
Saturday, October 31, 2009
Friday, October 30, 2009
HAPPY HALLOWEEN!!!
in the spirit of terror, The League shares the trailer for "The Shining".
Jesus, Stanley.
Jesus, Stanley.
So... Marvel's on the iPhone
A couple of days ago I said something about comics on the iTablet (and thanks to TJeff for following up. I was traveling and failed to respond). Well, it seems that the next day, it was learned that Marvel has made its comics available via iPhone.
Read up here.
What's odd is that they have multiple distributors, each offering up something slightly different. I have to assume that Marvel is letting folks duke things out to see who will get this beyond the trial period, but I also am surprised that with the Disney merger happening (I guess), that Disney doesn't have a room full of software engineers who can handle things like building apps.
Read up here.
What's odd is that they have multiple distributors, each offering up something slightly different. I have to assume that Marvel is letting folks duke things out to see who will get this beyond the trial period, but I also am surprised that with the Disney merger happening (I guess), that Disney doesn't have a room full of software engineers who can handle things like building apps.
DITMTLOD (quasi-Halloween edition): Little Nell as Columbia in "The Rocky Horror Picture Show"
I swear I've been meaning to do this post for a couple of years, and always wanted to save it for Halloween.
Shortly after moving to Houston (just prior to the start of my sophomore year) I was renting a lot of movies. I hadn't really made friends yet, so my weekends had some time to fill, and I think my folks were just happy that I wasn't sitting around looking gloomy about having had moved if I was wearing out the heads on the VCR.
One fall weekend, I rented "The Rocky Horror Picture" show. I believe it had been an anniversary, and so there was a big to-do about the film's release on VHS.
I had been scheduled to see it at the Village with, I think, Carla G (Carla N, back then) before moving, but once KareBear caught wind of the shenanigans at the theater, I was informed I could wait until I could darn well drive myself.
It should also be noted that the theater at Northcross Mall in Austin (now gone) had been among the first in the country to have late-night screenings of Rocky Horror. So Austin was quite into the tradition back then.
I was already quite taken with the movie from the opening (featuring the lips of Patricia Quinn singing about "The Day the Earth Stood Still"), and was perfectly happy with the Time Warp prior to Columbia making her first appearance.
It was most likely Columbia's tap-dancing, glittered self that sparked my interest.
But I knew two things:
(a) Gold glittered hats now seemed like a much better idea and
(b) My folks must never, ever see this movie
The movie itself is a love letter to a kind of science fiction I'd only begun to discover via Mystery Science Theater 3000, and with which I was quickly becoming enamored. As a consumer of genre fiction, I got the set up, but a lot of the rest of the territory was not covered particularly well in other material I consumed. Omni-sexual mad scientists, fetishizing muscle men, and even Meatloaf were all fairly new to me...
But I was focusing a bit on the girl with the nasally voice and tap shoes.
As we all know, Columbia wasn't the only one who got one of these outfits
Unlike a lot of other DITMTLOD, Columbia is a supporting role in a single movie, so there isn't a whole truck load to say. Her character has a somewhat interesting arc in the movie, and she gets to fawn over a rockin' Meatloaf in the role of Eddie. And I guess I thought Eddie was pretty cool, too.
In many ways, I'm not entirely clear on why Columbia rather than Magenta or Janet.
Like a lot of other DITMTLOD, I really didn't have any analog for Columbia. Certainly none who tap-danced and sang. But, in general, she seemed like a neat idea. I also suspect that, at age 15, my developing brain was feverishly trying to cram ideas and firing synapses into into the correct spots in my psyche in something analogous to the the old board game, Perfection.
Anyway, whether it was her natural charm, her joie devivre, that she looked good in glitter and tap shoes, I've no idea, but I still have a warm place in my heart for Columbia.
You see a lot of Columbia costumes come Halloween time, at least for sale. Aside from wandering 6th street, you don't see all that many of them. I assume they're sold for use at performances of Rocky Horror, which, I might note, 20 years on, I still haven't seen.
Little Nell herself has been in a few movies, including the late 90's version of "Great Expectations" and the little-discussed sequel to Rocky Horror, 1981's "Shock Treatment", which I've never even seen on a shelf to rent. I have little understanding of her career or trajectory post-Rocky Horror, but she turns up in VH1 docs about the movie and that sort of thing, and I believe may work in clubs or restaurants.
