Scariest Thing You Can Go As This Halloween

Not sure how you're going to scare the be-jeezus out of everyone this Halloween season?

They've made a Kate Gosselin wig (that's the Kate of "Jon & Kate Plus 8" fame). Oh yes. They have.

Here.


The name of this product? The "Eight is Too Much Wig". Ouch.

I cannot imagine what it must mean to Kate that, for a good chuckle at parties, people will now be dressing as her for Halloween. Or what that means for her now ex-husband. And kids. But I have to think that unless you're Elvis Presley or the president, its kind of a sure sign that maybe life is very publicly not working out for you.

So, you know, I very much look forward to you guys getting your "That League Guy" mask with official Superman T-shirt for Halloween 2012 or so.

Thanks to Jamie for the link

Offered Without Comment

found at topless robot


sent by Randy


from Julia

Don't Forget to Madmen Yourself

Click here to bring yourself into a world where you share space with the cast of AMC's Mad Men.

And here's cartoon-styled/ idealized version of The League impressing the dickens out of Joan Holloway. And I still get a cup of coffee. The world is as it should be.



Of course, Jamie has already met that guy, Draper, from the office...

I forgot (a San Diego ComicCon Follow Up)

More Bone comics coming our way!

I mentioned this a few days ago, but in my post about San Diego ComicCon that there was news about the Jeff Smith comic, Bone.

Bone is an all-ages fantasy adventure that was originally a black and white comic series starting while I was in college. Since then, its been collected and colored, and reprinted a few places. And, Leaguers, I can't recommend it enough for you and for your kids. Like Harry Potter, its really "all ages".



The name of Bone, by the way, refers to the species of the titular characters, Fone Bone, Smiley Bone, and Phoney Bone.

However, Bone was a single, lengthy story. Which is neat, in its way.

But now Smith is bringing more Bone stories to comics, and that is nothing but good news!


Sexism and ComicCon

There's an amazing amount of "not getting it" that goes on at ComicCon. Last year it was the reported groping of costumed visitors as well as costumed reps (ie: Booth Babes). Which wound up creating the Con Anti-Harassment Project (that there need be such a thing is pathetic).

On the "Blackest Night" panel, DC editor Eddie Berganza, the guy responsible for changing Supergirl from this to this, seemed to embarrass a lot of folks on the panel (at least from the awkwardness on the podcast) when he began going off about how this character and that character were "sexy". Eddie, dude. Stop it. People already look at you funny for the whole Supergirl thing and we sort of blame the Star Sapphire redesign on you, too.

And, trumping seemingly everyone, EA, the video games company, challenged con-goers to send them pictures detailing their "acts of lust" as part of a promotion. If the con-goers won, EA would turn out their spokesmodels and force them to spend an evening with whatever nerds had, by definition, harassed the most spokesmodels at ComicCon.

Even DC doesn't make bonehead moves quite like that.

I don't know who runs these things, but it's stuff like this that makes me weep for how marketers target young adult males, and that legal and staff members at these companies don't blink when this stuff is suggested.

Update: EA has apologized, etc... I don't know if I care. (a) This was an utterly predictable outcome, and they should know better, and (b) I sort of suspect they knew that they could get this reaction, and that it didn't matter as long as it built product awareness. So I am not linking to the apology.


Jimmy Fallon Meets Didio and Geoff Johns

Rollerderby flick, Wednesday Comics, Vaycay, Facebook Fans, Dance Show, Wolfman

Rollerderby on the Silver Screen

So League-Pal, Shauna C., has a movie scheduled to arrive in October. Shauna wrote the original novel "Derby Girl", and the screenplay for 'Whip It!". The cast on the movie is sort of amazing, with folks like Ellen Page and Marcia Gay Harden signed on.

I should also point out that my current favorite of the SNL cast, Kristen Wiig, plays a major role as Maggie Mayhem. Maggie Mayhem was, not coincidentally, Shauna's nom-de-derby when she wore her quad-skates. Alas, I think Shauna was pregnant when the movie was being shot, so don't expect to see her on skates in a cameo.


Story in USA Today.

Here's an article/ images at slashfilm about the feature.

I sincerely hope The Alamo has the foresight to team up with TXRD to make an event out of the film's Austin debut.

It all makes me miss AZRD's Surly Girlies.

Wednesday Comics

I was looking forward to DC's newest venture, Wednesday Comics, for quite some time. Not only did the comic not disappoint, but it surpassed my elevated expectations.

Generally I shudder at the idea of the art winding up as the focus of a comics from American superhero comics, as this tends to lead to temporary fan-favorite artists relating tedious stories while pouring their all into work that simply doesn't deserve it (see Image comics circa 1994 - ignoring The Maxx, which was actually sort of interesting).



Wednesday Comics managed to avoid becoming an exercise in artistic overindulgence. I'll attribute the success to a limited scope and story, told one page per week over 12 weeks, which tends to make one use the economy of haiku. Some pages were written and drawn by the same person, most were not. By and large, the writers were wise in their limited use of narration and dialog, and got out of the way so that art, page layout, etc... could tell the tale.

The format, by the way, is a full newspaper-sized page, printed on newsprint, suggesting that the comic in an oddly temporary thing. In a writer-driven environment that the superhero market has become, its great to see the craft of the comic page take over and be celebrated for itself. While I deeply enjoy the gestalt of something like Rucka/ Williams III on Detective, and would love to see Williams III get a chance to play in such a massive environment (I have the Promethea posters, but Jamie has not allocated space for them), there's something unique about this project that people will be discussing for a while.

There's an oversized "Little Nemo" book I've always wanted that collects Winsor McCay's sprawling, page wide cartooning, which was quite the deal about 80 years ago. That sort of cartooning has become a lost artform. Here's a sample at Google books.

As much as I love my pamphlet comics, its always fun when something new/old comes along/returns to shake things up.

If You're Going to San Francisco

you may just run into Jamie and myself, July 15-19. We're going out to visit The Doug and K. and get into an exciting car chase. So expect The League to go dark for a few days next week.

Also, if you have suggestion for activities (not just places to eat), let me know.

They tell me I am not allowed to saddle a sea lion and ride it around the bay. I say they just lack imagination and the right hat.

To prepare, I sort of want to watch Bullit and Vertigo. What's another San Fran/ Berkeley-based movie I should catch? (I just watched Milk, so that's kind of out...)

Be a Fan (at least on Facebook)!

So, I've updated the left menu bar of the site proper to include a Facebook badge that will alert you to some of our "fans" and make it easy to become a "fan" of LoM on Facebook.

If you haven't joined Facebook, well, get with the program. But if you are on Facebook, and haven't become a Facebook Fan, now is the time.

I've set up the Fan Page so you can set up your own discussions, load your own content, etc... You will also receive LoM messages via Facebook, be it a status update or a special Facebook update. You'd also get posts sent straight to facebook, so if you're already in there...

