Monday, November 30, 2009

The League Watches: Santa Buddies

There are a few types of movies which are produced with the Yuletide Season in mind. There are true, heartfelt holiday pictures which have become classics, such as "A Christmas Story" or those with a moral underpinning, such as "It's a Wonderful Life". There are broad comedies which use the annual festivities as a backdrop to explore the foibles of the average person, with varying degrees of success ("Jingle All the Way", "Christmas with the Cranks"). Some employ high-end CGI, namebrand actors and the Santa-related Christmas mythology to bring alive the "wonder" of Christmas ("Fred Claus", "Elf"). There are even the oddly sentimental and saccharine made-for-TV Holiday movies in which 30 and 40-somethings find romance, which hit CBS each December as regularly as fruitcake arrives by mail.

And then there are the endless stream of cheerless, mirthless, low-fi, relying-on-the-tropes-of-the-holiday, pushed through the Hollywood sausage mill, "magic of Christmas" films, almost all of which feature a long-out-of-work former-star as Santa.

"Santa Buddies" is Disney's ninth installment in the lucrative "Air Bud" franchise, which was once a simple tale of a dog who could shoot free-throws (and the boy who loved him). In this day and age, an adorable thoroughbred dog with an amazing talent is as useful to your Nintendo-DS-addled hottentots as a Smith-Corona ribbon. Lest the Hollywood studios lose a dime from haggard mothers looking for fifteen minutes of peace while their rugrats glue themselves to the screen in the back of the Caravan, Disney has gleefully kept the franchise up to date. Having jettisoned the sports-playing Bud of the first five movies, "Santa Buddies" represents the fourth installment to feature several deeply CGI-ed puppies who comment and wise-crack their way through the film and have Disney-approved stereotypes assigned to each of them, with the requisite attitude-imbued slang appropriate for each "character".

In this movie (in which, clearly, nobody is even @#$%ing trying), there's "Buddha", the openly hostile take on non-Judeo-Christian concepts of spirituality. "MudBud" is... dirty. And possibly a redneck. "Budderball" is the one who is into sports, so he's also kind of slow and really into food. "RoseBud" is the only female, and thus complexly coded as being interested in fashion and who likely believes math is hard. And, the nails-on-a-chalkboard "B-Dawg", whom you can expect your kids to parrot until Easter. Voiced by peppy child-actor Skyler Gisondo, "B-Dawg" is the hip-hop-slang toting, diamond-encrusted-medallion-wearing, embodiment of America's issues with race, culture and identity. But you shall truly feel your heart soar when B-Dawg's nose glows red and he proclaims "my nose is shining! Like my bling!".

Oh, B-Dawg!

Let it be noted: the Buddies are mostly a backdrop to a the goings-on at The North Pole where the massive frozen phallus by which Santa Claus* and Santa Paws take the measure of the level of Christmas Spirit is twinkling/ melting away. Viewers may be shocked to learn that for the purposes of our story, and reasons Santa and Santa don't get into, the world's Christmas Spirit just isn't what it used to be.

Santa Paws is, of course, Dog Santa, who delivers presents to good puppies**, and rides shotgun in Santa's sleigh. Somehow, the heir of Santa Paws, Puppy Paws (yes. Puppy Paws. It's a sort of six-degrees-of-separation thing you're better off not pondering too hard) just wants to be a "normal" puppy, and can give a toss for elves, magic, and the awkward glee that is veteran Little Person actor Danny Woodburn (of Seinfeld fame) looking like he cannot believe he's been roped into the part of Eli, the Only Competent Elf.


Anyone in this image could have had a potty accident

From a technical stand-point, the North Pole, the eight reindeer, and the Fortress of Solitude-like cave hosting the ice-phallus are all the finest CGI that could be rendered on a MacBook Pro in late 2001. Its likely writer/ director/ producer Robert Vince told himself that the unforgiveably awful graphics created a "storybook" look-and-feel, in order that he could sleep at night and still call himself a "filmmaker". Consumers buying this DVD should feel comforted that its just as likely that the intended audience of kids who think you disappear when you play "peek-a-boo" and hide behind your hands, will not notice the poor CGI. But one might (vainly) hope that a company built on animation such as Disney would have maybe tried a bit harder.

If writer/ director/ producer Vince*** does deserve a tip of the hat, its that the Buddies and Puppy Paws, all real-deal and seemingly not-dead-and-taxidermized puppies, actually sit still long enough for the necessary coverage to complete scenes. Forget all else about this movie, but watch in earnest amazement as Vince's leads do not just randomly tumble past the camera and give in to chasing their own tail.