But a Halloween salute to Columbia, in the movie which has become a Halloween favorite.
skip to around 2:12 to get right to Columbia
Shortly after moving to Houston (just prior to the start of my sophomore year) I was renting a lot of movies. I hadn't really made friends yet, so my weekends had some time to fill, and I think my folks were just happy that I wasn't sitting around looking gloomy about having had moved if I was wearing out the heads on the VCR.
One fall weekend, I rented "The Rocky Horror Picture" show. I believe it had been an anniversary, and so there was a big to-do about the film's release on VHS.
I had been scheduled to see it at the Village with, I think, Carla G (Carla N, back then) before moving, but once KareBear caught wind of the shenanigans at the theater, I was informed I could wait until I could darn well drive myself.
It should also be noted that the theater at Northcross Mall in Austin (now gone) had been among the first in the country to have late-night screenings of Rocky Horror. So Austin was quite into the tradition back then.
I was already quite taken with the movie from the opening (featuring the lips of Patricia Quinn singing about "The Day the Earth Stood Still"), and was perfectly happy with the Time Warp prior to Columbia making her first appearance.
It was most likely Columbia's tap-dancing, glittered self that sparked my interest.
But I knew two things:
(a) Gold glittered hats now seemed like a much better idea and
(b) My folks must never, ever see this movie
The movie itself is a love letter to a kind of science fiction I'd only begun to discover via Mystery Science Theater 3000, and with which I was quickly becoming enamored. As a consumer of genre fiction, I got the set up, but a lot of the rest of the territory was not covered particularly well in other material I consumed. Omni-sexual mad scientists, fetishizing muscle men, and even Meatloaf were all fairly new to me...
But I was focusing a bit on the girl with the nasally voice and tap shoes.
As we all know, Columbia wasn't the only one who got one of these outfits
Unlike a lot of other DITMTLOD, Columbia is a supporting role in a single movie, so there isn't a whole truck load to say. Her character has a somewhat interesting arc in the movie, and she gets to fawn over a rockin' Meatloaf in the role of Eddie. And I guess I thought Eddie was pretty cool, too.
In many ways, I'm not entirely clear on why Columbia rather than Magenta or Janet.
Like a lot of other DITMTLOD, I really didn't have any analog for Columbia. Certainly none who tap-danced and sang. But, in general, she seemed like a neat idea. I also suspect that, at age 15, my developing brain was feverishly trying to cram ideas and firing synapses into into the correct spots in my psyche in something analogous to the the old board game, Perfection.
Anyway, whether it was her natural charm, her joie devivre, that she looked good in glitter and tap shoes, I've no idea, but I still have a warm place in my heart for Columbia.
You see a lot of Columbia costumes come Halloween time, at least for sale. Aside from wandering 6th street, you don't see all that many of them. I assume they're sold for use at performances of Rocky Horror, which, I might note, 20 years on, I still haven't seen.
Little Nell herself has been in a few movies, including the late 90's version of "Great Expectations" and the little-discussed sequel to Rocky Horror, 1981's "Shock Treatment", which I've never even seen on a shelf to rent. I have little understanding of her career or trajectory post-Rocky Horror, but she turns up in VH1 docs about the movie and that sort of thing, and I believe may work in clubs or restaurants.
But a Halloween salute to Columbia, in the movie which has become a Halloween favorite.
skip to around 2:12 to get right to Columbia
Thursday, October 29, 2009
Happy Halloween Eve
Not just content to be terrifyingly headless, he's also got to have a flaming Jack O' Lantern. That Headless guy really knows how to turn it up a notch.
Halloween is tough when I think upon that which I'd like to post.
I do not find vampires frightening. If decades of cartoons and cartoonish post-Lugosi Dracula imitators didn't drain the idea of blood suckers of menace, then surely the post Anne Rice world of foppish emo-boys and the Xerox of a Xerox that's sprung since then, culminating in the glittering Foley's catalog models of Twilight, emasculating the horror of Dracula while simultaneously rewriting the narrative to suggest that the eternal damnation of being one of the undead was nothing but the modern day "bit by a radioactive spider".