The Hard Sell on this is coming from my desire to secure a unique Facebook user name, which I can't do until I have 100 "fans". So why not go ahead and become a Fan?

So. You Think You Can Dance.

I always wonder what these gameshows would be like if anyone displayed legitimate cynicism. Not Simon Cowell's manufactured jerkiness and disregard for humanity, but sort of suggested that maybe the whole enterprise were a waste of time.

However, the fans of these programs follow them with religious fervor. Even if they can admit that "judge" Mary Murphy is a ridiculous, mindless air raid siren of a human being, they can forgive it in order to see the dancing happen.

It seems so obvious. How did we not put dancing on TV before?

While I'd never watch the show on my own (despite host Cat Deeley, who is a pretty good idea), at least the contestants are on their way to professional status. It's less likely that the votes will have an oddball result based upon things that won't translate well in the actual industry (see: Taylor Kicks and American Idol).

Anyhow, I've been watching this show again, like it or not, and so if you want to talk "So You Think You Can Dance?", I'm your huckleberry.

Wolfman

When the hell is that Benicio Del Toro Wolfman movie coming out? Isn't dumping it into November sort of a bad sign?

I had hopes, but Joe Johnston as director always sounded very iffy.

Billy Mays: The Great Beyond's Newest Pitchman

What a strange, strange week.

Television pitchman Billy Mays joins McMahon, Fawcett and Jackson as the fourth celebrity death in a week. Mays was a smaller blip on the cultural radar than any of other three, but was a television fixture for several years.

He was the gentleman with the unmistakable voice and beard who I first recall seeing pitching "Oxi-Clean".



Leaguers, I know this sounds a little weird, but I actually did wind up buying Oxi-Clean, and that stuff works wonders on the many potential stains my pets leave around the house. So if you don't trust Billy Mays, there's your unpaid endorsement from a trusted source.

Mays might have been yet another bizarre fixture of bad-timeslots on TV, but had recently been a part of a show called "Pitchmen" on the Discovery Channel. I've seen an episode or two, and it was interesting to see how the whole process works. And, of course, you got to see Mays as more than just a gadfly intensely hawking products.

At last check, no details had been forthcoming around May's death, except that he had been on a flight that had a rough landing. Mays was quoted an mentioning that he'd hit his head.

Folks might dislike Mays as they associate him with the annoyance that is the infomercial, but as the Oxi-Clean thing worked out for me, and I liked his how on Discovery, I thought he was okay.

So long, Billy. You went too soon.

Jon & Kate is depressing as @#$%

I was out of town for the Jon & Kate big reveal episode, but DVR is a wonderful tool. Yes, I DVR'd it.

What's stunning is:

this is all taking place on camera. Whatever the show was about with the cute kids and the struggles of raising 8 kids at the same time... that's over with. This stuff would normally play out in the tabloids and result in the show being quietly shelved. Instead, TLC decided to proceed, and Jon & Kate went along with it.

In a way, its pretty savvy. With a show that airs weeks after taping (or even more quickly), the show can manage the situation to an extent and show folks more than they'd really want to see. Speculation becomes a little redundant.

Jamie tells me the episode pulled in 10 million viewers (which is absolutely enormous by basic cable standards). So I'm not entirely certain what will happen. Surely TLC can now offer both parents even larger sacks of money to keep with the show.

Its certainly different from other reality shows in that the narrative has taken a decidedly unexpected turn (will TLC now ask The Little Couple to start having issues to boost their ratings?). The conventions of the "confessional sofa", etc... have taken on a whole different kind of immediacy that a program like "Rock of Love" doesn't really muster.

One last thing: I felt bad for Jon before, and its tempting to say he's doing the wrong thing as one considers the kids. Especially as, seriously, the dude is almost giddy at the prospect of getting this over with. But I don't think his decision is wrong. One day those kids are going to watch those DVD's, and they're going to see exactly why their dad and mom split. Its that, or those kids grow up in a house where they learn that bullying and berating is how a relationship works.

But that doesn't mean I am tuning in any more. This show is now a real downer.

Re-Directs/ Sunny/ Jon&Kate

Comic Oddity

So, Funny Papers was a comic shop that was in Dobie Mall, on the South West edge of campus. It had been there since I was in high school, and changed hands at least four times I knew of. Thanks to its approximation to several places I worked, I had been a customer for years, but as it was, bottom line, not as good a shop as Austin Books, I quit shopping at Funny Papers and switched to the less-convenient-from-work-or-home Austin Books.

I noticed about a month ago that the doors had been locked on Funny Papers buy the property management company. Last I checked, the stock for the store was still in there. As Austin has always struggled to have shops that could last (except for Capstone and Austin Books), and at least three other shops had closed since I moved here in '06, I was sad to see it go.

But... I checked the URL for their old website (which was pretty awful) to see if they'd made note of what was going on, or alerting their customers to some sort of gameplan. Instead, the www.funnypapers.com re-directs directly to NSA.gov.

www.funnypapers.com

That's an interesting re-direct.

Shouldn't "Sunny" Be Back on Soon?

Leaguers may know I'm a fan of the FX Network program, "It's Always Sunny in Philadelphia". And it seems like a good, long while since Season 4 ended (with a performance of a musical of "Day Man/ Night Man"). And while I already have a foul-mouthed, skinny blond at home, it is time for another round of Sweet Dee.

I wouldn't Tivo the show for your kids, but its good stuff.

The internet tells me that it'll be coming back in September.

Not for the kiddies:

I know you see three shirtless dudes here, but do not let that fool you.

Jon minus Kate Plus Joint Custody

Shocking nobody, Jon and Kate of reality TV show "Jon and Kate Plus Eight" sound like they're heading for divorce in a much more than speculative way. Here.

While indeed morbidly fascinating to watch, its not fun to write about. But if you've seen the show of late (which has taken to inserting special celebrity guest stars to distract from the fact that Jon and Kate have no interest in communicating), this should be no surprise.

May Jon find his stripper and head for Tahiti, and Kate get... whatever. Mostly, I will be curious to see the follow up in "People" in 2020, updating us on whatever happened to these people.

I think they have contracts with TLC that go for another two seasons. I have no doubt TLC will be holding everyone to those contracts as its sort of untapped territory for television.

Palatschinken

My new hero:

13 year old Kennyi Aouad in the 2009 Scripps Spelling Bee.

All of these kids are amazing. Seriously. They all give me hope that I rarely get when I deal with 13-year-olds in the wild.

But Kennyi brought pro-sports-like sideshow personality to the competition. And when he got the word wrong in round 11, he felt he needed to reassure the audience (and himself) that it was okay, and he'd tried his best.

I don't often apply the word "moxie" to spelling bee competitors, but Kennyi has it by the truckload.

alas, he was taken down by the word "palatschinken". Yeah, I'd never heard it either, but it seems to be some sort of pancake-like item

Jon and Kate - staying together for the kids

So... that post-scandal season premiere was sort of horrible. TLC has moved from exploiting the cute kids to exploiting the wreck that being on television has created of the family.