Among the group with whom this reviewer watched the film there were, of course, theories floated, including the exclusive use of extremely tired pups, drugged pups, pups glued to some sort of mat, etc... But as this is Vince's 13th or 14th film featuring animals, one has to assume the man knows exactly what he can get out of any animal in Hollywood. And that Lassie must be sending him boudoir photos trying to get work with the man.

To get our plot shaking, for reasons that make no real sense, Puppy Paws identifies "Budderball" from Santa Paws' "Naughty List" as what a "normal" pup must be like (despite his omnipresent sports jersey and eye-black). Thus, he stows away to bum a ride in a surprisingly racist magical mail truck to the Buddies' fictional hometown of Fernfield, Washington, where he plans to join forces with "Budderball" and become "normal" as well.

The plot is fairly boiler-plate kiddie-faire, and should keep your wee-ones entertained, provided their standard for an hour's worth of amusement begins and ends with bright colors and shiny objects.

There's a non-menacing Christopher Lloyd, phoning in his performance as the curmudgeonly dog catcher just trying to make a profit. There's a semi-frightening/ cute puppy who delivers the film's chance to hit fast-forward with an original Christmas tune, and a kid who just wants a puppy, but Dad can't afford Christopher Lloyd's sky-high prices (which makes one wonder what happens when the dog needs to go to the vet, but lets not pick nits).

The movie delivers no shortage of lessons for our younger viewers, such as: run away from the new kid if he doesn't immediately fit in, people in far off lands all celebrate Christmas and live in easily stereo-typed ethnic homes, and that it isn't worth it to try to make friends with someone unless they have magical powers.

This reviewer found it somewhat striking that he became genuinely lost during a crucial point in the film in which Puppy Paws has supposedly learned a lesson about what Christmas really means. Perhaps because the lesson was delivered in a shrilly delivered song, I missed something, but it seemed unclear how "Santa Buddies" decided to define the meaning of Christmas, as no character dared to utter the lesson aloud again.

Part of the interesting mix of "Santa Buddies" is that, like most Christmas movies, the film was based almost entirely in a secular and magical world of elves, talking dogs, flying sleighs, etc... But the film also makes awkward attempts to appeal to the large audience "keeping Christ in Christmas", including scenes of characters praying, etc... This would seemingly raise the stakes for defining "the spirit of Christmas" as more than a warm fuzzy and colored lights, and there is some hint regarding charity, but its somewhat fuzzy and seemingly tied to how much you like being licked by puppies.


These puppies are stupid and I hate them

Its perhaps expecting too much for a movie about Santa's canine parallel's prodigal-son to say much about the human/ canine condition, or to ask that any message about the meaning of the Holiday be put into concrete terms, but there seemed no real transition from Puppy Paws' abandonment of his destiny and giving up and going home (ie: finding the spirit of Christmas). However, if Hollywood is intent on making Christmas film after Christmas film which insists that "people have lost the true meaning of Christmas", it would be nice to have a movie which didn't resolve the problem with fictional intangibles like "if Puppy Paws can just come back, we can deliver the presents/ save Christmas!", and perhaps do a bit more in the vein of "A Christmas Carol" or "It's a Wonderful Life" to recognize charity and giving.

This is by no means the worst Christmas movie you may see this year. That's what ABC Family and the Hallmark Channel are here to provide. Nor is it the worst Christmas movie ever made. That distinction is currently held by the 1996 feature, "Santa with Muscles". Kids may enjoy the puppies and their non-stop stream of mistaking saying-things-that-other-people-say for humor or something anybody actually wants to hear.

Its tough to imagine a world in which an adult might watch this movie and derive non-ironic joy from the viewing, but people are into all sorts of things, I suppose. Let us just say that I have lived a life the way a man is supposed to, and never believed it possible to hate an adorable puppy.

But God help me, I hate B-Dawg.

Fo' shizzle.

This reviewer would suggest that, perhaps, when seeking out holiday entertainment you may wish to look elsewhere for a video which may not be the filmic equivalent of feeding your kids nothing but creme-filled doughnuts for a week.

Luckily, Robert Vince is no man to rest on his laurels. IMDB promises that a second installment in the now ever-expanding world of Air Bud/ the Buddies/ Puppy Paws will be arriving next year under the name "The Search for Santa Paws".