Frankenstein is a tragedy, not horror. The most frightening thing about "The Mummy" is how dull the original movie is after the first ten minutes. Its tough to be scared of "Creature from the Black Lagoon" when its a movie that takes place almost entirely on sunny days in a nifty looking swimming whole, and Julie Adams' production value completely distracts you from the story.
The story of the Wolfman, however, is one I find intriguing, even if the original film starring Lon Chaney Jr. isn't going to hold up terribly well (especially the FX). Like Dr. Jeckyll and Mr. Hyde, the concept itself explores the horror of the beast living inside, whether we put it there, its madness, or the beast was there all along. It doesn't matter.
Similarly, if I liked Paranormal Activity, it wasn't because of fine acting, but because it reminded me of a small budget version of "The Haunting", a movie in which There Is Something Out There, And it Is Evil, and It Is Going to Keep Coming Until We Are Dead.
There's nothing comforting about either evil, disembodied spirits or restless souls of the dead.
At least not in the laughable, let's-cheer-for-the-killer manner that's made franchises out of masked psychos. In the unknowable way that led to animism when turnip-eating peasants walked down the road in the dark and told themselves that the fear could only exist if there was, in fact, something out there.
I find it sad that I have no ghost stories of my own to share, and no other-worldly experience to relate for you to read at your desk (and shouldn't you be working?) on the day before Halloween. No tale of driving off and finding that a hook was hanging from my door handle, or that Jamie and I barely dodged sure doom if we hadn't left Make Out Point that one, eerie evening.
All of the stories I know are either made up, or are real and nobody wound up laughing at old Ichabod Crane as he fled from the Headless Horseman.
Even the one ghost story we thought we had when we were kids turned out to be a raccoon that had somehow gotten into a house that was for sale.
Instead, all I can relate is how I'm traveling, as I meet people, I'm making sure they don't ever have anything to worry about ever, ever again...
Jesus, people can be cruel. If it's not my build, its my personality.
But, ah... I think I've gone on enough for one post.
Happy Halloween, every body!
I dare you not to watch to the end
Houston
You won't hear me say it often, but I love Houston. If Austin is my tried and true lady, then Houston is the girl who is going to get me into trouble. Young, more money than brains, tarted up just enough to hide the scars and disguise the fact that all the drinking and cigarettes are causing her to decay in odd ways...
And like that girl who is nothing but trouble, you kind of love her all the more for it, even if she's probably going to mean your doom one of these days.
I was happy to consider Houston as a destination when we plotted our escape from Phoenix, but I had stipulations. Not in the suburbs. Nowhere that, when the storms blew in, our house would go beneath water, and hopefully in a place that had some trees.
This town has a lot to offer, and the change from burnt-out, post-80's-era decay to a usable downtown with places to live, sports, theater, what-have-you... I can see the appeal. If not for the 90% humidity year-round.
I'm staying in a phenomenal hotel near MinuteMaid Park, The Inn at the Ballpark. I have some questions about why they have, apparently, no parking. But I'm dealing with that. Someone else is going to pay the damn valet charge.
The waitress even expressed interest in the Jack Kirby war comic reprints I was reading. "Oh, comics," she said. "It's been a long time. I used to love 'Johnny the Homicidal Maniac'." I think I beamed a little too much.
Anyway, its raining and a front is coming in, and I'm downtown, which was where I always liked Houston best (although I'm not enamored with the George R. Brown Convention Center, which is what I can see from my window).
To UofH to see Michele in the AM. And then returning to Austin.
And like that girl who is nothing but trouble, you kind of love her all the more for it, even if she's probably going to mean your doom one of these days.
I was happy to consider Houston as a destination when we plotted our escape from Phoenix, but I had stipulations. Not in the suburbs. Nowhere that, when the storms blew in, our house would go beneath water, and hopefully in a place that had some trees.
This town has a lot to offer, and the change from burnt-out, post-80's-era decay to a usable downtown with places to live, sports, theater, what-have-you... I can see the appeal. If not for the 90% humidity year-round.
I'm staying in a phenomenal hotel near MinuteMaid Park, The Inn at the Ballpark. I have some questions about why they have, apparently, no parking. But I'm dealing with that. Someone else is going to pay the damn valet charge.
The waitress even expressed interest in the Jack Kirby war comic reprints I was reading. "Oh, comics," she said. "It's been a long time. I used to love 'Johnny the Homicidal Maniac'." I think I beamed a little too much.