Its kind of weird and sad. At any rate, the show is about something else entirely this season.

Snake n' Bacon

Over the past year or so, I've become a fan of Michael Kupperman's comic "Tales Designed to Thrizzle".

It's a little difficult to explain the comic and do it justice, but I enjoy features such as "Twain & Einstein" and "Snake n' Bacon".

You sort of have to imagine if Tom Tomorrow drew more than four things, and/ or could handily imitate different styles and sort of mix media.

He's also quite good at finding new angles on old ads one would find in comics and magazines.


sorry, Mom.

Anyway, they've adapted Snake'n'Bacon, one of Kupperman's strips, to a show on Cartoon Network's Adult Swim.

I highly recommend. (It's, like, 15 minutes)

I apologize now for talking about "Smallville"

Smallville is a bad, bad show.

On any other network, "Smallville" would have been canceled long ago. It ranks in the lowest rungs of TV watcherdom*, but because it shows on The CW (the bastard love child of failed networks "The WB" and "The Paramount Network"), and has more viewers than "Everybody Hates Chris", its the darling of the CW network.

When I am at the Pearly Gates, St. Peter will be watching my life with me on some super-high-def Pearly Gates TV, and he's going to hit pause and ask me "why? Why did you spend so many hours wasting your life watching this show?"

And I won't know. I won't feel good about it. I don't feel good about it now. I barely admit that I watch the show. And, truthfully, I did stop watching it for a year or more. But then I saw an article on how they were bringing in Smallville's version of the Justice League, and I tuned in, and, well...

The truth is, I don't think I'm just making it up that the first three or four seasons of Smallville were frequently dippy as they tried to mix "Dawson's Creek" style teen-romance with superheroics. But it was a completely different and better show than what we're seeing now.

For those of you who don't know... Smallville was supposed to tell the stories of a teen-aged Clark Kent (the pilot was his first day at high school) coming to terms with his powers and his identity as something other than human. The show cast John "The Dukes of Hazzard" Schneider as Jonathan Kent, and Annette "Superman III" O'Toole as Martha Kent, the two playing his wise and loving parents, guiding him toward his role as Superman.

Anyway, the show was pretty straightforward. Teen-aged kid fights crime, lies to a 20-something Lex Luthor about having an alien origin, and has romantic trouble with the worst character on TV, ever (Lana Lang as portrayed -poorly - by Kristin Kreuk).

For a while there, the show featured name actors, from Rutger Hauer to Christopher Reeve. Terence Stamp was the voice of Jor-El, and a concerted effort seemed to be made to tie the show to the Reeve-starring movie continuity.

The series completed its 8th season this last week. Gone are the days when the show had a budget that could support keeping high dollar actors like John Glover, John Schneider and Annette O'Toole around for every episode. These days, those actors are all gone, the supporting cast of 20-somethings, just happy to be working, mostly appears in half the episodes, and the FX budget appears to be roughly 1/3rd of what it was in the earliest episodes. We're lucky if we see Clark run at superspeed anymore.

More than that, however, is that the scope and scale of the show seems to have diminished, and what writing does occur has been, for several seasons (and through a complete changing of the guard this year in creative leadership) pretty much a trainwreck.

And yet... I keep watching.

In many ways, I really do not understand how supposedly professional writers could be so very, very bad. Just simple, dumb choices have led to an ever escalating parade of dopeyness.

To list or innumerate the failings of the show is probably an exercise in frustration and/ or self-loathing for myself as a viewer. However, as a Superman fan, its fascinating to watch unfold as the show seems unable or unwilling to just go ahead and try to build toward the point at which Clark Kent makes the decision to put on his tights and save the world. It's become less about the young Kal-El's path to iconic status as The Man o Steel and more about the most extended case of "get to the point" in televised history. I say this as someone who watches "Lost".

There were improvements this season. I do not exaggerate when I say that Smallville fell into a weird pattern in seasons 6 and 7 where it wrapped its main plot of the episode and utilized the last 10 minutes of every broadcast to have Clark berated by his "love interest", effectively celebrating something that slid from wicked co-dependency to an emotionally abusive relationship. I wouldn't make too much note of that other than that, based on the Neutrogena and make-up ads, Smallville is geared towards teen-aged girls. Which... is squarely not in the usual superhero demographic. But given how the show insisted that Clark and Lana's deeply dysfunctional relationship was held up as "true love"... it just got creepy by the time Kreuk left the show.

What sort of bizarre superhero show spends 1/4 of its broadcast time each week dedicated to the superhero apologizing and being told he is a bad person? And what kind of weirdo fantasy was that for the audience of teen-aged girls? What do I not know and what am I missing here?

Add in what occurred with a different supporting character this season, and we've moved into coded messages about the nobility of aiding and abetting a known murderer, with a heavy dose of Stockholm Syndrome, sexual predation as romance, infidelity and physical abuse.

Hoooray, Smallville writers!

And still, I watch. Mostly at this point for the same reasons one would watch Melrose Place back in the day. By driving all character decisions from a plot standpoint rather than bothering to try to have anyone behave rationally or explain their actions in anything that makes sense (and doesn't require heaping guilt upon our Superman), everyone, and I mean EVERYONE, on the show seems as dumb as a bunch of cattle. But unlike Melrose place, eventually the writers seem to sober up at the end of the season, realize they've written their supposedly heroic characters like a herd of morons without a minder, and try to backpeddle out of the other 20-odd episodes of mistakes with a lot of speechifying and self-serving rationalization.

But I cannot look away.

There's a fundamental difference, I think, between how writers typically handle superheroic comics and how Joe or Jane TV writer handles a TV show, or even where those writers are coming from. My guess is that the writers of Smallville are work-for-hire writers with little in the way of a comics background. If their reference point for superheroics are within the loop of madness that Smallville has become, then the reference points just aren't going to be there for the writers to know that, hey... Superman isn't going to be much of a Superman if every cross word from a pal is going to send him into a tizzy of inaction or ineffectiveness.

Superman didn't become Superman because he was unwilling to take action or let grouchy "friends" dictate his actions.

At any rate, I now have a few months to consider whether I'll watch the show next year, but even in that, I know I'm caught in a loop. Smallville always starts out with the best of intentions for a season, and the first two or three episodes don't usually hint much at the madness which is to come. Its when they start setting up the plot for the next 20 episodes that things get out of control.

Lost is really onto something with this whole shortened season with an end point business.

*Week May 4-10, 2009, Smallville was the CW's #2 show, pulling in 3,392,000 viewers. "Dancing with the Stars" pulled in over 20 million. The real news is that, for some reason, America's Funniest Home Videos pulled in almost 7 million viewers. That's a lot of people watching other people get hit in the nards, Leaguers.

In this one I talk about "Lost" and "Ghost Hunters". So there.

Leaguers, I hope your week has found you well.