*It should be noted that "Cheers" alum George Wendt, who played Santa in last year's "A Colbert Christmas", in 2007's "Larry the Cable Guy's Christmas Spectacular" and in a TV movie entitled "Santa Baby" in 2006, reprises his role as Santa Claus. He, however, looks a bit pale and ghastly throughout, and several times I wondered if Mr. Claus were not fighting off a flu or suffering low blood sugar. While comforting to know Mr. Wendt and his agent have locked up "Santa" as a role for the next few years and found a role Wendt can take well into retirement, it has created an odd alternate world of entertainment where the Buddies, Stephen Colbert, and Larry the Cable Guy all share the same Santa, who is Jenny McCarthy's dad.

**I assume all cats are either Jewish or Shintoist and do not participate in the Holiday celebrating the birth of Jesus.

***A long, slow clap, then, for the career of Mr. Robert Vince. For without his talents, its' not just that we would never have had the films "Most Valuable Primate", but also "Most Vertical Primate" and the unforgettable "Most Xtreme Primate".

Sunday, November 29, 2009

Post Holiday and into the Holidays

Howdy, Leaguers!

What a holiday! I am not at all ready to head back into work tomorrow, but head back in, I shall.

Wednesday evening Doug and Kristen arrived from Berkeley, and we met up for a small family dinner of Tex-Mex.

Thursday was the big day. You've seen photos, and I briefly posted on the Texas A&M/ Univ. of Texas game. Holy smokes. An amazing roller-coaster of a game. TAMU fans have a lot to look forward to next year, especially as UT goes through a re-building year with the loss of McCoy, Shipley, Houston, et al.

Friday we went to the Alamo South to watch "The Fantastic Mr. Fox", which was even better than I had heard. It's difficult to point to exactly why the movie hit a chord with me, but a smart script, great animation, well-defined characters, etc... and Wes Anderson's always great use of music (Wilson's "Heroes and Villains" appears early on), made for a very satisfactory movie-going experience.

Afterwards, we hit "The Highball", which is Austin's new bowling alley/ bar/ restaurant from the creators of the The Alamo. It was actually a lot of fun. Jamie and Doug rocked at skee-ball. I enjoyed the heck out of my "Dr. Pepper Ribs". Not sure Jamie felt the same (we shared).

We followed all this with a viewing of "Santa Buddies", Disney's 9th installment in the largely straight-to-home-video "Air Bud"/ "Buddies" series of films. This was done somewhat on a dare when Leaguer Nathan C., a station manager at San Antonio's Texas Public Radio sent me a screener-copy of the movie. I now owe Nathan and the city of San Antonio an honest review of "Santa Buddies".

The next day we hit Mary's Taco X-Press (which was amazingly un-crowded), visited South Congress (and "Hey Cupcake"), then went for dinner at Jamie's folks' place in San Marcos.

This was followed by a screening of "D War: Dragon Wars", which you may recall we discussed at some point in 2008. The movie is no better, but was significantly assisted by RiffTrax. But I felt that if Doug was going to watch the movie, he should really do so with someone who had been there mentally and emotionally.

This morning we had fake-McBride-Christmas as Doug and K will not be in Austin for the Holidays. Some gifts were exchanged, we had a wonderful Christmas-morning breakfast (including Holiday tunes), and we made merry.

One gift which had been bestowed was a copy of the new Super Mario Bros for the Wii, which I am thoroughly enjoying (even if I'm awful at it). We also received a popcorn popper and a pair of DVD's.

Also watched the Tennessee Vince Youngs play the Arizona Leinarts, complete with a last-second VY pass into the endzone for the victory.

A good weekend.

This afternoon and evening, Jamie and I put up our interior decorations for Christmas, so we are quasi-ready for the Holidays. With Scout having her first Christmas here, and with her needing space for her crate, we opted for no tree this year. A bit sad, perhaps, but I'd rather not risk Scout deciding to eat a fake tree, grab glass ornaments, etc...

I hope your Holiday was a good one.

Now, on to Christma-Hannakwanzaa.

Friday, November 27, 2009

TIME TO GIVE BACK: Salvation Army 2009



Hey, Leaguers!

The Holidays are upon us, and its time for me to virtually stand in front of your virtual shopping center ringing my virtual bell.

We know things are tough for many people across the world this year, but we feel fortunate to have a home, food, a job, and so much. But many, many people haven't had the year we've had, and so we're looking to raise funds for a great organization.

Click here to lend a hand.

We've got 77 Facebook Fans, 24 "followers" on Facebook, and we've set the bar fairly low. I expect we'll be pumping up our donation goals before too long.