Anyway, its raining and a front is coming in, and I'm downtown, which was where I always liked Houston best (although I'm not enamored with the George R. Brown Convention Center, which is what I can see from my window).
To UofH to see Michele in the AM. And then returning to Austin.
Wednesday, October 28, 2009
Comics and the Promise of the iTablet
Randy sent this article along.
The basic gist of the article is that some comic geek pondered how their iTunes and other iPhone apps work, thought about the page size of a comic, added a dash of kindle, and said "hey, this could be neat for comics!"
Yes. Indeed, it could be.
I like my iPod, but I'm not a full-blooded Apple Acolyte. In fact, I've become so bored with the "I'm a PC and I'm a Mac" ads, I now dread new ones, as it means the campaign will NOT DIE. And I'm writing this post on a MacBook somebody decided I needed somewhere along the way.
Part of why I've not been quick to run out and get an iPhone (aside from the fact that everyone I know with an iPhone gets terrible coverage and refuses to believe its their network and device, and not bad juju, evil forces at work, lead-lined walls, etc...), s that, really... I'm just not that interested in working on a tiny screen.
But a tablet. Yessir... a tablet.
On a tablet, I could be reading, watching video, and reading comics. Or, if Apple played its cards right... drawing them, too. I'm just saying.
We've seen the willingness of companies like Boom! to adapt to the digital format as Simon tried out Irredeemable last month for us. My guess is that with Marvel under Disney's ownership and DC having a new boss (put in place to expand DC's reach), they'll be following Boom! to the digital format. Marvel has put some of its product online, but there are no real report about how that's going (I assume not very wel, or they'd be talking about it a lot more), as well as releasing original online content.
In any case, what is not happening is the release of current comics via an online distribution format. If I have to guess as to a "why", it would be that the Big 2 are aware that this could severely injure the comic shops that are the only place carrying their product at the moment in the periodical format (collected editions actually do quite well at bookstores, etc...).
As a reader, I'd still like access to DC's backlog of comics, and can see myself paying for collected editions online, or numbered runs on a series of older comics. Perhaps more for recent or current comics. I can also see opportunity for indie comic creators, etc... to tie into the iTunes or iPhone App format to keep readers engaged and returning.
But mostly... big, glowing comic pages sounds like a darn good idea.
The basic gist of the article is that some comic geek pondered how their iTunes and other iPhone apps work, thought about the page size of a comic, added a dash of kindle, and said "hey, this could be neat for comics!"
Yes. Indeed, it could be.
I like my iPod, but I'm not a full-blooded Apple Acolyte. In fact, I've become so bored with the "I'm a PC and I'm a Mac" ads, I now dread new ones, as it means the campaign will NOT DIE. And I'm writing this post on a MacBook somebody decided I needed somewhere along the way.
Part of why I've not been quick to run out and get an iPhone (aside from the fact that everyone I know with an iPhone gets terrible coverage and refuses to believe its their network and device, and not bad juju, evil forces at work, lead-lined walls, etc...), s that, really... I'm just not that interested in working on a tiny screen.
But a tablet. Yessir... a tablet.
On a tablet, I could be reading, watching video, and reading comics. Or, if Apple played its cards right... drawing them, too. I'm just saying.
We've seen the willingness of companies like Boom! to adapt to the digital format as Simon tried out Irredeemable last month for us. My guess is that with Marvel under Disney's ownership and DC having a new boss (put in place to expand DC's reach), they'll be following Boom! to the digital format. Marvel has put some of its product online, but there are no real report about how that's going (I assume not very wel, or they'd be talking about it a lot more), as well as releasing original online content.
In any case, what is not happening is the release of current comics via an online distribution format. If I have to guess as to a "why", it would be that the Big 2 are aware that this could severely injure the comic shops that are the only place carrying their product at the moment in the periodical format (collected editions actually do quite well at bookstores, etc...).
As a reader, I'd still like access to DC's backlog of comics, and can see myself paying for collected editions online, or numbered runs on a series of older comics. Perhaps more for recent or current comics. I can also see opportunity for indie comic creators, etc... to tie into the iTunes or iPhone App format to keep readers engaged and returning.
But mostly... big, glowing comic pages sounds like a darn good idea.
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