Apparently there's a good deal going on in the sports world right now. Basketball playoffs, Brett Favre causing trouble, baseball steroid scandals, and probably something with Dancing with the Stars. But I'm blissfully unaware.

I did watch every episode of "Lost" this season.

Spoilers below

I'm still enjoying the show. My complaint today is the same complaint I had with the show when it started. Somehow the writers have a very hard time getting the pieces of their show to flow organically from a character standpoint, and so, a bit like on a soap opera, characters tend to simply move about the playing board to create new and different conflicts instead of making rational decisions. Someone explain to me why Kate wanted to save people on the island? Aside from that it made a vehicle for the trio to return to the island? I know the show needs to be heavy on plot just to wrap up, but sometimes I wind up feeling that its all plot and they kind of fake the character bits unless it comes to Locke and Linus.

Also: I am deeply concerned that the season spent so much time on Time Travel issues this season, and not once did a single character point out that they couldn't actually be successful in resetting the clock, or none of them would be there to try, which would mean that, hey... this isn't going to work. Too often, time travel is a narrative dead end.

And no Juliet next season? Do not approve.

End spoilers.

I also think I'm... sigh... giving up on Ghost Hunters.

After five years or so of watching these guys scare themselves in other people's homes, businesses, and now THEIR OWN BUSINESS (they inspected the inn Jay and Grant's wives are now, apparently running), I think I'm going to have to say its been fun, but I'm checking out.

The show seems to increasingly ignore their own investigative techniques and use stuff like "I think I saw..." and questionable audio blips as evidence. I'd think that with as many hours as they've logged and as many of these investigations as they've undertaken, there'd be something of a payoff, but they seem to be moving in the opposite direction. And why they think a single night in any location is sufficient to gather enough evidence suggests some vestigal past from a lower budget operation, that I assume they no longer are.

I don't personally buy into the paranormal, but it doesn't mean I didn't want to see something amazing and inexplicable on TV. But at this point... well, alert me when and if it actually occurs.

I guess I'll just return to watching Mythbusters blow up cars and whatnot.

Trek and Me

Ed. note: This isn't my Trek review. I'll get to that later.

When I was a very small kid, I recall watching Trek re-runs a little bit. There was a cartoon I caught once or twice, but I was mostly into Star Wars, so the pacing and lack of space ninjas and whatnot was just not that exciting to me. They spent an awful lot of time talking on Star Trek, and too little time shooting at stuff or employing Ewoks an cannon fodder.

In 2nd or 3rd grade, someone showed me Star Trek: The Motion Picture on VHS, and I mostly remember being painfully, painfully bored. Until the end, which I found trippy and awesome. Somehow back then I knew exactly what Voyager was (I'll thank The Admiral), and so it sorta made sense where they were coming from. I appreciated the scope of the movie, but as an ADD-riddled kid, it was just so sloooooow.

Summer after 3rd grade, we stayed at my grandparents in Missouri, and though I had not seen Star Trek II, we rented Star Trek III one night (they owned a VCR. We did not.), and watched the movie, which I recall really liking. We also watched that Nostradamus documentary that everyone watched back then, and I liked that less because it predicted nuclear armageddon in my lifetime. Sure, some of it freaked me out, but I liked the Klingons and sort of pseudo-sciency stuff around Genesis.

In 4th grade we moved to Austin, and I had a lot of downtime around 5:00pm for some reason. 5:00 was also when KBVO showed Star Trek reruns. So each afternoon I'd decamp to the TV and try to watch Trek. The episodes that really stick out are The Cage, Arena, the salt monster episode, The Trouble with Tribbles, The Enemy Within, and many, many others. Mirror, Mirror, of course...


My make-believe buddies in 4th grade

There was also one where McCoy was driving around Spock's body by remote control for some reason, and I thought that was the craziest thing, ever.

I got into the characters at that point, sort of lionizing Mr. Spock in particular. So I sort of bought into the Trek thing pretty hard. Not like Reed, Jason's new pal... but I was into Trek. In fact, I remember trying to talk to friends at school about Trek, and it seemed (and this is a painful stereotype, but its true), the kids in my nerd/honors classes were always much more inclined to be into Trek than the rest of my classmates. It was a sort of given that the boys should have some working knowledge of Trek. The girls... not so much.

In part, thanks to Trek, I learned that just because I was enthusiastic about something, not everybody was going to love it. For God's sake, I wore Spock ears to school for my Halloween outfit in 5th grade (I would go on to dress as Kirk for a high school drama party my senior year).


the League, circa 1986, wishes you to live long and prosper. Special tip 'o the hat to Jamie for finding and scanning this classic for her own post. And to Jason, for taking this picture a few decades back.

But I also understood pretty early on that love for Trek took many forms. I might like Trek the way I liked basketball and football, but not the way I loved X-Men or Batman at the time. But I saw that there were folks who really, really loved Trek.

We would attend comic conventions at the Holiday Inn down by the river (its that round tower, sort of by Picky's Pantry Chevron, Austinites. You know it.), and those would be held in conjunction with Trek cons. And those guys were intense. I think Jason saw more of it than I did (I was digging through back-issue bins, he was looking around knowing he could read anything I spent my money on), but I do recall seeing the guys in Star Fleet outfits and thinking that was just kooky. Let alone, where did one secure one of those get-ups?

Upon its release, we went to see Star Trek IV: The Voyage Home (the one in the 1980's with the whales) at the Arbor IV, back when that meant something. The Arbor had THX sound, and something resembling stadium-style seating. At the time, if you wanted to get the full cinematic experience, and didn't want yoru shoes to stick to the floor of Showplace 6, you talked Dad into taking you to The Arbor IV. And I want to say this, because nobody ever believes me but...

The audience STOOD for chunks of the movie. STOOD. That was how excited these folks were about their Shatner and Spock. There was applause, and shouting, and just a damn lot of love for what they were seeing on screen. When the harpoon bounced off the Klingon ship? Oh. My. God. Pandemonium.

Afterward, we dissected the movie with my dad at Taco Bell. That's how much I remember being jazzed about that experience. That was all, of course, before Star Trek V: The League Demands a Refund (which featured a fan dance from Nichelle Nichols about 20 years too late).

I've only been to one other movie where people freaked out like that, and it was seeing Pulp Fiction at the Hogg on UT's campus fall of 1994, prior to widespread theatrical release. People also stood up there. But I really understood how important Trek was to people at that moment, and it was pretty huge for me, too.

I wound up keeping gerbils for a while. I think I was more interested in the habitrail than the actual animals, but I did wind up naming one of them Leonard Nimoy (the other was named Richard Nixon. I don't know exactly why.).

Like a lot of other young guys watching Trek, I had a TV crush on Lt. Cmdr. Uhura. You can have your Nurse Chapel or your Ensign Rand. But I was all about a savvy communications officer in go-go boots. Because I think if I ran a star ship between 4th grade and college, that's how I'd have run it, too.