If all you can give is $5, that's cool. But let's see what happens when we all pull together to see how much we can raise!

Turkey Day 2009

Judy and Dick knocked themselves out on Turkey Day this year. A fantastic spread with a delicious turkey at the center, potatoes, sweet potatoes, green bean casserole, home-made rolls, cranberries, a fantastic addition of stewed tomatoes via K's family (like, dessert good), pumpkin and chocolate pies...

Anyway, we Americans (and many in the west) are lucky to have so much, and that's something I think was on many minds. KareBear just returned from Kenya where she was be-spectacling folks in need of eye glasses, and its good to have that kind of touchstone to know that we live differently, and not to forget that there's a reason to be grateful and give thanks.

This was Dug and K's first Thanksgiving with us as a married couple, and also our first Turkey Day with Ciera as part of the family. She's a firecracker, and smart. Its fun to spend time with her.

Here's a photo Jason took of the partially assembled family as we make our plates.


from left: Cousin Sue, KareBear, Judy, Jamie, me smashing a plate on Dug's head, Dug, The Admiral getting into the turkey.


Prior to the dinner, some met up at Jason's to carpool south to Dick and Judy's. Ciera has been taking guitar lessons. Here she plays some tunes on Jason's guitar.

After dinner, I tossed around a football and frisbee with Ciera, Jamie and Kristen, then watched the Cowboys game. It was very All-American, which is kind of how we roll on Thanksgiving.

Then Northward where many of us met up to watch the UT game, gnash teeth, and finally collapse in relief when TAMU missed that final field goal. Every darn year that game is unpredictable, and no matter how TAMU has played all season, UT fans know that the rivalry may be friendly, but when its at Kyle Field, the Aggies are not kidding about this 12th Man business.

Poor Scout is afraid of the noise the people make during the games. She was alternately seeking attention and hiding all evening.

Hope you guys had a great Turkey Day. I'm thankful for having such an amazing family, and am really looking forward to the rest of the weekend.

Thursday, November 26, 2009

UT/ TAMU Football Game 2009

Well, @#$%. That was interesting, wasn't it?

I watched with the Steans-half of the family, all of whom were variously shouting in shock, dismay, anger, despair, etc...

UT's much-hyped defense were given a real run for their money by the Texas A&M offense who seemed to have their number, and whose tape Nebraska will be watching closely come the Big 12 Championship.

Colt had a terrific game which was overshadowed by the collapse of UT's defense and A&M's seeming ability to move the ball at will. Colt was responsible for 5 touchdowns and a total of 470 yards or so. That's... really good.

Anyway, this was a good game for UT fans and maybe for the UT players to be reminded that a powderpuff schedule isn't going to prepare you for a national title game, and that mayhaps your ranking isn't going to be so solid come Sunday.

TAMU didn't get the win this year, but come 2010... man. It's gonna be ugly.

The Origins of the Horns Hand Sign

Wednesday, November 25, 2009

V - Episode 4. We watched.

This episode was a real turning point for "V". It marked the moment when you realized that the writers and producers did, in fact, have an idea of what they were doing, but that idea is just sort of dumb.

Once again in the 4th episode, character development remains non-existent except for the "shocking revelation" that Padre Blando is a former soldier (which means a plot line about guilt, overcoming guilt, and explaining how he'll henceforth be a bad-ass - ie: American Sayid.). Villains continued to stare out of windows. Erica's parenting skills put her more in the class of passive roommate than "Mom". And the fate of the entire known galaxy of sentients depends on a kid with a brain the size of a walnut.

On the plus side: Apparently there IS a reason that the V's do not wander around their ships looking like lizards, and it has something to do with trauma that occurs if they don't wear their people-suits. Which... yeah. It makes a convenient plot device, but makes the people-suits no less ridiculous.

In this episode, the show writers once again ham-handedly tried to reflect the "ripped from the headlines" approach, by continuing to exploit our superstitious beliefs about modern medicine by revealing that the flu vaccine is actually an alien plot against us (that's what we need. More people deciding not to get the flu shot. Slow clap, ABC.).

As revealed last week, we have aliens acting as if a dweebish 17-year old* is some sort of lynchpin for their ability to conquer Earth (and that teen's mom just happens to be one of a few people that know tha V's are up to no good. What a koinky-dink.).

If I may:

Look, aliens. If you're going to conquer earth, and your plan relies upon seducing a 17 year old with a willing blond (easy) and counting upon a slow witted 17 year old in any way (not so easy), I hope there's a "Plan B". I recommend lasers.