I don't want to overstate this, but I did grow up seeing Uhura on the bridge of the Enterprise, understood she was an officer, and that was sort of a social battle won for somebody, somewhere. I would be in college before I actually stopped to think about how odd that must have been in the 1960's to have a black woman on a prime time show appearing as a capable military officer. Sure, she wasn't part of Kirk's inner circle, but she was featured as much as any bridge members back in the day. And she would go on to be as important as anyone in the feature films (in certain trek media, she's an Admiral).


a sweet-ass ride

No sooner did kids our age have their hands on a camcorder than we were doing our own Trek spoofs. I still recall a video of Jason and Reed as the crew of the Starship Win-a-Prize. Reed's Captain Kirk was a little trigger happy, if I recall, and Jason's science officer kept being approached by our border collie, Misty. He worked her in. Exterior shots were Lego. The bridge AND outerspace looked curiosly like our living room.

I initially rejected The Next Generation as looking like somebody's living room zipping through space (I still hate the set design). Plus, it took a few episodes to have someone who looked like a high school principal running the ship. Eventually I settled down, got over the lack of Vulcans (I never, ever understood why they didn't have a Vulcan or three), and got on board with the show. But that first season was rough.

I followed the original series through "The Undiscovered Country" and into "Generations". But once Next Generation wound down and took over the movies, I just wasn't super-interested anymore. I'd only dipped in and out of Deep Space 9, occasionally watched Voyager, and never took to Enterprise. Bully for you folks who did, but I don't know really my Tuvok from my Archer.

As much as I loved Star Wars (until, circa, 2002, when I gave up), Star Trek's tendency to lean toward science fiction rather than fantasy appealed to a completely different side of me. It wasn't as flashy as droids and lightsabers, but it all seemed so possible. And even if it weren't peering into the future, it seemed to suggest ideas as problems for engineers to solve and diplomatic and naval strategy to ponder rather than just accepting that "it's The Force, go with it."

I don't agree with all of Roddenberry's vision of the future. The notion of an enlightened world, free from human avarice seems so far off, that's the hardest part of his fantasy to swallow, but I see why he wanted to present that vision. Without believing in that goal enough to put it forth as an option, how can you work towards it?

And he didn't always achieve his own vision. Trek, after all, was still basically (as I like to say) three dudes flying around space in their space corvette, getting into scrapes while the swinger of the group picked up chicks and his wacky pals sniped at each other. Roddenberry's vision of the future still featured three white dudes and a lot of helpless women in need of Kirk's tender ministrations.

But it did throw open the door for what came later in other series that had internalized those notions a bit better.

I think it's now closed, but the Hilton casino in Vegas had a whole wing devoted to this show that only made it on TV for three seasons. The Star Trek Experience was an amazing fan-boy's dream. The restaurant was built to look like the set of the bar from Deep Space 9, there were real props from the shows everywhere, including models of the ships. Klingons wandered about and folks in Starfleet uniforms. There was a ride with a narrative associated with it that started after they somehow faked beaming you aboard the Bridge of the Enterprise. Which... I still don't really know how they did it. I'm sure they heard "whoa!" a hundred times a day.

I was always a little sad Jason never saw it.

Anyhow, Trek has been with me for a long, long time. I am actually quite thrilled that Paramount is taking steps to make sure it might be with me for quite a lot longer, and with some version of the characters who I loved first and best. I don't see it as dishonoring Gene Roddenberry. I look at it as caretaking the vision of teh future Roddenberry first shared more than 40 years ago.

If Kirk's communicator could plant the idea of a cell phone in an enterprising engineer's head, then what else can we hope to see materialize? How long before they're beaming us up?

I have to admit, I was at Target last week and saw they were selling Star Trek toys. After wanting one for 20 years, I am now the proud owner of a Starfleet Communicator. If I can locate the Tri-Corder, my mission is complete.

Best Comic Superhero Movies of All Time

So in the comments on my post about Wolverine, Jason challenged me to name the best and worst superhero movies of all time. I think, wisely, Jason suggested I stick to
superhero movies that were actually adapted from comics or graphic novels.

Like any genre or sub-genre of film, there's a few shining stars, there's several in the mid-range, and then some movies that are epic in their failure to execute and/ or entertain. Those films often gain legendary status among geeks, as (in)famous as their more successful counterparts. But, of course, they enjoy the word-of-mouth "you haven't seen it? Oh. My. God." status.

The problem with superhero movies (much like sci-fi) is that there seem to be a far greater number of movies that hit the ultra-bad status rather than the very good.

So what did I pick?

How about this? Here's my top five in no particular order.

1) Superman: The Movie
Sure, its Metropolis scenes are hopelessly mired in the ill-conceived fashions of the 1970's, and the whole "Can you read my mind?" sequence is a test of anyone's patience/ sanity... But it also tells a deeply complete story on a scale that's still difficult to match. I still find the characters and motivations of everyone but Otis (read: RHPT) to be truly thought out from a writer's perspective. Cliche they may be these days, but lest we forget: Superman originated a lot of those cliches, so credit where credit is due.

Its hard to believe Reeve is in his early 20's (about the same age as Routh, who was often criticized as "too young") as he managed to define the character of Superman for a generation. Throw in Kidder's "tough city reporter", the essence of Lois Lane, and Hackman as a daffier-than-expected Lex, and it adds up to the capstone on a great cast.

Its also got one of the most memorable scores in all of filmdom, fantastic cinematography, amazing practical effects and manages to tell an amazing, epic story. Something almost no other superhero movie has managed to pull off.

And I know you think Superman II is better, but its far campier and goofier than what you remember. I assure you.

2) Spider-Man and Spider-Man 2
Spidey swung in on a web and saved the superhero movie for the 21st Century. When we'd come to expect dreck (more on that later), Sam Raimi's love of the wall-crawler in both the first and second installments hit pitch perfect with the audience and recreated the superhero film by actually paying attention to the original source material instead of dismissing it as kiddie-garbage.

Raimi, unlike Burton and his Batman, "got" Spidey in all the ways that mattered, and understood what had made the original source material work. Rather than slavishly try to hit all the beats, he distilled down why we love made the damn best two hours of a Spidey movie anyone could ask for.

Sadly, Spidey 3 was a terrific mess and a disappointment.

But Spidey 1, especially, is a hell of a lot of fun. Who didn't want to web-swing after that movie?

3) The Dark Knight
I grew up as a huge fan of the Burton films, but they never felt exactly like the comics I was reading when I'd head home from the store with Detective or Batman comics in my hand. The Dark Knight built on the based-in-comics foundation of the Goyer-assisted Batman Begins (which was great, but could have used more Year One), and sets Batman firmly in a world much more like our own. And then drags the audience along, like someone tied to a galloping horse for about two hours.

In many ways, the Batman comics WISH they were as we well put together as Dark Knight, and I don't think any writer since Morrion did "Arkham Asylum" or Moore and Bolland finished The Killing Joke has managed to make the Joker so completely frightening or menacing in a way that seems all too possible.

Sure, I've failed to do a Maggie Gyllenhaal "DITMTLOD" post, but the replacement of Katie Holmes as Dawes is not what makes me love the movie. Its just a rock-solid film from start to finish with clearly defined characters struggling in a world where morality is punished.

Also, the score is nothing to listen to for relaxation, but its a huge part of the environment of the movie.

4) Iron Man
It's a recent entry, and so I'm reluctant to place it so high in the rankings, but Iron Man is a great story of circumstance creating a hero from the complacent.

Its tough to imagine anyone but Downey in the role these days (Tom Cruise actually had the role locked up for a few years until the rights expired).

Had Iron Man not been overshadowed by Dark Knight's insistence on refining the genre, it would be the movie we'd all still be talking about (I am. I have it on Blu-Ray. Thanks, Jason!).

The movie was probably mostly there in the script, but its not too difficult to imagine how it could have gone wrong. Humorless. Forcing in the alcoholism angle of the 1980's too early. Too many one-liners. Someone deciding it was a kids movie, and could we lighten up the middle-eastern portion... So many ways it could have been nothing but, literally an empty suit of a movie. But Favreau and Downey found some perfect pitch to hit. Sure, its spirals into the same mad scientist/ my evil twin-ness of several other superhero movies, but its a great ride getting there.

Plus, I liked Gwyneth Paltrow again. Who knew?

If Dark Knight made me want to lay down for a while afterward, Iron Man made me want to stand up and cheer.

5) Justice League Unlimited
is not a movie. But it's available on Netflix, and is the best representation of the JLA I've seen. And that includes Morrison's JLA, to which I have a slavish devotion (Rock of Ages? Best. JLA. Story. Ever.).

It doesn't hurt to watch the preceding two seaons or so of the series "Justice League", or all the various seasons of Batman or Superman (also available via Netflix). But JLU's two seasons were a high point in American televised animation.

Brilliantly voice-acted, well-animated, and with a team of peopel scripting the thing at a level not seen on most prime-time shows (aside from, maybe, Lost or something...), JLU encapsulated everything there is to love about the DCU. Big stories with small, personal moments. A wide cast of characters fighting for the common good, questions of power and responsibility... all that stuff. Plus a wild array of villains and villainous plots, grounded by well defined characters on both sides of the good/ evil dichotomy.

Plus, Amanda Waller.

Its a great run on a great series. Never embarasrsed about being a show about superheroes, and never feeling that because its a show about folks in capes that it should be anything less than the best show they could make it.

If not for the greed of Cartoon Network officials (unhappy the toy money was going to DC and not to them), we would have had another few seasons. But I'll take what i can get.

And if you don't find anything cinematic in the season endings to either season, the Amazo episodes of JLU, the Dark Heart episode, etc... well, more's the pity. I love that they can do this on the comic page, and I love it that Timm, McDuffie and Co. brought me such imaginative work over so many episodes.

But I also don't mind their straight-to-DVD features. All of which have been worth picking up, in my opinion.


Honorable Mentions:

Obviously X-Men and X2 are great movies. Simply terrific at condensing down the expansive X-Universe. But the first film's ending is kind of goofy, and I'm not sure the second film's ending pays off the set-up of the film on the scale I would have preferred.

I actually like both of the recent Hulk movies for different reasons, and would gladly pay to see a sequel to the Edward Norton-starring Hulk. I really don't know what else you're going to do with the Hulk, so it worked for me.

Superman II and Superman Returns certainly get an honorable mention.

Hellboy 1 (but, sadly, not Hellboy 2).

I still like the short-lived Flash TV series, Seasons 1-3 of Smallville, and Wonder Woman.

Jon and Kate plus 8 plus "Mystery woman"

Oh, man. There is no way for me not to come off all judgy and jerk-like on this one, but its my theme of the week, so here goes.

Who called it just a few months ago?

Jon was, apparently, spotted with a "mystery woman" sans wedding band. Here and here.

I watch the TLC show "Jon and Kate Plus 8" religiously while blogging on Monday nights. It's masochistic, and I admit, I watch for all the wrong reasons. TLC either is unaware of, or knows and doesn't care, that its been documenting a show less about a couple struggling to raise 8 kids than it's been documenting a man's slow emotional evisceration. Its not a great reason to be hooked on a show, but hooked on it, I am.

And I wanted to be there when he cracked. And crack, he (apparently) finally did.


Jon and not Kate

Sure, Jon TOLD the crew on the last episode of the most recent season that he didn't want to do the show anymore, and he's taken to staring without blinking for entire episodes... And, possibly partying with co-eds. But Kate loves doing the show, loves being famous for being herself, loves being told she's a great person, and loves having the platform for her celebrity and associated benefits/ money.

Jon will, of course, be vilified, and people will ask "how could he do it?"

I shall tell you!

1) Jon married a terrible harpy of a woman who takes pleasure in emasculating him at every opportunity. If you identify with Kate, I highly recommend standing up, walking to your spouse and apologizing. Because its possible you're a terrible, terrible person. Kate is.
2) He mistakenly gave birth to 8 children, 6 of them at the same time, all of whom communicate by screaming and crying every minute in which they are awake, if the show is any indication. As part of the show, he has to stay home all day with these kids he accidentally made with whatever fertility treatment Octomom must have used.
3) He hates being on the TV show, and being the object of constant, unwanted attention. He said so right on the show.
4) His income, needed to support the 8 screaming children and the horrible harpy lady, stems from being on the TV show. Whatever IT career he supposedly has is a shell of whatever it was.
5) The ratio of screaming kids and wife berating him at every turn versus anything resembling kindness or gratitude or anybody noting that he's involved in this, too, is about 100 to 1.
6) Ever see Jon with friends or family other than Kate? Think maybe there's something to all that?
7) Also, Kate is awful.
8) Jon is in a living hell of his own making. And I pity that man every day.

Does all of this pressure mean Jon is entitled to cheat on his wife and bring shame upon his children? I'll leave that for another person to determine. I know the "right" answer is to say "no, he shouldn't do that", but... have you watched that show? They're lucky that picking up co-eds is all he's doing and they can actually find him when they look for him.


Also, not Kate.

Here's a lesson to take home, Leaguers: if you treat the person you married with no ounce of love or respect (especially in public/ on TV), eventually, they are going to decide they don't respect you, either.

And if they don't respect you, and you have put them in a position where you're making their life a living hell? They won't really care about the consequences of their actions and how it reflects on either of you.

In February I said:

I look forward to the day when we all find out Jon fled on a very special episode of "Kate Plus 8 (minus Jon and his Income)".

Indeed, that day is already here.

I guess I'm sort of interested in the cult of personality Kate has built of people who think she's a good enough idea that they buy her books and whatnot. I assume many people raising young ones feel a certain kinship with Kate, especially those who may imagine themselves or relate to Kate's pithy comments at a husband who seemingly just doesn't get it.