At this point, I'm almost curious to see what happens in March when the show returns, because I want to see how this Rube Goldberg plot to take over the Earth unfolds, and how it couldn't just be done better with nukes or germ warfare or a million other options.

The episode also leaned upon the "oh, my God! How did that happen? Flashback to 14 hours earlier" in media res plot device to absolutely no positive effect. That device is supposed to be there for when something indicated in the scene (a) actually happens, or (b) matters.

At some point I made a comment that a hapless and easily dispatched security guard became a focus for the show, and... in the final scenes of the episode, he actually did reappear as a plot point. It was kind of exciting that I called that one out. But, you know, you have a seemingly pointless lingering shot of a guy...

Had the US not had major security changes in the past 10 years, some of "V" would be a bit easier to buy. It is significantly harder to believe that the world would be happily letting aliens treat our ill and integrate into our society within weeks of their arrival. I was laughing so hard I had to pause the DVR when our Arch Villainess casually announces she's got a miracle shot which, apparently, had FDA approval and was being released immediately. We've got cures for the common cold we haven't managed to squeeze through the approval process.

One of the reasons "Alien Nation" never worked for me was that the producers were never creative enough to ponder how different an alien culture might be from our own. District 9 is one of the few movies that, though borrowing heavily from refugeeism as seen in South Africa, bothered to make the aliens significantly different from the culture they approached, not just in looks, but in culture, etc... Honestly, if an alien with no accent of any sort, who looked a bit like Swiss Miss told me she heard a place had "amazing pizza", or that it even knew what pizza was, you should be terrified. How long had these aliens been watching? And what were they doing now?

The concept of the alien technology is also all straight from the Ikea catalog, the designs are uninspired and insipid, and I think last night they tried to pass off a dental lamp for super-science. If we're to believe alien technology looks like a Fujitsu tablet PC, that the interiors of their ships look like the causeway at a convention center, and that they all dress in leftovers from the STNG wardrobe department, why bother with appearing to be aliens at all?

The tragedy of V is that it didn't need to be hackneyed and trite. What COULD have been an interesting series, looking at how this sort of thing was handled on local, federal and an international level, instead (much like Flash Forward) became much more about an FBI in pursuit of badguys. The opportunity to see a White House dealing with the arrival of seemingly benevolent aliens seems infinitely more interesting than Erica Evans doing database searches, which is what the show effectively turned into last episode (also, shouldn't she be at work? At least a little?). How Earth handles seemingly benevolent gifts of science and industry over even a few months might have at least given us something to hang the plot on.

Instead, the show focuses entirely on only five or six people, turning intergalactic warfare into a parlor mystery. To that end, when our sleeper-agent V's human girlfriend** happened to be the shrink to Rodney the Rebellious Teen (the same teen who the leader of an alien race believes is going to be their "in" to humanity), any sense of scale the show carried was poured down the drain. These characters simply don't need to be connected so tightly.

I don't want to be rude, but this is a show that counts on its audience to have formed a concept of how government, the FDA, the military, police, religion, etc... function entirely by watching other TV shows. To just go along with a scenario in which THIS is how the world would react to aliens seems... bizarre. It also counts on an audience to get excited by retread plot points, hackey villainous behavior, and to give no critical examination of the actual events of the story and just coast along with whatever the show shovels out. Getting excited that the actors from Firefly are getting work again isn't a pass.

Honestly, the show just sort of makes me mad. Elizabeth Mitchell is a talented and foxy actress, and she's stuck in a lead role with all the depth of a kiddy pool. It's bad enough that the producers lifted an old concept, but the stunning lack of vision for how this would be an improvement is disappointing.

I'm told that the show will have new producers when it returns, and so part of me wants to give the show another shot. After all, there IS opportunity to retool the show and possibly save it from itself.

Also, Elizabeth Mitchell.



*I have heard a lot of people's messages on the phone. Only on TV do I hear the ever-present "This is (fill-in-blank). You know what to do." as an instruction for leaving a message. I don't know if that's a standard LA-thing, or what... But, I doubt anybody ever actually used "you know what to do" as an outgoing message with such a terrific lack of irony.

Seriously, stop it. It makes your heroes sound douche-y.

**Also, must everyone who mentions they're feeling a bit off on TV either (a) be diagnosed with an incurable and fatal disease, or (b) be pregnant? And didn't we already do the whole "V-Baby" thing pretty ineffectively in the original series? You couldn't hold out a little longer or telegraph that one a little more?