There's a lesson here somewhere about fame, fertility drugs, etc... but there's also a lesson about two people who very publicly want different things and its led to one of them not caring about their marriage, and I'd question whether either of them care, but for different reasons. And why you shouldn't ever really want to be on TV.

A show about the joys of family has turned into sort of the opposite. And there are eight kids who are going to be able to buy the DVD set of the dissolution of their parents' marriage.

Also, that Matt Roloff dude on Little People, Big World? He totally got picked up for a DUI in 2007ish. Apparently it was his second.

TV Flashback

This post only sort of makes sense. I started looking at this "Bigfoot and Wildboy" intro clip and then posted a bunch of 70's and 80's era sci-fi stuff that I liked, but never really got much attention. This was back before I knew about TV ratings, separations between Prime Time TV and after school kid's stuff. Things like that.

Its kind of impressive what a practice in narrative economy these opening sequences are. You get the basic idea of what's happening, a funky 70's coke-fueled band, and a look at who you're going to see in the cast (and a surprising number of clips end with "John McCheese as Lt. Rodwhatsit". Why do we have to identify the cop's character, but nobody else?

Wonder Woman sort of does all this in song:



Got this clip at Calvin's Canadian Cave of Cool.

I can't imagine what the dudes were on who came up with this, but it must have been a bit stronger than Children's Advil.



Okay, let me rephrase that. I can maybe see coming up with the idea. It's almost as good as my idea for a show where FDR goes underground to run a crackerjack team of secret agents who refuse to play by the rules. But in the 1970's, dagnabbit, Bigfoot was in, but everybody knew our pal Sasquatch didn't talk. Hence: Wildboy. What I can't imagine is being the chain-smoking, chain-philandering, chain-cocktail-guzzling TV exec who looked at clips of this show and said "Bigfoot and Wildboy? That's TV GOLD, PEOPLE! AIR THAT SUCKER!!!!"

I do actually remember this show from the late 70's. But only very vaguely.

After shooting all day in the Southern California sun, that actor in the Bigfoot suit must have smelled like last week's Catch O The Day.

I also stumbled onto this on, and it blew my mind. I've asked dozens of people if they remember this show, and nobody ever knew what I was talking about.



They often thought I was talking about "The Power of Matthew Star". But, no, I was not. I was talking about "Phoenix". I don't think it ran even a whole season, or much of what it was about, but as a kid I remember thinking it was really cool and that Phoenix dude was weird.

Matthew Starr was a show about a cowardly space prince with questionable hair and Louis Gossett Jr.




Jason and I were also really into "Voyagers!" when we were kids. I remember that the Thomas Edison lightbulb episode blew my mind. Trivia. That boy is Punky Brewster's brother, and the adult accidentally died when he pointed a gun at his head with a blank in it and the concussive force killed him. That's why the show ended.



We were also into the briefly lived "Automan", even though we knew it was sort of a lame cop show with Tron-inspired FX.



I was also partial to "Manimal", which would have done much better had it come along about 10 years later when someone invented a piece of software that would blend two photos together. The dude could turn into a falcon and a panther and stuff, and when he was a human, he was rich British guy with okay hair. Not bad.



V: The Series. Which made no sense as the evil Diana and her cohorts STILL wore their "human" masks, even after everyone on Earth knew they were really lizards. It's like keeping on a monkey suit well after everyone realizes you're a person.

Despite the hair (or maybe becuase of it), Diana is better looking than I remember.



The Infrequently spoken of Spider-Man TV stuff. Probably closer to what Ditko had in mind than all that Toby Maguire hoo ha.



The also infrequently discussed Captain America



There was also this post-Heavy Metal Levi's Commercial I was very fond of. Its probably why I wear Levi's to this day.



And just for fun: the opening of The Adventures of Superman

Comics and Big Bang Theory

Because I'm going to get asked (Jill and Mom):

Yes, this evening's episode of "Big Bang Theory" was eerily on the nose. To the point where I wasn't laughing, so much as following the script's stunningly accurate depiction of comic shops, lingo, debates, culture, etc...

The issue Penny picked up was, I believe, a recent Booster Gold comic, which WOULD require the reader having had read Infinite Crisis, 52, and have a working knowledge of DC Comics' Multiverse and history. The Batman and Robin issue pulled from the bin was a year-old issue of All Star Batman and Robin the Boy Wonder by Miller and Lee. Sheldon and Howard were fighting over the rare alternate cover by, I think, Neal Adams.

And, yes, the Battle for the Cowl is currently ongoing in Batman comics. As of right now, the DCU believes Batman to be dead following the events of Final Crisis, which leaves a gap as to who, if anyone, could fill Bruce Wayne's cape as Batman. Like Sheldon, I believe its obvious that only Dick Grayson would make sense as the heir to the cowl, but I appreciate Stewart's points on why failed-Robin, Jason Todd, would be an intriguing successor.

I'd forgotten Joe Chill is once again a part of the Batman mythos, but I think that was accurate or they wouldn't have said it...

Also, the comic Stewart picked up for Penny's nephew was, I think, Dangerous Habits, a Hellblazer graphic novel. You may loosely know the story from the movie "Constantine", which bastardized the story to no small degree. And, yeah, i would have loved it at 13, just as I love it now.

Yes, every comic shop has a Captain Sweatpants. In some shops, it is a miracle to see a girl. Not so much at Austin Books, where you see a mix of girlfriends (both dragged along and equal partners in this business) and many women who shop on their own. I owe it to selection, wide customer base and the fact that Austin Books is run like a professional shop more so than most comic shops. But I have, at some stores, seen the nervous look over the aisles when a woman walks into a comic shop. But I'll be honest with you, those geeks are probably mostly interested in seeing what you're reading.

But for the 90% of normal shoppers, there are those 10% of customers who are Captain Sweatpants, over-stylized goth lifestyle guy, whatever. I won't pretend those guys and girls aren't there, because they certainly are. But I wouldn't want it any other way.

Anyway, BNT is fun to watch thanks to its accuracy to comic and sci-fi geek culture. Its great to have a show that laughs along with geeks instead of depending on humiliating and inaccurate hyperbole. And the mix of high-minded science withc omics is a bit flattering to geeks.

Even some of the science stuff I know, like the Drake Equation, which anyone who watches those History Channel shows on UFO's might know, and its gratifying to see folks like Smoot show up on a sitcom. A weird, fun mix.

Almost as funny as seeing Gary Numan show up on The Mighty Boosh on my DVR.

It's always a pleasure to see a Flash joke make its way onto the show, or a discussion of Superman's costume, etc... These guys know their audience. And we are loyal and appreciative when you do things right.

The producers aren't dumb. They were at Comic-Con last year and had a huge crowd. This year should be even crazier.

Some Other Stuff

GL Trailer

Trailer for the upcoming animated Green Lantern movie.

I'm not sure why they changed the outfit, but I have no complaints. It looks cool. Seems they kept the storyline in place of what's now considered the Hal Jordan Green Lantern mythos, so I'm happy so far.

Go here.

Free Comic Book Day

May 2nd marks the 2009 edition of Free Comic Book Day!

For those of you playing catch-up, here's the skinny: On FCBD, comic companies produce comics that can be given away at no cost to people who come into the store. After several years of doing this, the companies have figured out what sort of things make sense to give away for free to people who read lots of comics as well as people who are coming by just to check out the free stuff.

Not everything is free, of course, but your local comic shop may have some events scheduled. I suggest calling them up or looking at their website to see what they have scheduled.

Here's a website to check out.

Kurt Cobain Suicide Anniversary

This week marks the 15th anniversary of the death of Kurt Cobain, which the music media has been intent on insisting was horrendously important to just about everyone of my generation.

At the risk of sounding callous, I just wasn't that into the band or the supposed air of mystery around Cobain. I was actually under the distinct impression that by early 1994, Nirvana was fading a bit from superstardom to regular ol' popular rockers. That, of course, completely changed with the death of Cobain, the release of the live MTV album, and the rock-n-roll martyrdom/ mystery of Courtney Love that surrounded the death.

I do know some folks take Cobain's death deadly seriously, and in that I feel awful for his child who will never not-be the daughter of Cobain and Love, then I feel terrible. But I'm not going to romanticize his death, and I'm certainly not going to pretend it made me a Nirvana fan.

For more on the legacy of Cobain, I recommend checking out Garth Ennis's comic series, "Preacher".

The Show Must Go On

I was, of course, kidding about bailing when I wrote the April Fool's post (see, yesterday). For good or ill, we've no plans to shutter The League.

Today I talked two of my co-workers into attending a "Learning Break" for Library staff on the subject of "blogs and RSS feeds". Our office offers a blogging tool for facult to use to discuss their areas of expertise, so I figured I'd see what the presentation was about, and how they were pitching use of blogs in libraries. It turned out to be a very, very basic course on what a blog is, and how to use an RSS feed reader. And, of course, there were some in the room who had never actually read a blog and needed that kind of help.

Anyway, it was a fine presentation, but I just kept thinking "Six years. Six years. Six years."

A brief thought did occur to me, that if nobody said anything about me declaring The League was done and over with, I was going to feel pretty darn bad. I've heard of this happening with cartoon strips ending, etc... The creator sort of fantasizes about complaints regarding the end of the series, but then not a single letter comes in.

I am glad that I read about that at a young age. It's best to set expectations for yourself.

DC Comics launched a blog, by the way.

My Friends are Broken

Lauren is still recovering at home. Still on liquids. We're wishing her well and hoping she's on the mend. And, of course, Steven is doing a fantastic job making sure she's a-ok. She's not back to break dancing speed yet, but I have faith we'll see her headspinning shortly.

Mangum apparently brought home some sort of Thai Hooker Fever from his vacation. It sounds like he's got strep throat, which is treatable, but fairly awful during the process. So glad I shared fries with him at the movie theater...

Anyhow, Nicole has stepped up and reported in this evening. She's got Matty's back.


Thriller and Comics

There's a coffee shop now in the PCL where I work, and as I do not function without coffee, they see me every day. Which means I'm friendly with the staff.

I had to admit to them today that I was old enough to remember when Thriller was released (they were listening to the album and asked if I knew "the Thriller dance"). I watched their eyes as they mentally did the math and then become sad for me for being so close to the grave. Still, they promised me a lifetime of free coffee if I actually performed the Thriller dance.

I am considering it.

I'm a fan of shopping where people know me, and its a rarity in this day and age. The Austin Books guys know who I am, which is nice, but as I don't hang around the store, they don't exactly know me (well, Brad does). Part of the curse of only showing up once a week for about fifteen minutes, I guess. But I'm also happy that Austin Books is healthy enough that they aren't going to know every dude who walks in the door by default.

New Flash out today, by the way. Seems off to a good start, which The Flash sorely needed. It's been mostly not-good since 2005, but I'm sort of a Flash nut, so I hate to give up on the Scarlet Speedster.

It's tough to explain what happens in serial comics as writers come on and go off the title, and add their own little bits. But its also nice to know that Geoff Johns has made a hell of a career for himself by knowing what works and doesn't, and getting it all sort of straightened out through the actual story-telling.

My favorite line from the new issue? Barry Allen talking about Hal Jordan:

And he laughed under his breath like a maniac whenever The League was outnumbered.

Throw in some Van Sciver art that's above and beyond even what I'd expect (and I was expecting some good stuff), and it's worth the price of admission.

Anyway, yes, if you're playing catch-up and haven't read a comic since the 1980's, Barry Allen will be the Flash in the newest series.

TV

I don't know if I'm going to be as okay with all the explaining Lost is going to have to do as I thought I was. I have a bad feeling the last two episodes will feel like the final five minutes of the movie "Clue".

I'm also still enjoying "Kings" on NBC.

I was in Waco today for a demo/ presentation for several schools looking to join our consortium. I have no idea if they will join, partially because it wound up that I ended up delivering most of the morning's presentations and I always feel like that could have gone better when I wrap up.

Saw the digitization lab at Baylor, and I don't mind talking about how awesome it truly is. The technology that's in place these days for archiving print materials to a digital format for preservation and digital distribution is both fore-head slappingly obvious and amazing that anyone has actually manufactured devices such as robot-arm-vacuums for self-page-turning, full book scanners.

Sadly, I arrived home to find Jamie has fallen ill. No idea where it came from, but she's fighting either a bad cold or a light flu. No way to go into your birthday. She's in pretty sorry shape. Wish I could stay home with her tomorrow to try to help out. Maybe I can cut out early.

Robot Show

Came home and caught up on some shows off the DVR, including the two most recent episodes of Terminator, which isn't the nerve-jangling ride it was when it started, but I'm still onboard with its exploration of the concepts inherent to the mix of AI and time travel. I'm also glad that the writers and producers know how to wrap up a plotline that I, honestly, felt was going nowhere fast. I'm not too sure the two episodes redeemed some of the clunkiness of the season, but its nice to see they had a gameplan for the characters.

I'm also still enjoying the B or C-plot of former FBI Agent Ellison and John Henry, the rapidly learning AI.

Sure, its still a program that if ou start to pick at it (oh... that would NEVER happen with a cyborg! and that wouldn't happen with time travel!), then, wow... way to go genius. You've somehow found the flaw in the show with the Very Attractive Robot. based on an Arnie movie. But if you accept the internal logic, its got its good points.

Work + Birthdays and Stuff + Comics - Time - Sleep = end of line

Its been very busy round here the last few weeks. I also got up at 5:20 AM today for my drive to Waco. I haven't had a chance to read many of my comics the past few weeks. I'm going to grab some and then I'm going to crawl into bed.

Buenos Noches.